“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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@BradleyGlockner
December 20, 2023 at 12:00 pm
Wie definieren Sie Erfolg in Ihrem Leben?????
@ornellaarce_
December 20, 2023 at 12:02 pm
❤❤❤❤
@SAUNITRIES
December 20, 2023 at 12:20 pm
All 3 are handsome and talented.
@MrKyGuy
December 20, 2023 at 12:20 pm
So excited for this one
@xolanimaseko2728
December 20, 2023 at 12:29 pm
I love Pro-wrestling and I can’t wait for this Movie.
@JanitorIsBack
December 20, 2023 at 12:32 pm
stupid to have most of these actors be the Von Erichs as they were over 6 feet and these actors are under 5’10”
@vishneva2000
December 20, 2023 at 1:01 pm
Harris Dickinson is 6-2.
@JanitorIsBack
December 20, 2023 at 1:08 pm
@@vishneva2000 edited comment but even the guy 6’2″ is half a foot shorter than the Von Erich he is playing. In the trailer you can see these guys reaching up to hit someone. That was rarely case when these guys wrestled
@vishneva2000
December 20, 2023 at 1:16 pm
@@JanitorIsBack What taller actors would you suggest to be in the movie? The likelihood of finding four age-appropriate actors over 6-3 and one 6-7 with the acting skills at the level a director like Durkin expects and who are able to do the wrestling moves AND be bankable box-office draws…that’s a tall order (pun intended). I guess you have Jacob Elordi who is 6-5…
@tekahabroadbent-king3978
December 20, 2023 at 2:51 pm
That’s y they’re called Actors
@nicoleeverett1696
December 20, 2023 at 12:33 pm
Their chemistry is amazing, I can’t wait to see this one.
@TheRed02151
December 20, 2023 at 12:37 pm
The first thing I noticed was zac Efrron’s face yuck
@qwae4505
December 20, 2023 at 1:44 pm
Just guys bein dudes
@Chuuzus
December 20, 2023 at 2:21 pm
I am definitely watching The Iron Claw this weekend and i am going in blind without knowing anything about the family it is based on. I can’t wait!
@juls092
December 20, 2023 at 2:34 pm
Zac looks so handsome here ????
@tekahabroadbent-king3978
December 20, 2023 at 2:50 pm
Zacs jaw is almost wider than his shoulders