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What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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‘Orange is the New Black,’ ‘Dark Waters,’ and ‘John Wick: Chapter 3 – Parabellum’ camera operator, Oliver Cary, breaks down a movie scene camera angle by camera angle and demonstrates ways to film a scene using a rack focus, dollying in vs. zooming in, and changing the lens.

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

What Happens When A Movie Has No Camera Operator? | Reverse Film School | Vanity Fair

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30 Comments

30 Comments

  1. Mateus Machado Fotografia

    July 28, 2020 at 4:00 pm

    First

  2. Varron Lagman

    July 28, 2020 at 4:02 pm

    Second

  3. leechneon

    July 28, 2020 at 4:02 pm

    Second

  4. MANISH CHOUDHARY FITNESS

    July 28, 2020 at 4:03 pm

    It’s crazy

  5. The 88.888 subs with no video

    July 28, 2020 at 4:04 pm

    Mmmmm a good question

  6. LeBeautiful

    July 28, 2020 at 4:05 pm

    one day we’ll probably witness an Oscar winning film which recorded with all blur

  7. PMG

    July 28, 2020 at 4:06 pm

    Good video but this script is hilarious

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      That’s usually the case with these reverse filmschool videos. I think (hope) that’s intentional.

  8. Pedro Juan

    July 28, 2020 at 4:07 pm

    a lot of these changes would actually be made by a director or cinematographer, but ok

    • egyptiansushi

      July 28, 2020 at 4:27 pm

      the decision is made, but it takes a camera operator to perform those decisions. If the director was just making those decisions without a camera operator, no one would be there to make it happen (is the point)

  9. DamnFineCupOfCoffee

    July 28, 2020 at 4:09 pm

    Who’s vanity fair’s target audience again..?

    • Potential Side Effects

      July 28, 2020 at 4:28 pm

      In this case: film students.

  10. G_J_C 95

    July 28, 2020 at 4:29 pm

    So the lawyer had superhuman strength all along?? He could of escaped when ever he wanted to.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Could have

  11. JaredLav

    July 28, 2020 at 4:30 pm

    So… y’all short staffed or something and you’re trying to convert your audience into employees? Because I need a job so hmu

    • Hussein Zbib

      July 28, 2020 at 6:39 pm

      +1

  12. Bambang Maulana

    July 28, 2020 at 4:38 pm

    I love this kinda type of content

  13. juno

    July 28, 2020 at 4:57 pm

    the drama-

  14. Braveheart_Fox

    July 28, 2020 at 5:23 pm

    I hate “whip pan” just cut it!

  15. Christoph Blumentopf

    July 28, 2020 at 5:31 pm

    if that’s what a camera operator does, what does a director of photography do?

    • Herman Von Petri

      July 28, 2020 at 5:55 pm

      The director, cinematographer (or DP) may make the decision of what to do, but it’s the camera operator that has to actually perform the actions with the camera.

    • Guido Anselmi

      July 28, 2020 at 6:08 pm

      The director and cinematographer are actually the ones making these decisions. The camera operator just “performs” that decision (but often the DP does that as well.)

    • bobunitone

      July 28, 2020 at 6:29 pm

      To add on to what others are saying, some DP’s operate their camera as well. Rodger Deakins and Robert Richardson operate.

    • Alex -Wilky- Wilson

      July 28, 2020 at 6:46 pm

      Directs the photography, probably.

  16. billygowhoop

    July 28, 2020 at 5:47 pm

    It’s amazing how all this super expensive stuff that has a very subtle effect on the way a movie looks but also makes a massive difference in how we perceive its quality.

  17. SIMON BOI

    July 28, 2020 at 6:12 pm

    Are we all just going to ignore the “Slap my face and call me Charlie” part hahahahha ????

  18. Alex -Wilky- Wilson

    July 28, 2020 at 6:47 pm

    Aka every student film

  19. Nathan Ngumi

    July 28, 2020 at 7:04 pm

    Very interesting how much a camera can bring out of a scene!

  20. blu

    July 28, 2020 at 7:04 pm

    Another one of these? Guess you could say it’s a

    _Cinematic_ Universe

  21. Roman Kalaur

    July 28, 2020 at 7:28 pm

    Smells like Tarantino!

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Entertainment

Dua Lipa Makes a Dirty Martini, Margarita, White Russian & More | Vogue

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Dua Lipa gets behind the bar to pair some of her go-to drinks with some of her favorite tracks. Watch as the singer-songwriter mixes up a series of audio-inspired cocktails, pairing a White Russian with the lead single from Radical Optimism, “Houdini,” a Paloma with Eurythmics’s “Sweet Dreams,” a Basil Smash with Britney Spears’s “Toxic,” and more, serving up a curated blend of music and mixology.

Director: Gabrielle Reich
Director Of Photography: Andrew Amine
Editor: Michael Suyeda
Producer: Rahel Gebreyes
Producer, On Set: Michelle Bruno
Associate Producer: Lea Donenberg
Mixologist: Nathalie Durrieu
Assistant Camera: Stephen Cullina
Gaffer: Adam Reichardt
Audio: Tony Charles
Production Assistant: Myles Haywood
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors
Assistant Editor: Andy Morell
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Global Entertainment Director: Sergio Kletnoy
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Filmed on Location: Casa Cipriani New York

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Hailey Bieber at Coachella

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“I’ll see you tonight”

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We said it once, we’ll say it again: The sun never sets on a Bombshell.

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