“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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R T L
May 13, 2021 at 7:37 pm
Zacks DC films have been a mixed bag, but I will watch all his new projects just because he seems like such a nice guy
Kyle
May 13, 2021 at 7:37 pm
The Dr. Manhattan origin scene is quite literally art.
Mr.MovieMafia
May 13, 2021 at 7:37 pm
To that one guy in Wales who first used the hashtag “Release the Snyder Cut” in 2017… we thank you
C.A.P Productions
May 13, 2021 at 7:37 pm
#RestoretheSnyderverse let’s go.
Raymond Leggs
May 13, 2021 at 7:38 pm
Now I know there is a THIRD cut of Sucker Punch.. And I want it!
clash of clan
May 13, 2021 at 7:38 pm
Hail snyder, i love THIS man #RestoreTheSnyderVerse
Kuro Borang
May 13, 2021 at 7:38 pm
#restorethesnyderverse
Phelix_ 381
May 13, 2021 at 7:39 pm
Batman v Superman. A Misunderstood Masterpiece. A movie that was too much and too smart to understand AND I LOVE IT
Not Alone
May 13, 2021 at 7:39 pm
This guy oozes with passion I love it.
Saurav Mehra
May 13, 2021 at 7:39 pm
He is not a good director but he is such a sweet person idk why people hate on him so much.Just don’t watch his films if it
aggravates u so much!
Saswat Kumar
May 13, 2021 at 7:39 pm
U r the boss boss
Mr.MovieMafia
May 13, 2021 at 7:41 pm
Who they just completely skipped over “Legend of the Guardians: The Owls of Ga’Hoole”, that’s a shame
Hamidreza Nikoofar
May 13, 2021 at 7:43 pm
Zack Snyder is a rebel of a filmmaker. We need more like him.
Stir Fried Gaming
May 13, 2021 at 7:43 pm
Why isn’t this in 4:3?
Can Musk
May 13, 2021 at 7:44 pm
Yeaaaaaaa
#RestoreTheSnyderVerse
Louie Matuu
May 13, 2021 at 7:45 pm
#RESTORETHESNYDERVERSE
CoronadoMovies
May 13, 2021 at 7:45 pm
This guy has been through a lot. I’m so happy for him. I look forward watching not just Army of the Dead but along his future projects.
pgp
May 13, 2021 at 7:45 pm
No matter what people say, I love Sucker Punch ❤️
Aishwarya R
May 13, 2021 at 7:46 pm
❤️❤️❤️❤️❤️❤️#RestoreTheSnyderverse
Joseph Owczarek
May 13, 2021 at 7:47 pm
Release the Suckpunch director’s cut!
Joseph Owczarek
May 13, 2021 at 7:48 pm
They left out Owls!
In AnOther-World
May 13, 2021 at 7:49 pm
It just feels like he’s just too good for any studio sometimes. His vision is what being a director is about. Yet many refuse to see that.
Jeremy
May 13, 2021 at 7:50 pm
I get people don’t like his Lex, Superman, and/or Batman, but it’s unique and different than previous interpretations. Like what’s the point of a billion remakes, if it’s all just going to be the same story? Love Zack to the moon for this!
Luan Milaneli
May 13, 2021 at 7:51 pm
My dude Z look starving
Buxtonnes
May 13, 2021 at 7:52 pm
Don’t release the syndercut. Thanks.