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What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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‘Orange is the New Black,’ ‘Dark Waters,’ and ‘John Wick: Chapter 3 – Parabellum’ camera operator, Oliver Cary, breaks down a movie scene camera angle by camera angle and demonstrates ways to film a scene using a rack focus, dollying in vs. zooming in, and changing the lens.

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What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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30 Comments

30 Comments

  1. Mateus Machado Fotografia

    July 28, 2020 at 4:00 pm

    First

  2. Varron Lagman

    July 28, 2020 at 4:02 pm

    Second

  3. leechneon

    July 28, 2020 at 4:02 pm

    Second

  4. MANISH CHOUDHARY FITNESS

    July 28, 2020 at 4:03 pm

    It’s crazy

  5. The 88.888 subs with no video

    July 28, 2020 at 4:04 pm

    Mmmmm a good question

  6. LeBeautiful

    July 28, 2020 at 4:05 pm

    one day we’ll probably witness an Oscar winning film which recorded with all blur

  7. PMG

    July 28, 2020 at 4:06 pm

    Good video but this script is hilarious

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      That’s usually the case with these reverse filmschool videos. I think (hope) that’s intentional.

  8. Pedro Juan

    July 28, 2020 at 4:07 pm

    a lot of these changes would actually be made by a director or cinematographer, but ok

    • egyptiansushi

      July 28, 2020 at 4:27 pm

      the decision is made, but it takes a camera operator to perform those decisions. If the director was just making those decisions without a camera operator, no one would be there to make it happen (is the point)

  9. DamnFineCupOfCoffee

    July 28, 2020 at 4:09 pm

    Who’s vanity fair’s target audience again..?

    • Potential Side Effects

      July 28, 2020 at 4:28 pm

      In this case: film students.

  10. G_J_C 95

    July 28, 2020 at 4:29 pm

    So the lawyer had superhuman strength all along?? He could of escaped when ever he wanted to.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Could have

  11. JaredLav

    July 28, 2020 at 4:30 pm

    So… y’all short staffed or something and you’re trying to convert your audience into employees? Because I need a job so hmu

    • Hussein Zbib

      July 28, 2020 at 6:39 pm

      +1

  12. Bambang Maulana

    July 28, 2020 at 4:38 pm

    I love this kinda type of content

  13. juno

    July 28, 2020 at 4:57 pm

    the drama-

  14. Braveheart_Fox

    July 28, 2020 at 5:23 pm

    I hate “whip pan” just cut it!

  15. Christoph Blumentopf

    July 28, 2020 at 5:31 pm

    if that’s what a camera operator does, what does a director of photography do?

    • Herman Von Petri

      July 28, 2020 at 5:55 pm

      The director, cinematographer (or DP) may make the decision of what to do, but it’s the camera operator that has to actually perform the actions with the camera.

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      The director and cinematographer are actually the ones making these decisions. The camera operator just “performs” that decision (but often the DP does that as well.)

    • bobunitone

      July 28, 2020 at 6:29 pm

      To add on to what others are saying, some DP’s operate their camera as well. Rodger Deakins and Robert Richardson operate.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Directs the photography, probably.

  16. billygowhoop

    July 28, 2020 at 5:47 pm

    It’s amazing how all this super expensive stuff that has a very subtle effect on the way a movie looks but also makes a massive difference in how we perceive its quality.

  17. SIMON BOI

    July 28, 2020 at 6:12 pm

    Are we all just going to ignore the “Slap my face and call me Charlie” part hahahahha 😂

  18. Alex -Wilky- Wilson

    July 28, 2020 at 6:47 pm

    Aka every student film

  19. Nathan Ngumi

    July 28, 2020 at 7:04 pm

    Very interesting how much a camera can bring out of a scene!

  20. blu

    July 28, 2020 at 7:04 pm

    Another one of these? Guess you could say it’s a

    _Cinematic_ Universe

  21. Roman Kalaur

    July 28, 2020 at 7:28 pm

    Smells like Tarantino!

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Gillian Anderson Rewatches The X-Files, Sex Education, Scoop & More | Vanity Fair

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Gillian Anderson takes a walk down memory lane as she rewatches scenes from her classic works including ‘The X-Files,’ ‘Sex Education,’ ‘The Crown,’ ‘The Fall,’ and her newest film ‘Scoop.’ Gillian dishes on realizing how big ‘The X-Files’ was after seeing a tattoo of her face on a buttcheek, being blown away in the moment by Rufus Sewell’s acting in ‘Scoop’ and so much more.

Director: Adam Lance Garcia
Director of Photography: Jack Belisle
Editor: Cory Stevens
Talent: Gillian Anderson
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Lyla Neely
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Meredith Judkins
Camera Operator: Christopher Eustache
Gaffer: David Djaco
Audio Engineer: Mike Guggino
Production Assistant: Sonia Butt
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Scout Alter
Supervising Editor: Doug Larsen
Additional Editor: Paul Tael
Assistant Editor: Andy Morell

00:00 Gillian Anderson
00:29 The X-Files
04:03 Sex Education
07:13 The Crown
09:31 Hannibal
11:36 The Fall
13:18 Scoop

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Zendaya Vogue Cover Shoot Exclusive Behind-the-Scenes

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A behind-the-scenes look at Zendaya’s Vogue cover shoot with Annie Leibovitz.

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“Never talked about that.”

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Did Shawn Mendes’ Met Gala date get brought up when he met up with Justin Bieber?

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