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William Shatner Reviews Impressions of Himself | Vanity Fair

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The icon, the legend, William Shatner, reviews impressions of William Shatner. He watches some of the most popular impressions of Star Trek’s Captain James T. Kirk and gives his opinion on each. From Seth MacFarlane and Jason Alexander to John Belushi and Chris Pine on SNL, here are some of the best impressions of William Shatner.

William Shatner’s new album BILL will be released on September 24th, you can pre-order the album now here: https://williamshatner.lnk.to/BillPR

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William Shatner Reviews Impressions of Himself | Vanity Fair

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25 Comments

25 Comments

  1. MohShiZiro

    September 14, 2021 at 6:44 pm

    This video was nice kill time for sure do more of these were actors react to other actors doing impression of them like Danzel Washington!!!

  2. Jean Lemay

    September 14, 2021 at 6:48 pm

    Bill Is the best troll ever!

  3. Madrigal E

    September 14, 2021 at 6:53 pm

    He’s 90???

  4. Aaryan Bhardwaj

    September 14, 2021 at 6:53 pm

    Hey Mr Shatner, when are you gonna be on Mike and Jay’s YouTube podcast?

  5. yo shi

    September 14, 2021 at 6:59 pm

    seth’s impression is marvellous, even his toupee is on spot!

  6. Inverness Fan

    September 14, 2021 at 7:02 pm

    Good comedy.

  7. Manti Core

    September 14, 2021 at 7:02 pm

    He’s a….child! (animates)

  8. Russell Beattie

    September 14, 2021 at 7:03 pm

    I adore William Shatner. I’m not a trekie, he’s just fantastic.

  9. Stephen Lafferty

    September 14, 2021 at 7:04 pm

    “You’re beginning to annoy me, Max!”

  10. 123612100

    September 14, 2021 at 7:05 pm

    You should have made him watch a whole redlettermedia video.

  11. Manintheboxjunkie

    September 14, 2021 at 7:12 pm

    He’s oblivious, these impressions are spot on.

  12. joeyconservative

    September 14, 2021 at 7:16 pm

    Jason Alexander should play William Shatner’s son in the next Star Trek

  13. Hydrus Noir

    September 14, 2021 at 7:16 pm

    Tonight, on Rescue 911! There thats my impression.

  14. Briar Bear

    September 14, 2021 at 7:21 pm

    of course he doesn’t. Bill isn’t one for genuine self-deprecation.

  15. Michael Gaughan

    September 14, 2021 at 7:23 pm

    Poor Max

  16. Malikon

    September 14, 2021 at 7:26 pm

    Legend

  17. john grace

    September 14, 2021 at 7:27 pm

    Ah Kirk, my old friend. Do you know the Klingon proverb that tells us revenge is a dish that is best served cold? It is very cold in space

  18. Elisa Celino

    September 14, 2021 at 7:29 pm

    This video just made my day HAHAHAHAAHAH Thank you, Shatner!

  19. John S.

    September 14, 2021 at 7:33 pm

    Come now Bill, these guys are not trying to do a one-to-one mimicry of you…they’re doing comedic exaggerations of your acting and speaking style. In any case I hope I look and sound that good at 90.

  20. Sandy Freyman

    September 14, 2021 at 7:35 pm

    It’s funny because people mega exaggerate his pauses lol ???? and I guess he uses his hands I never noticed. Honestly my son use to do an impression of him too, or was he? Maybe he just kind of acted like him. That Kevin guy has his voice down pat, but not the moves. People adore shatner that’s why they do him. ???? Lol

  21. Daniel Bridle

    September 14, 2021 at 7:38 pm

    Love the respect he has for Chris????????

  22. 007stopjockin

    September 14, 2021 at 7:40 pm

    This was hilarious LOL

    007

  23. Boost

    September 14, 2021 at 7:40 pm

    William Shatner should really go on that RedLetterMedia podcast

  24. Them Ustar

    September 14, 2021 at 7:48 pm

    C’mon, William, these are spot on ~ be a good sport like Christopher Walken and Robert DeNiro and just enjoy it for the homage it is!

  25. TheNukewarfare2

    September 14, 2021 at 7:49 pm

    My Shatner impression will now include the phrase, “Max, you’re beginning to annoy me.”

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KARINA Gets Ready for the Met Gala | Vogue

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Aespa singer and rapper KARINA gets ready for her very first Met Gala. The k-pop star is wearing a white satin Prada dress that features an array of details from both the brand’s and KARINA’s history. The dress’s neckline is inspired by a Korean hanbok, a traditional style of dress that dates back to the ancient Three Kingdoms period.

Director: Yohan Yoon 
Director of Photography: Daniel Chang
Editors: Christina Sun Kim, Michael Park

Producer: Rashida Josiah
Producer, On Set: Kevyn Fairchild
Associate Producer: Anisa Kennar
Assistant Camera: Ginny Taglia
Audio: Amelia Palmer
Production Assistant: Noah Namgoong
CondéFuture Intern: Ian Kim

Hairstylist: Yoon Seoha
Makeup Artist: Cho Eunbee
Stylist: Choi Miseon

Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors

Assistant Editors: JC Scruggs, Andy Morell 
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editors: Kameron Key, Christina Mankellow
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke 
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri

Filmed on Location: 
The Carlyle, A Rosewood Hotel

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Sabrina Carpenter Arrives at the 2026 Met Gala

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Sabrina Carpenter arrives at the 2026 Met Gala

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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