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What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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‘Orange is the New Black,’ ‘Dark Waters,’ and ‘John Wick: Chapter 3 – Parabellum’ camera operator, Oliver Cary, breaks down a movie scene camera angle by camera angle and demonstrates ways to film a scene using a rack focus, dollying in vs. zooming in, and changing the lens.

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What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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30 Comments

30 Comments

  1. Mateus Machado Fotografia

    July 28, 2020 at 4:00 pm

    First

  2. Varron Lagman

    July 28, 2020 at 4:02 pm

    Second

  3. leechneon

    July 28, 2020 at 4:02 pm

    Second

  4. MANISH CHOUDHARY FITNESS

    July 28, 2020 at 4:03 pm

    It’s crazy

  5. The 88.888 subs with no video

    July 28, 2020 at 4:04 pm

    Mmmmm a good question

  6. LeBeautiful

    July 28, 2020 at 4:05 pm

    one day we’ll probably witness an Oscar winning film which recorded with all blur

  7. PMG

    July 28, 2020 at 4:06 pm

    Good video but this script is hilarious

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      That’s usually the case with these reverse filmschool videos. I think (hope) that’s intentional.

  8. Pedro Juan

    July 28, 2020 at 4:07 pm

    a lot of these changes would actually be made by a director or cinematographer, but ok

    • egyptiansushi

      July 28, 2020 at 4:27 pm

      the decision is made, but it takes a camera operator to perform those decisions. If the director was just making those decisions without a camera operator, no one would be there to make it happen (is the point)

  9. DamnFineCupOfCoffee

    July 28, 2020 at 4:09 pm

    Who’s vanity fair’s target audience again..?

    • Potential Side Effects

      July 28, 2020 at 4:28 pm

      In this case: film students.

  10. G_J_C 95

    July 28, 2020 at 4:29 pm

    So the lawyer had superhuman strength all along?? He could of escaped when ever he wanted to.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Could have

  11. JaredLav

    July 28, 2020 at 4:30 pm

    So… y’all short staffed or something and you’re trying to convert your audience into employees? Because I need a job so hmu

    • Hussein Zbib

      July 28, 2020 at 6:39 pm

      +1

  12. Bambang Maulana

    July 28, 2020 at 4:38 pm

    I love this kinda type of content

  13. juno

    July 28, 2020 at 4:57 pm

    the drama-

  14. Braveheart_Fox

    July 28, 2020 at 5:23 pm

    I hate “whip pan” just cut it!

  15. Christoph Blumentopf

    July 28, 2020 at 5:31 pm

    if that’s what a camera operator does, what does a director of photography do?

    • Herman Von Petri

      July 28, 2020 at 5:55 pm

      The director, cinematographer (or DP) may make the decision of what to do, but it’s the camera operator that has to actually perform the actions with the camera.

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      The director and cinematographer are actually the ones making these decisions. The camera operator just “performs” that decision (but often the DP does that as well.)

    • bobunitone

      July 28, 2020 at 6:29 pm

      To add on to what others are saying, some DP’s operate their camera as well. Rodger Deakins and Robert Richardson operate.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Directs the photography, probably.

  16. billygowhoop

    July 28, 2020 at 5:47 pm

    It’s amazing how all this super expensive stuff that has a very subtle effect on the way a movie looks but also makes a massive difference in how we perceive its quality.

  17. SIMON BOI

    July 28, 2020 at 6:12 pm

    Are we all just going to ignore the “Slap my face and call me Charlie” part hahahahha ????

  18. Alex -Wilky- Wilson

    July 28, 2020 at 6:47 pm

    Aka every student film

  19. Nathan Ngumi

    July 28, 2020 at 7:04 pm

    Very interesting how much a camera can bring out of a scene!

  20. blu

    July 28, 2020 at 7:04 pm

    Another one of these? Guess you could say it’s a

    _Cinematic_ Universe

  21. Roman Kalaur

    July 28, 2020 at 7:28 pm

    Smells like Tarantino!

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Entertainment

Backstage at Zara Larsson’s Viral Lollapalooza Show | Soundcheck | Vogue

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An exclusive behind-the-scenes look at how Zara Larsson prepares for her viral Lollapalooza performance. As the Swedish pop star gets ready for one of her biggest gigs yet, a show-stopping concert at Chicago’s iconic Lollapalooza music festival, she gives us an intimate look at her day. We begin eight hours before showtime in Zara’s hotel room, where she does vocal warm-ups, eats breakfast, and reminisces about the last time she played Lollapalooza, ten years ago. Once she arrives at the festival grounds, Zara gets into glam, drawing inspiration from a colorful, sea-dwelling crawfish. After spending time in hair and makeup, she heads backstage for a few final rehearsals with her dancers before taking the stage.

Director: Chrissy Mahlmeister
Director of Photography: Brian Wingert
Editors: Katie Wolford, Billy Ward 

Senior Producer: Bety Dereje
Producers, On Set: Lily Hamilton, Qieara Lesesne     
Coordinating Producer: Lea Donenberg
Steadicam: Andy G Cat
1st Assistant Camera: Jason Mitchneck     
2nd Assistant Camera: AJ Holtel
Gaffer: Snore Doumbia
Audio: Brendan Reilly
Production Assistants: Reggie Swoverland, Isabella Rodda

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors
Senior Line Producer: Jen Santos

Assistant Editor: Billy Ward
Post Production Coordinator: Holly Frew
Tour Audio Mix: Bob Boyle 
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Global Video Director: Lauren Mendoza
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Images Courtesy Of: Kai Movellan, Sophia Sinot
Footage Courtesy Of: Lollapalooza

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A little light reading before the new season begins 🤭

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Kriti Sanon’s Glowy Evening Glam | Beauty Secrets | Vogue

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“I can curl my lashes in a moving car!” Indian actress Kriti Sanon walks us through her bronzy, glowy “girls’ night out” beauty routine. The Bollywood star talks about when she first got into skin care, the importance of fiber in your diet, being a “dry-skin girlie,” and why she conceals where most people contour.

Director: Gabrielle Reich
DP: Rashi Bisht
Editor: Sara Rao

Producers, By The Gram: Priyanka Bucha, Nidhi Marwah
Associate Producer: Lea Donenberg
Line Producer: Natasha Soto-Albors
Production Manager: Kristen Helmick
Production Managers, By The Gram: Bhawan Ganpathy, Shivam Ganiga
Production Coordinator: Tanía Jones
Talent Manager: Randi Peck
Entertainment Director: Megha Mehta

Post Production Supervisor: Alexa Deutsch
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Assistant Editor: Billy Ward
Filmed at: Four Seasons Hotel Mumbai

Shop Kriti Sanon’s beauty routine, below.

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Charlotte Tilbury Airbrush Flawless Finish Refillable Blurring & Setting Powder https://cna.st/st/berowHr
Make Up For Ever Aqua Resist Color Pencil https://cna.st/st/qCOZKgi
Make Up For Ever Artist Color Pencil https://cna.st/st/ZoaPkC9
Rhode Pocket Blush https://cna.st/st/L9rMLWQ
MAC Cosmetics Skinfinish Colurstruck Blush https://cna.st/st/TllYsOk
Stila Heaven’s Dew All Over Glimmer Highlighter https://cna.st/st/9PLRio3
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Rare Beauty Brow Harmony Tinted Flexible Lifting Gel https://cna.st/st/prsakvZ
Fenty Beauty Gloss Bomb Universal Lip Gloss Luminizer https://cna.st/st/U1b2kBr

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