“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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@Jdm02-24
February 21, 2025 at 4:58 pm
“Ohh that’s pg 13”😂🤨😂
@sepidarta1610
February 21, 2025 at 5:03 pm
pretty❤️❤️
@RosePeyster
February 21, 2025 at 5:10 pm
THE HAIRRRR
@Lyric-f4r
February 21, 2025 at 5:35 pm
I literally love her omg ❤
@chaoticcaptain177
February 21, 2025 at 6:10 pm
I love Sabrina and this look!
@agr1323
February 21, 2025 at 6:13 pm
We get it you’re an adult. The try hard behavior is so obnoxious
@Chloé-e6g4q
February 21, 2025 at 6:17 pm
??
@angeldavis3680
February 21, 2025 at 8:37 pm
Love her lol but she has such a cartoonish big head
@rachkate76
February 21, 2025 at 10:24 pm
Cringe
@yasmineshahid
February 22, 2025 at 12:35 am
You
@rachkate76
February 22, 2025 at 2:03 am
@ yes, YOU, sycophant.
@sixsanchezNatchyawn
February 21, 2025 at 11:15 pm
A blue fur coat …? 😅
@Marvelfan520
February 21, 2025 at 11:51 pm
i love her shes so unserious
@stxrry_soul
February 22, 2025 at 12:53 am
ITS SOOO CUTE ❤
@AnamikaDas-j77q
February 22, 2025 at 1:33 am
🤗🤗🤗
@vanlalhmangaihic24
February 22, 2025 at 2:10 am
She looks 40 here
@amonkwhocantbeamonk
February 22, 2025 at 2:20 am
She looks soo different and she is even prettier
@deabtt
February 22, 2025 at 2:20 am
But leather makes so much noise
@nataliamartin8990
February 22, 2025 at 4:30 am
She’s more beautiful in this video without so much makeup💗
@raniashah-p7q
February 22, 2025 at 6:09 am
Leather and hunting bag ??? Poor animals 😢💔 screw this
@TessaKEYAMO-j5w
February 22, 2025 at 8:40 am
” if I’m going on a date with you in leather pants, I’m already in love with you ” . She’s so real and funny.
Also the HAAAIIIRRRR😫💖
@spacetasticadi6103
February 22, 2025 at 8:55 am
That IS pg-13 sabrina 🙃🙃
@niveditajohn8603
February 22, 2025 at 9:29 am
What does pg 13 mean
@ぷい-e2d
February 22, 2025 at 10:43 am
Omg love her HAIR
@yazmin3900
February 22, 2025 at 11:58 am
She wear too much 😂
@BearWithHands
February 22, 2025 at 12:28 pm
Is this like a disney kid?
@ElaideAlmeidadeSousa
February 22, 2025 at 2:03 pm
Tudo isso, tudo isso é muito mais, isso, isso 😘 isso!!
@________hehe_______754
February 22, 2025 at 2:29 pm
I love her hairrrr, she brought it back 💕