Entertainment

Zack Snyder Breaks Down a Zombie Heist Scene from ‘Army of the Dead’ | Vanity Fair

Published

3 years ago

May 24, 2021

In this episode of ‘Notes On A Scene,’ Director Zack Snyder breaks down a zombie heist scene from ‘Army of the Dead.’ Zack guides us through the nuances and challenges of working with CGI zombies, and explains how he was able to edit Tig Notaro into his ‘Army of the Dead’ universe.

Army of the Dead is streaming now on Netflix, http://netflix.com/armyofthedead.

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

Zack Snyder Breaks Down a Zombie Heist Scene from ‘Army of the Dead’ | Vanity Fair

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25 Comments

H. Elitist

May 24, 2021 at 7:08 pm

ill coachh u cantt liftt sitttttttttttttttttttttttt

Reply
Anna K

May 24, 2021 at 7:08 pm

I did like the short field of depth effect, the blurry parts.
It was both visually interesting and entertaining.

Reply
Chandradhar Rao

May 24, 2021 at 7:09 pm

This movie is awful… Expected way more after zsjl…

Reply
H. Elitist

May 24, 2021 at 7:09 pm

snappppp a seatt 6 leggie staceyyy axl jackk enchantedddd me

Reply
noneya buisness

May 24, 2021 at 7:11 pm

Ah yes thumbnail of the biggest liberal looser whining about ars while promoting then in a movie 🤯 he’s such a clown.

Reply
F!zZ

May 24, 2021 at 7:13 pm

I think the person who played chambers is also the stunt double for that asian chick in mandalorian.

Reply
khushnood ali

May 24, 2021 at 7:15 pm

This guy’s a genius no question on that.

Reply
Random Name

May 24, 2021 at 7:21 pm

This movie gave me a Suicide Squad feel to it, I guess because the characters want money in an area full of zombies, it really is a suicide mission.

Reply
TheShiftyGuy

May 24, 2021 at 7:23 pm

The movie sucked lmao,bury it very very deep.

Reply
H. Elitist

May 24, 2021 at 7:23 pm

swwe elipseeeeeeeeeeeee reeeeealseeeeeeeeeee neck breakkk sling bladeeee snap bacccccccccccc findd yo cageeeeee foughtttttttttttttttttttttt lowwwwww blowwww huttttt hook shottttt doubbbbbbbbbbbb heeeeeeeeeeeee biggg pumppppp upp cheek toothhhh felttt bustt bowwwwwwwwwwwwwwwwwww ggunnn butttt puttt putttttt tagg next 1 jeez hennnnnnnaaaaaaaa dats comboooooooo actionnnnnnnnn all feminiee girllieee innn break skitttttt her skilll check miss

Reply
Andro Leguina

May 24, 2021 at 7:24 pm

The movie was ok, dont hate me.

Reply
H. Elitist

May 24, 2021 at 7:25 pm

NUBIAA BASICCC UTT BARR ON BUMBLE BEE DC GAUNTLETTTTT WUSHHHUUUU DEC POSEEE OFFF HANDDDSS VS SNMMMMMM SKIN HEAD NAHH CAPPP N LOSINGGG LATINAA STR8ENN GOIN BLONDEEEE MADD NEXT 1

Reply
H. Elitist

May 24, 2021 at 7:25 pm

WAT IC AN DO CHEER BAYVIEW GOOTHAMMM HMMMMMMMMMMMMM

Reply
Nick V Summers

May 24, 2021 at 7:26 pm

he is an awesome guy

Reply
Jaden Christopher

May 24, 2021 at 7:26 pm

Anyone know where I can get that shirt he’s wearing?

Reply
Adoring Fan

May 24, 2021 at 7:27 pm

Movie was awesome !!!

Reply
Danny L

May 24, 2021 at 7:31 pm

I’m gonna get hung by fanboys, but nobody else thought this movie was stylized trash full of plot holes?

Reply
Adam Moody

May 24, 2021 at 7:32 pm

Dude….You can definitely tell Tig Notaro was not in the original filming. It looks really really bad in some scenes.

Reply
Kris B

May 24, 2021 at 7:36 pm

Why would the casino owner cover the model of the casino in a sheet? Seems unnecessary.

Reply
Antonio F.

May 24, 2021 at 7:36 pm

Its simple when I see the name Zack Snyder I click.

Reply
zee a

May 24, 2021 at 7:37 pm

I don’t know I may b over analysing or just trying to justify a so called plot hole which was brought up by a lot of critics, abt how u can’t fly on but u can fly out. Here me out here guys I just got my own theory: Right now there are lockdowns going on everywhere at least here in India coz our politicians screwed up the entire handling of the pandemic, did multiple scams and ran out of oxygen, icu beds, medicines etc. And now we have also ran out of vaccines, all in all we r screwed, anyways coming back just before the lock down is imposed, some cities/ towns/ districts are divided into zones and there are restrictions for people entering certain zones with or without vehicle but if u want to exit ur allowed as ur no more their problem, so I am assuming this may b t case which they failed to mention or was cut out of the movie.
It’s just my opinion pls don’t bash me guys

Reply
Alex Great

May 24, 2021 at 7:38 pm

1. #restorethesynderverse
2. You should direct a Gears of War movie

Reply
Christopher Garcia

May 24, 2021 at 7:45 pm

Batista did absolutely great🙌🏼🙌🏼💯

Reply
Mad

May 24, 2021 at 7:48 pm

so there was the Snyder Cut the whole time.. in a safe beneath Las Vegas.. 😀

Reply
AL C

May 24, 2021 at 7:50 pm

People are such assholes. This guy makes very entertaining movies with actual good story telling. Does he have his plot holes? Of course but even Spielberg has his moments

Reply

Entertainment

How the Front Row Became the Front Row | Vogue

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Fynn Lithgow, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

Entertainment

Malcolm & John David Washington Break Down a Scene From ‘The Piano Lesson’ | Vanity Fair

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Director Malcom Washington breaks down an scene from ‘The Piano Lesson’ alongside his brother John David Washington. Malcom provides an elaborate explanation of playing with point of view to guide the audience throughout the movie, working with the “talented” Samuel L. Jackson, and so much more.

Director: Claire Buss
Director of Photography: Dave Sanders
Editor: Lika Kumoi
Talent: Malcolm Washington, John David Washington
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Audio Engineer: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Billy Ward