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Billy Eichner & Luke Macfarlane From ‘Bros’ Test How Well They Know Each Other | Vanity Fair

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Just how well do stars Billy Eichner and Luke Macfarlane know one another after making their new film ‘Bros?’ Find out if their connection on screen translated to real life understanding when they play The Vanity Fair Game Show.

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20 Comments

20 Comments

  1. Karan Kapoor

    September 30, 2022 at 4:02 pm

    Who tf would wanna watch a ????show like this one ????

  2. Celebrity Tik Tok

    September 30, 2022 at 4:04 pm

    #BrosMovie was so good ❤️????

  3. CrimsionMoon

    September 30, 2022 at 4:05 pm

    love! love! lovveee these two ????

  4. It's Just Jess

    September 30, 2022 at 4:06 pm

    Just saw #Brosmovie last night at #Amctheaters.! I did like the film, it was nice seeing it in a full pack theater. Even me being straight and liking women I did have fun with this movie and I appreciate it so much ????????

  5. Aisadal

    September 30, 2022 at 4:06 pm

    It’s so great to see Billy and Luke here, especially with the great news that Bros performed very well! ????

    • Emmet Stone

      September 30, 2022 at 5:29 pm

      It was a really good movie and funny, too. Not to mention, so accurate to the LGBTQ community

  6. Lami

    September 30, 2022 at 4:20 pm

    Cringe af-

  7. boundbywordsblog

    September 30, 2022 at 4:41 pm

    Luke loses points here for pronouncing Toronto wrong ????????

  8. oksana ivanova

    September 30, 2022 at 4:45 pm

    ????Hi hanga talaga derede.Online ako sa sipag at paensya isang ikaw. ???????????? Ito ang hinihintay ko all this time. napakagandange musika at palabas???????????? I Like you baby ????//????

  9. Lucas de Araujo

    September 30, 2022 at 4:47 pm

    We need more LGBT characters and stories ????️‍????❤️

  10. john haxby

    September 30, 2022 at 5:02 pm

    i could watch Luke Macfarlane talks about stuff all day…dreamy

  11. Mary Williams

    September 30, 2022 at 5:47 pm

    Love these two! Can’t wait to see the movie ????✌️????

  12. jeremy jeremy

    September 30, 2022 at 5:52 pm

    This was too funny!!???????? Love them both. Want the movie on DVD (hopefully it will be put there) so I enjoy them every night of the week!!

  13. B. K

    September 30, 2022 at 6:09 pm

    That dude is way too hot. There’s no way I can be convinced they’re a couple in a movie. He’s just perfect. Wouldn’t ever happennnnn lol

  14. thousand points of light

    September 30, 2022 at 6:14 pm

    billy eichner and luke macfarlane are both highly overrated, mediocre at best.

  15. Bodyknowledge

    September 30, 2022 at 6:48 pm

    Congrats to Billy(etc) and this flick! It looks quite the humorous! Interesting(at least to me) that the first question was lifting related because for a time in the 07’ish range I was Billy’s fitness trainer in NYC.

  16. Pixxie Spit

    September 30, 2022 at 7:47 pm

    Luke better start watching Billy’s videos or else his character’s gonna be killed off in the sequel, a’la Mr. Big on his Peleton. Except it’ll be while he’s bench pressing, and only like 200 to add insult to injury.

    So petty Billy…

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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