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What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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‘Orange is the New Black,’ ‘Dark Waters,’ and ‘John Wick: Chapter 3 – Parabellum’ camera operator, Oliver Cary, breaks down a movie scene camera angle by camera angle and demonstrates ways to film a scene using a rack focus, dollying in vs. zooming in, and changing the lens.

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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30 Comments

30 Comments

  1. Mateus Machado Fotografia

    July 28, 2020 at 4:00 pm

    First

  2. Varron Lagman

    July 28, 2020 at 4:02 pm

    Second

  3. leechneon

    July 28, 2020 at 4:02 pm

    Second

  4. MANISH CHOUDHARY FITNESS

    July 28, 2020 at 4:03 pm

    It’s crazy

  5. The 88.888 subs with no video

    July 28, 2020 at 4:04 pm

    Mmmmm a good question

  6. LeBeautiful

    July 28, 2020 at 4:05 pm

    one day we’ll probably witness an Oscar winning film which recorded with all blur

  7. PMG

    July 28, 2020 at 4:06 pm

    Good video but this script is hilarious

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      That’s usually the case with these reverse filmschool videos. I think (hope) that’s intentional.

  8. Pedro Juan

    July 28, 2020 at 4:07 pm

    a lot of these changes would actually be made by a director or cinematographer, but ok

    • egyptiansushi

      July 28, 2020 at 4:27 pm

      the decision is made, but it takes a camera operator to perform those decisions. If the director was just making those decisions without a camera operator, no one would be there to make it happen (is the point)

  9. DamnFineCupOfCoffee

    July 28, 2020 at 4:09 pm

    Who’s vanity fair’s target audience again..?

    • Potential Side Effects

      July 28, 2020 at 4:28 pm

      In this case: film students.

  10. G_J_C 95

    July 28, 2020 at 4:29 pm

    So the lawyer had superhuman strength all along?? He could of escaped when ever he wanted to.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Could have

  11. JaredLav

    July 28, 2020 at 4:30 pm

    So… y’all short staffed or something and you’re trying to convert your audience into employees? Because I need a job so hmu

    • Hussein Zbib

      July 28, 2020 at 6:39 pm

      +1

  12. Bambang Maulana

    July 28, 2020 at 4:38 pm

    I love this kinda type of content

  13. juno

    July 28, 2020 at 4:57 pm

    the drama-

  14. Braveheart_Fox

    July 28, 2020 at 5:23 pm

    I hate “whip pan” just cut it!

  15. Christoph Blumentopf

    July 28, 2020 at 5:31 pm

    if that’s what a camera operator does, what does a director of photography do?

    • Herman Von Petri

      July 28, 2020 at 5:55 pm

      The director, cinematographer (or DP) may make the decision of what to do, but it’s the camera operator that has to actually perform the actions with the camera.

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      The director and cinematographer are actually the ones making these decisions. The camera operator just “performs” that decision (but often the DP does that as well.)

    • bobunitone

      July 28, 2020 at 6:29 pm

      To add on to what others are saying, some DP’s operate their camera as well. Rodger Deakins and Robert Richardson operate.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Directs the photography, probably.

  16. billygowhoop

    July 28, 2020 at 5:47 pm

    It’s amazing how all this super expensive stuff that has a very subtle effect on the way a movie looks but also makes a massive difference in how we perceive its quality.

  17. SIMON BOI

    July 28, 2020 at 6:12 pm

    Are we all just going to ignore the “Slap my face and call me Charlie” part hahahahha ????

  18. Alex -Wilky- Wilson

    July 28, 2020 at 6:47 pm

    Aka every student film

  19. Nathan Ngumi

    July 28, 2020 at 7:04 pm

    Very interesting how much a camera can bring out of a scene!

  20. blu

    July 28, 2020 at 7:04 pm

    Another one of these? Guess you could say it’s a

    _Cinematic_ Universe

  21. Roman Kalaur

    July 28, 2020 at 7:28 pm

    Smells like Tarantino!

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A Day On The Set Of ‘Legally Blonde’ Prequel ‘Elle’ | Vanity Fair

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Go behind the scenes of Elle with Vanity Fair for an exclusive day on set. Follow the cast through a day of filming as they prepare for scenes, step into character, and reveal what it’s really like making the anticipated new series.

Season 1 of Elle is available to stream July 1 exclusively on Prime Video

Director: Funmi Sunmonu
Director of Photography: Emma Diwa
Editor: Lika Kumoi
Talent: Laura Kittrell; Caroline Driesl Lauren Neustadter; Pete Chatmon; June Diane Raphael; Tom Everett Scott; Lexi Mintree; Gabrielle Policano; Chandler Kinney; Jacob Moskovitz; Zac Looker
Producer: Emebeit Beyene
Line Producer: Natasha Soto-Albors
Production Manager: Andressa Pelachi
Associate Production Manager: Elizabeth Hymes
Talent Booker: Mica Medoff
Audio Engineer: Jonathan Ayala
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Stella Shortino
Supervising Editor: Eduardo Araujo
Assistant Editor: Justin Symonds
Senior Manager; Creative Development: Hannah Pak
Director; Creative Development: Claire Buss
Director; Content Production: Lane Williamson
Executive Director; Global Video: Ella Ruffel
Executive Producer: Ruhiya Nuruddin

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Mbappe not only cooks on the field, but also in the kitchen.

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What’s the Mbappe special?

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Millie Bobby Brown & Louis Partridge Ask Rapid-Fire Questions | Off the Cuff | Vogue

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Enola Holmes 3 stars Millie Bobby Brown and Louis Partridge sit in the Vogue hot seat and ask each other a series of rapid-fire questions. Millie and Louis start with some icebreakers, discussing bossa nova, art supplies, tattoos, The Kooks, Hannah Montana and more. Louis and Millie then move on to the next round, quizzing each other on their most memorable fashion moments.

ENOLA HOLMES 3 is now available to stream on Netflix

https://www.netflix.com/watch/enolaholmes3

Director: Nina Ljeti
Director of Photography: Asia Li
Editor: Sara Rao

Producers: Lea Donenberg, Rahel Gebreyes
Camera Operator: Chloe Ramos
Gaffer: Steven Garcia
Audio: Mariya Chulichkova
Production Assistants: Erica Palmieri, Tatiana Dominguez, Shanti Cuizon-Burden

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors

Assistant Editor: Justin Symonds
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Director, Video Talent: Meredith Lee
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
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VP, Video Programming: Thespena Guatieri

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