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Eric Bana Breaks Down His Career, from ‘Hulk’ to ‘Dirty John’ | Vanity Fair

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Eric Bana breaks down his renowned career, including his roles in ‘Full Frontal,’ ‘Chopper,’ ‘Black Hawk Down,’ ‘Hulk,’ ‘Troy,’ ‘Munich,’ ‘The Time Traveler’s Wife,’ ‘Hanna,’ ‘Dirty John’ and ‘The Dry.’

THE DRY is in theaters and On Demand May 21.

00:24 – ‘Full Frontal’
01:42 – ‘Chopper’
03:55 – ‘Black Hawk Down’
06:04 – ‘Hulk’
08:06 – ‘Troy’
10:37 – ‘Munich’
13:31 – ‘The Time Traveler’s Wife’
14:59 – ‘Hanna’
16:46 – ‘Dirty John’
19:18 – ‘The Dry’

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Eric Bana Breaks Down His Career, from ‘Hulk’ to ‘Dirty John’ | Vanity Fair

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29 Comments

29 Comments

  1. Masada1911

    May 20, 2021 at 4:18 pm

    I loved him in Munich. And Troy, and Black Hawk Down

  2. Abdellah Ibrahim

    May 20, 2021 at 4:21 pm

    Absolutely amazing in Troy, such a great actor!

  3. Jamo

    May 20, 2021 at 4:27 pm

    He really comes off as a guy who somehow ended up a star and never forgot how lucky he was. Cool dude

  4. Vel A

    May 20, 2021 at 4:28 pm

    I loved Eric’s version of Hulk and Norton’s! The rest were crap!

    • veda pierce

      May 20, 2021 at 4:31 pm

      Eric is definitely the best Hulk in my book.

  5. veda pierce

    May 20, 2021 at 4:31 pm

    one of the best actors working today.He’s incredibly underrated, though. THE DRY is an amazing film.Highly recommand it.

  6. Boss Sev 38

    May 20, 2021 at 4:36 pm

    1:48 he looks so much like Mark Ruffalo in Chopper

  7. Bryan Sith'ari

    May 20, 2021 at 4:38 pm

    Seems like a real down to earth bloke. Always like Eric.

  8. HOMEM FUGAZI

    May 20, 2021 at 4:43 pm

    This guy is really cool…
    Down to earth

  9. DamnFineCupOfCoffee

    May 20, 2021 at 4:51 pm

    Swoit

  10. Ben Henderson

    May 20, 2021 at 5:03 pm

    Weird how I thought he was one of the cast members in Goonies

    • Felicity Cook

      May 20, 2021 at 7:41 pm

      ????

  11. Brijesh Gokhale

    May 20, 2021 at 5:09 pm

    It is a crime that they didn’t mentioned him in Star Trek. He disappeared in that character.

  12. LoveTroll

    May 20, 2021 at 5:10 pm

    ❝ _When you are joyful, when you say yes to life and have fun and project positivity all around you, you become a sun in the center of every constellation, and people want to be near you._ ❞

  13. Crystal Kelly

    May 20, 2021 at 5:12 pm

    eric the underrated

  14. Josh White

    May 20, 2021 at 5:16 pm

    Nah, he waited all his life to say, “Waiting for Achilles to heal his Achilles”

  15. G Kamm

    May 20, 2021 at 5:19 pm

    I thought he was american… I’m dumb

    • Felicity Cook

      May 20, 2021 at 7:41 pm

      U are ????

  16. Jonny Bartsch

    May 20, 2021 at 5:19 pm

    He has a scene in Hanna which is one of the coolest fight scenes ever.

    • david

      May 20, 2021 at 6:22 pm

      What scene is it?

  17. Crystal Kelly

    May 20, 2021 at 5:19 pm

    “what’s a fall movie, what are you talking about?”

    I’ll just do a film and then do another film when I find another film I wanna do.

    lmaooo

  18. javier mori

    May 20, 2021 at 5:23 pm

    He was great in Munich.great film.

  19. LOSTBOYDGAF

    May 20, 2021 at 5:25 pm

    Where star trek NERO!!!!

  20. ብሩክ ነኝ

    May 20, 2021 at 5:25 pm

    his face is not that intimidating for Troy ????

  21. Ibrahim Kharal

    May 20, 2021 at 5:40 pm

    Oh heck yes! Seeing Eric Bana back in mainstream media is such a joyful feeling.

  22. Rob Mckay

    May 20, 2021 at 6:01 pm

    Weird how Canadians use pounds and feet b/c America.

  23. steve conn

    May 20, 2021 at 6:14 pm

    His “Hi Christopher I’m Nero” in ST was the most epic line delivery ever.

  24. Will Solis

    May 20, 2021 at 7:29 pm

    Glad he retained his Aussie accent

  25. TumblingMustard

    May 20, 2021 at 7:47 pm

    I’d love to see him in more comedic roles.

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KARINA Gets Ready for the Met Gala | Vogue

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Aespa singer and rapper KARINA gets ready for her very first Met Gala. The k-pop star is wearing a white satin Prada dress that features an array of details from both the brand’s and KARINA’s history. The dress’s neckline is inspired by a Korean hanbok, a traditional style of dress that dates back to the ancient Three Kingdoms period.

Director: Yohan Yoon 
Director of Photography: Daniel Chang
Editors: Christina Sun Kim, Michael Park

Producer: Rashida Josiah
Producer, On Set: Kevyn Fairchild
Associate Producer: Anisa Kennar
Assistant Camera: Ginny Taglia
Audio: Amelia Palmer
Production Assistant: Noah Namgoong
CondéFuture Intern: Ian Kim

Hairstylist: Yoon Seoha
Makeup Artist: Cho Eunbee
Stylist: Choi Miseon

Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors

Assistant Editors: JC Scruggs, Andy Morell 
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editors: Kameron Key, Christina Mankellow
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke 
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri

Filmed on Location: 
The Carlyle, A Rosewood Hotel

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Sabrina Carpenter Arrives at the 2026 Met Gala

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Sabrina Carpenter arrives at the 2026 Met Gala

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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