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Diego Luna Rewatches Star Wars, Narcos, Andor, Frida & More | Vanity Fair

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Diego Luna sits down to rewatch scenes from his own movies and television shows ‘Y tu mamá también,’ ‘Frida,’ ‘Dirty Dancing: Havana Nights,’ ‘The Terminal,’ ‘Narcos: Mexico,’ ‘Rogue One: A Star Wars Story’ and ‘Andor.’

Director: Funmi Sunmonu
Director of Photography: AJ Young
Editor: Sammy Cortino
Talent: Diego Luna
Producer: Ashley Hall
Line Producer: Jen Santos
Associate Producer: Clarissa Davis
Production Manager: Andressa Pelachi and Peter Brunette
Production Coordinator: Carolina Wachockier
Talent Booker: Lauren Mendoza
Camera Operator: Lucas Vilicich
Audio: Kara Johnson
Art Department: Sage Griffin
Post Production Supervisor: Marco Glinbizzi
Assistant Editor: Ben Harowitz

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25 Comments

25 Comments

  1. Derek Hernandez

    September 28, 2022 at 4:19 pm

    So amazing

  2. Deaken Somoza

    September 28, 2022 at 4:20 pm

    Diego Luna wants to perform Fantastic Beasts and Diego Luna is gonna be in PAW Patrol: The Mighty Movie.

    • Neil Deep

      September 28, 2022 at 4:56 pm

      itll be cool to see him in the Wizarding World.

  3. The Ostrich

    September 28, 2022 at 4:20 pm

    He rewatches Rogue One to wash that awful experience of filming Andor out of his head. Smart man.

    • BaconPwnage

      September 28, 2022 at 4:30 pm

      Why? What happened when he was filming Andor?

    • Neil Deep

      September 28, 2022 at 4:56 pm

      Andor is awesome. you children just wan constant spectacle & no good stories.

    • woRtHy fRenCh ToASt

      September 28, 2022 at 5:03 pm

      @Neil Deep

      Andor sucks

    • nasis

      September 28, 2022 at 5:04 pm

      @Neil Deep

      Andor sucks

  4. JIMMY

    September 28, 2022 at 4:20 pm

    No way hy what michael pena can u do a vid with him plzzzzz ????
    As soon as possible

  5. Chase Hedges67

    September 28, 2022 at 4:24 pm

    Diego Luna is a fantastic actor

  6. Texas93

    September 28, 2022 at 4:34 pm

    Love him????????

  7. Neil Deep

    September 28, 2022 at 4:54 pm

    NARCOS: Mexico was AWESOME!

  8. coloradowyn

    September 28, 2022 at 4:57 pm

    as a Dirty Dancing Havana Nights apologist, i totally respect his reaction to that Film™

  9. Priscillia Eric

    September 28, 2022 at 5:00 pm

    My life has totally changed since I started an investment of $ 6,000 and now earning over $ 57,000

    • George James

      September 28, 2022 at 5:18 pm

      @Amanda Robbery yes ! Here’s her info below

    • ᏔᎻᎪͲՏᎪᏢᏢ±???? (????????????) ????????????-????????????????

      September 28, 2022 at 5:19 pm

      ……. that her watsap ????????✅

    • ᏔᎻᎪͲՏᎪᏢᏢ±???? (????????????) ????????????-????????????????

      September 28, 2022 at 5:19 pm

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    • George James

      September 28, 2022 at 5:19 pm

      That her watsap ???????????????? Tell her I referred you,Trade with her and remember to share testimonies with others .

    • Amanda Robbery

      September 28, 2022 at 5:19 pm

      @George James Thanks for the recommendation , I just contacted her and she attends to me nicely☺️.

  10. thousand points of light

    September 28, 2022 at 5:42 pm

    diego luna is highly overrated, mediocre at best.

  11. Morgan's Place 14

    September 28, 2022 at 5:43 pm

    My favorite movie is actually dirty dancing in havannah nights

  12. Kenny Roc

    September 28, 2022 at 5:58 pm

    When did he talk about dirty dancing or Narcos?

  13. Skunk Fandoms

    September 28, 2022 at 6:17 pm

    Love seeing Diego! Would have loved to have heard more about Havana Nights, but I get it ???? Also, no Narcos??

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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