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Gwyneth Paltrow Rewatches Iron Man, Glee, The Royal Tenenbaums & More | Vanity Fair

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“It turns out I was in Spider-Man, I didn’t even realize.” Gwyneth Paltrow takes a walk down memory lane as she rewatches scenes from her classic works including ‘Iron Man,’ ‘Glee,’ ‘Sliding Doors,’ ‘The Talented Mr. Ripley,’ ‘The Royal Tenenbaums,’ and ‘Shakespeare in Love.’ Gwyneth dishes on working with director Jon Favreau for ‘Iron Man,’ learning to never say never, and so much more.

Director: Funmi Sunmonu
Director of Photography: Grant Bell
Editor: Matthew Colby
Talent: Gwyneth Paltrow
Producer: Emebeit Beyene
Associate Producer: Alexis Alzamora
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Camera Operator: Shay Eberle-Gunst
Audio Engineer: Justin Fox
Production Assistant: Fernando Barajas; Lauren Boucher
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Rachel Kim
Supervising Editor: Rob Lombardi
Additional Editor: Jason Malizia
Assistant Editor: Billy Ward

00:00 Gwyneth Paltrow
00:33 Iron Man
03:32 Glee
06:42 Sliding Doors
08:55 The Talented Mr. Ripley
11:50 The Royal Tenenbaums
14:35 Shakespeare in Love

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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28 Comments

28 Comments

  1. @SavannahNewcomb-ft9sj

    March 18, 2025 at 12:00 pm

    Yasss

  2. @marxtakes

    March 18, 2025 at 12:02 pm

    Shakespeare in Love winning BP over Saving Private Ryan was so unfortunate. What an absolute tragedy

    • @batgurrl

      March 18, 2025 at 12:51 pm

      The Academy Awards cannot be taken seriously anymore. Especially now nominating 10 movies for best picture, most of which ‘your average person’ never heard of.
      Her win for best actress I did not have any problem with though.

  3. @Agent-wn7le

    March 18, 2025 at 12:07 pm

    She’s so pretty

  4. @Agent-wn7le

    March 18, 2025 at 12:08 pm

    Her mom is a actor to!

    • @MrJeepmarine

      March 18, 2025 at 1:16 pm

      *Too

  5. @DaringDasher

    March 18, 2025 at 12:13 pm

    She remembers!

  6. @Agent-wn7le

    March 18, 2025 at 12:15 pm

    How dare you not talk about avengers or seven?

    • @batgurrl

      March 18, 2025 at 12:20 pm

      That’s tragic and she NEVER talks about it. What on earth do you want to hear her say about it? Really

  7. @darkangel8068

    March 18, 2025 at 12:15 pm

    Overrated movie star

  8. @dolphinsgirl253

    March 18, 2025 at 12:16 pm

    She looks more and more like her beautiful mom every year…

  9. @batgurrl

    March 18, 2025 at 12:18 pm

    The Royal Tannenbaums is Wes Anderson’s very best film imho

    • @stable-shadow

      March 18, 2025 at 1:51 pm

      No, the life aquatic with Steve Zissou….. Esteban and Jaguar Sharks….. 🕊️

  10. @UnderdogPlays_

    March 18, 2025 at 12:20 pm

    She is a famous scammer Goop is snake Oil

  11. @TheLazyLabrador

    March 18, 2025 at 12:31 pm

    Surprised she didn’t plug her kitty kat pearls.

  12. @PiginaCage

    March 18, 2025 at 12:32 pm

    she’s so iconic

  13. @Wolfer1985

    March 18, 2025 at 12:36 pm

    How in the world you didn’t include EMMA or SE7EN, these should had been include for sure…

  14. @linwini2393

    March 18, 2025 at 1:10 pm

    that one royal tenenbaums scene is pure movie magic, i get chills just thinking about it

  15. @ethanaleman

    March 18, 2025 at 1:25 pm

    Great movie and a great actress

  16. @Cyberpunk_gf

    March 18, 2025 at 1:35 pm

    im tired of seeing this out of touch nepo baby everywhere

    • @theeseanadair

      March 18, 2025 at 1:41 pm

      Have you ever had an original thought in your life?

    • @josepha133

      March 18, 2025 at 3:40 pm

      You were free to not click on this video mate

  17. @chelseacanales8763

    March 18, 2025 at 1:46 pm

    What the heck did Shakespeare in Love win for Best Picture over Life is Beautiful or Saving Private Ryan? Shakespeare in Love is the second most BORING movie ever

  18. @ScentedCandles14a

    March 18, 2025 at 2:00 pm

    She is so elegant and beautiful, it’s mesmerising. Also a complete fruitcake. Exactly my type. Call me, Gwyneth!

  19. @abhiramkraj991

    March 18, 2025 at 2:13 pm

    how could they not include se7en

  20. @ElenasDad

    March 18, 2025 at 2:39 pm

    The Talented Mr. Ripley hive tap in

  21. @jumpingbee4717

    March 18, 2025 at 2:46 pm

    That’s some wonky facelift

  22. @jessenathan9346

    March 18, 2025 at 3:46 pm

    Ah yes, back when Glee was still tolerable.

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Entertainment

KARINA Gets Ready for the Met Gala | Vogue

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Aespa singer and rapper KARINA gets ready for her very first Met Gala. The k-pop star is wearing a white satin Prada dress that features an array of details from both the brand’s and KARINA’s history. The dress’s neckline is inspired by a Korean hanbok, a traditional style of dress that dates back to the ancient Three Kingdoms period.

Director: Yohan Yoon 
Director of Photography: Daniel Chang
Editors: Christina Sun Kim, Michael Park

Producer: Rashida Josiah
Producer, On Set: Kevyn Fairchild
Associate Producer: Anisa Kennar
Assistant Camera: Ginny Taglia
Audio: Amelia Palmer
Production Assistant: Noah Namgoong
CondéFuture Intern: Ian Kim

Hairstylist: Yoon Seoha
Makeup Artist: Cho Eunbee
Stylist: Choi Miseon

Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors

Assistant Editors: JC Scruggs, Andy Morell 
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editors: Kameron Key, Christina Mankellow
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke 
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri

Filmed on Location: 
The Carlyle, A Rosewood Hotel

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Sabrina Carpenter Arrives at the 2026 Met Gala

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Sabrina Carpenter arrives at the 2026 Met Gala

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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