Entertainment

Zac Efron & Peter Farrelly Break Down A War Scene From ‘The Greatest Beer Run Ever’ | Vanity Fair

Published

2 years ago

September 29, 2022

Star Zac Efron and director Peter Farrelly of ‘The Greatest Beer Run Ever’ break down an emotionally-charged scene where Efron’s John “Chickie” Donohue surprises one of his best friends fighting on the front lines of the Vietnam War.

Director: Jackie Phillips
Director of Photography: Dave Sanders
Editor: Cory Stevens
Celebrity Talent: Peter Farrelly, Zac Efron
Line Producer: Jen Santos
Production Manager: Robert Cooper
Production Coordinator: Mark Bond
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Grip: Alvin Sun
Audio: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Marco Glinbizzi
Post Production Coordinator: Jovan James
Supervising Editor: Kameron Key
Assistant Editor: Andy Morell

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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21 Comments

Giorno Giovanna

September 29, 2022 at 4:00 pm

Nice

Reply
Belmin Spahić

September 29, 2022 at 4:05 pm

Wow didnt know braking chin in 2013 would make you look like gigaChad 10 years later

Reply
- Melanie Ovalles
  
  September 29, 2022 at 5:51 pm
  
  it’s not funny anymore
  
  Reply
- Craft with me
  
  September 29, 2022 at 6:37 pm
  
  Why does it matter ? He’s still hot. It’s not your face!
  
  Reply
- Mike G.
  
  September 29, 2022 at 6:49 pm
  
  Such a bs story
  
  Reply
- Belmin Spahić
  
  September 29, 2022 at 7:01 pm
  
  @Craft with me no one cares what he does to his face,he can do whatever he wants.Just be honest dude,dont create these bs stories that make no sense
  
  Reply
эмо голубь

September 29, 2022 at 4:20 pm

Immediately zeroed in on his jaw. Looks fine, definitely not like in that one pic. Good for him.

Reply
thousand points of light

September 29, 2022 at 4:30 pm

zac efron and peter farrelly are highly overrated, mediocre at best.

Reply
- DLilly
  
  September 29, 2022 at 5:19 pm
  
  Wonder how Peter Farrelly feels being the director of the worst Best Picture winner of the 2010s
  
  Reply
- Melanie Ovalles
  
  September 29, 2022 at 5:52 pm
  
  ur just jealous of him
  
  Reply
Hilary

September 29, 2022 at 4:30 pm

I meeeean he doesn’t look bad he just looked better before lol he’s still a handsome dude

Reply
Mike G.

September 29, 2022 at 4:39 pm

WTH did he do to his face?

Reply
- Lauren Christie
  
  September 29, 2022 at 7:03 pm
  
  Zac Enron shattered his jaw and had to have it wired shut.
  He was running through his house while wearing socks when he slipped and smacked his face on the corner of a granite
  
  Reply
Ethan Weisgarber

September 29, 2022 at 5:18 pm

awful movie, somehow even worse than green book

Reply
- six6
  
  September 29, 2022 at 5:45 pm
  
  @Sidemen
  https://www.youtube.com/watch?v=iWYvd8h4Eb0
  
  Reply
laura

September 29, 2022 at 6:00 pm

These are the side effects of growth hormone or steroids

Reply
Noé Ascencio

September 29, 2022 at 6:10 pm

Zac Botox

Reply
Lauren Christie

September 29, 2022 at 7:03 pm

Okay. so many aren’t aware that Zac Enron
shattered his jaw and had to have it wired shut.
He was running through his house while wearing socks when he slipped and smacked his face on the corner of a granite

Reply
- CherryJuli
  
  September 29, 2022 at 7:36 pm
  
  He looked completely normal after that healed. It was way before the drastic plastic surgery on his face. It’s just a lame excuse.
  
  Reply
- swankhood
  
  September 29, 2022 at 7:45 pm
  
  We are all aware. He had plastic surgery and it’s OK. We all get it except apparently people like you
  
  Reply
Shady B

September 29, 2022 at 7:13 pm

Honestly he looks great

Reply

Entertainment

How the Front Row Became the Front Row | Vogue

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Fynn Lithgow, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

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Entertainment

Malcolm & John David Washington Break Down a Scene From ‘The Piano Lesson’ | Vanity Fair

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Director Malcom Washington breaks down an scene from ‘The Piano Lesson’ alongside his brother John David Washington. Malcom provides an elaborate explanation of playing with point of view to guide the audience throughout the movie, working with the “talented” Samuel L. Jackson, and so much more.

Director: Claire Buss
Director of Photography: Dave Sanders
Editor: Lika Kumoi
Talent: Malcolm Washington, John David Washington
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Audio Engineer: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Billy Ward