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Zac Efron Rewatches High School Musical, Neighbors, The Greatest Showman & More | Vanity Fair

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Zac Efron takes a walk down memory lane as he rewatches scenes from his classic works including ‘Neighbors,’ ‘High School Musical,’ ‘A Family Affair,’ ‘The Greatest Showman,’ ‘The Iron Claw’ and more. Zac dishes on being blown away by Dave Franco’s DeNiro accent in ‘Neighbors,’ getting everything in one take for ‘High School Musical’ without any cuts and more.

A FAMILY AFFAIR premieres globally on Netflix June 28, https://www.netflix.com/AFamilyAffair

Director: Funmi Sunmonu
Director of Photography: AJ Young
Editor: Jimmy Chorng
Talent: Zac Efron
Associate Producer: Emebeit Beyene
Talent Booker: Mica Medoff
Camera Operator: Lucas Vilicich
Audio Engineer: Paul Cornett
Production Assistant: Liza Antonova; Fernando Barajas
Set Designer: Leah Waters-Katz
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Scout Alter
Supervising Editor: Doug Larsen
Assistant Editor: Andy Morell

00:00 Zac Efron
00:31 Neighbors
02:52 High School Musical
04:46 A Family Affair
06:50 The Greatest Showman
09:59 The Iron Claw

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25 Comments

25 Comments

  1. @fty-ys4ni

    July 2, 2024 at 3:03 pm

    Out of all the HSM scenes you could choose you chose that one?!?!?!?

  2. @isaacchua0405

    July 2, 2024 at 3:10 pm

    Zac laughing at the Sam Jackson line is so genuine and funny lmao

  3. @RagondinCosmopolite

    July 2, 2024 at 3:11 pm

    Feels like torture making the guy sit there looking like that while looking at past videos oh himself… ????????????

  4. @Actors317

    July 2, 2024 at 3:12 pm

    Anyone notice Zac Efron and Bradley Cooper look strangely alike??

  5. @laseximexi

    July 2, 2024 at 3:12 pm

    Try again. Give us what we want.

  6. @livy4realz

    July 2, 2024 at 3:16 pm

    he looks so weird now. why are his head and torso so massive compared to his legs ????

  7. @jsuperboy

    July 2, 2024 at 3:18 pm

    am i the only one who noticed his fly is down lol 4:10

  8. @KRIAJK

    July 2, 2024 at 3:19 pm

    No 17 Again, Charlie St. Cloud, That Awkward Moment or We Are Your Friends = bad video

  9. @Indianmaharani

    July 2, 2024 at 3:21 pm

    17 Again with the Audi R8 scene was cinema ✨

  10. @kingasienkiewicz5506

    July 2, 2024 at 3:21 pm

    I was looking foward 17 Again and Mike and Dave Need Wedding Dates with Adam DeVine. I love these comedies

  11. @user-md6rl8qe8w

    July 2, 2024 at 3:22 pm

    Ariana grande is perfect to voice act thumbelina with zac Efrain as the voice of prince cornelius in a CGI animation remake for the 30th Anniversary ????‍♂✨????

  12. @Snarkerella

    July 2, 2024 at 3:22 pm

    Were ANY of these movies on VHS? HA! The fact that they skipped 17 Again, Hairspray…SCANDAL!

  13. @alifpr

    July 2, 2024 at 3:28 pm

    THANK YOU FOR THIS, VANITY FAIR❤❤

  14. @edvinrosenqvist524

    July 2, 2024 at 3:31 pm

    He forgot to watch HAIRSPRAY, BAYWATCH and EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE.

  15. @fossi31415

    July 2, 2024 at 3:33 pm

    I heard Zac is gonna be in the remake of JAWS

  16. @disneyfanforlife_

    July 2, 2024 at 3:34 pm

    Zac Efron looked better in high school musical. I don’t like his face now .

  17. @tusanidlamini

    July 2, 2024 at 3:34 pm

    WE NEED A PART TWOOOOO HE HAS MORE

  18. @flowerbloom..

    July 2, 2024 at 3:35 pm

    nothing will ever make me hate him bro

  19. @psycherevivedby

    July 2, 2024 at 3:37 pm

    Hairspray? HELLO? 17 Again? HELLO?

  20. @NayatSari

    July 2, 2024 at 3:37 pm

    High School Musical might be one of the reasons I studied musical theater and later earned a Master’s degree in it. I feel like he is over it, but he should never forget how important that movie and his performance was for a generation. “Start of Something New” and “Breaking Free” still give me goosebumps even after 20 years. And what about Hairspray and 17 Again? These movies were also iconic in his career. It’s so strange they didn’t choose them…

  21. @shayla2699

    July 2, 2024 at 3:39 pm

    We love you sooooo much Zac !!!! ????✨????

  22. @sushijuice6895

    July 2, 2024 at 3:39 pm

    Neighbors is so hilarious

  23. @SpontaneousAndStructured

    July 2, 2024 at 3:42 pm

    Wish they included his scene in Firefly. Don’t think he’s ever talked about that.

  24. @indigowalker8738

    July 2, 2024 at 3:48 pm

    Someone write a musical for Zac pls!

  25. @Chris24_

    July 2, 2024 at 3:50 pm

    He seems to go out of his way to not talk in detail about High School Musical ????

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Entertainment

KARINA Gets Ready for the Met Gala | Vogue

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Aespa singer and rapper KARINA gets ready for her very first Met Gala. The k-pop star is wearing a white satin Prada dress that features an array of details from both the brand’s and KARINA’s history. The dress’s neckline is inspired by a Korean hanbok, a traditional style of dress that dates back to the ancient Three Kingdoms period.

Director: Yohan Yoon 
Director of Photography: Daniel Chang
Editors: Christina Sun Kim, Michael Park

Producer: Rashida Josiah
Producer, On Set: Kevyn Fairchild
Associate Producer: Anisa Kennar
Assistant Camera: Ginny Taglia
Audio: Amelia Palmer
Production Assistant: Noah Namgoong
CondéFuture Intern: Ian Kim

Hairstylist: Yoon Seoha
Makeup Artist: Cho Eunbee
Stylist: Choi Miseon

Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors

Assistant Editors: JC Scruggs, Andy Morell 
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editors: Kameron Key, Christina Mankellow
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke 
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri

Filmed on Location: 
The Carlyle, A Rosewood Hotel

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Sabrina Carpenter Arrives at the 2026 Met Gala

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Sabrina Carpenter arrives at the 2026 Met Gala

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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