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‘The Batman’ Fan Theories with Rob Pattinson, Zoë Kravitz, Paul Dano & Jeffrey Wright | Vanity Fair

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Rob Pattinson, Zoë Kravitz, Paul Dano and Jeffrey Wright take turns reading, confirming and denying ‘The Batman’ fan theories from Reddit. Is the film set in a multiverse where Rob is playing Thomas Wayne, not Bruce Wayne? Are the Riddler and Bruce Wayne related? How often does Rob lurk on fan theory forums on Reddit? Are Selina’s “nine lives” a direct reference to her various disguises?

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‘The Batman’ Fan Theories with Rob Pattinson, Zoë Kravitz, Paul Dano & Jeffrey Wright | Vanity Fair

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24 Comments

24 Comments

  1. Brian Yerby

    March 2, 2022 at 7:20 pm

    Well flashpoint yall

  2. NOM

    March 2, 2022 at 7:20 pm

    Who ever thought he was Thomas is just stupid

  3. Elijah Valdez

    March 2, 2022 at 7:22 pm

    This movie was amazing

  4. Giannis MPO

    March 2, 2022 at 7:27 pm

    This is actually an excellent “interview”. Robert Pattinson is a fantastic Batman/Bruce Wayne. He got the role to perfection. Can’t wait for his evolution in the future.

  5. Zax Zumu

    March 2, 2022 at 7:30 pm

    I’m hoping for a hush/ bat imposter in a sequel to ruin whatever heroic reputation batman had built to that point. And get either nicolas hoult or matthew lewis to play dr eliott

  6. sai vignan

    March 2, 2022 at 7:31 pm

    Patman????

  7. JojoCane

    March 2, 2022 at 7:31 pm

    I love these guys

  8. Shakina Ariesta Gunawan

    March 2, 2022 at 7:32 pm

    I can’t take my eyes off that single strand of hair sticking out of Robert’s head ugh protect this man at all costs

  9. Ocelot4R

    March 2, 2022 at 7:32 pm

    Wow, I didn’t realize how tall Paul Dano actually is.

  10. LolixHunter

    March 2, 2022 at 7:35 pm

    ❤️

  11. Jaake Hillss

    March 2, 2022 at 7:36 pm

    its cool that the actors are real fans of batman

  12. robonick360

    March 2, 2022 at 7:36 pm

    This cast is such a vibe

  13. Jacob Lane

    March 2, 2022 at 7:36 pm

    Love Paul Dano and can’t wait to see him as Riddler

  14. Andy Kang

    March 2, 2022 at 7:39 pm

    Zoë Kravitz’s profile looks like a sculpture.

  15. Boulder Bash

    March 2, 2022 at 7:41 pm

    Trauma loop is actually pretty good

  16. Matthew Delgiudice

    March 2, 2022 at 7:41 pm

    On that last theory about Batman drawing in his villains.. Batman knightfall kinda proves it a little with bane coming to Gotham hearing the legends of a bat .. the thing he would see I’m his dreams while spending night in prison

  17. James Quentin Addison

    March 2, 2022 at 7:44 pm

    ha!! i always tried telling people it was pronounced paul ‘day-no’

  18. Gael

    March 2, 2022 at 7:46 pm

    Jeffrey Wright’s vice is crisp and deep AF

  19. Chris colombie

    March 2, 2022 at 7:47 pm

    Rob might not be the greatest comic book fan but you see he really enjoyed himself in that role

  20. Cariboubear Malachy

    March 2, 2022 at 7:48 pm

    Um, did they really not want to give these people chairs?

  21. caps lock

    March 2, 2022 at 7:50 pm

    Jeffrey Wright’s voice is very political and authoritative.????

  22. Louis

    March 2, 2022 at 7:50 pm

    Zoë Kravitz just draws you in.

  23. thrsheblows

    March 2, 2022 at 7:50 pm

    Lol they were not big enough fans to recognize the flash point Gotham but were fans enough to know what the court of owls was? Yeah, court of owls is 100% going to be in the movie

  24. harold thomas

    March 2, 2022 at 7:51 pm

    Zoeee!????????????????????

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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