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The Making of Vogue’s December Issue | Vogue

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When fashion designer Marc Jacobs was tapped to be the guest editor for Vogue’s December issue, he wasn’t quite sure he was up to the job. “My initial reaction to it was, I don’t know how I could do this….but Anna can be very persuasive.” Working with model Kaia Gerber as his cover star, Marc helped put together a fashion dream team for the issue, recruiting the likes of famed photographer Steven Meisel, makeup artist Pat McGrath, former Vogue creative director Grace Coddington and more.

Director: Nina Ljeti
Director of Photography: Michael Lopez
Editor: Katie Wolford
Senior Producer: Bety Dereje
Producer, On Set: Rahel Gebreyes
Associate Producer: Lea Donenberg
Assistant Camera: Kahdeem Prosper Jefferson, Jack Kelly
Gaffer: Eric Hinsperger
Audio: Lily van Leeuwen, Nicole Maupin
Production Assistants: Quinton Johnson, Christina Lamagna
Makeup Artist: Marcelo Gutierrez
Hairstylist: Joseph Handwerker
Groomer: Jennifer Brent
Production Coordinator: Ava Kashar
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Billy Ward, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Colorist: Oliver Eid
Audio Mix: Nick Cipriano, BANG
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Global Talent Casting Director: Ignacio Murillo
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Photography By
Role Play: Steven Meisel
Impossible Beauty: Carlijn Jacobs
Home: Gregory Crewdson
Dance, Dance, Dance: Inez & Vinoodh

Additional Footage Courtesy Of Harper Glantz, Anna Weyant, Ariel Dearie

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Vogue Germany: https://www.youtube.com/@VogueGermany
Vogue Italia: https://www.youtube.com/@VogueItalia
Vogue Spain: https://www.youtube.com/@VogueSpain

ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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25 Comments

25 Comments

  1. @Yellowduchess

    November 10, 2024 at 1:07 pm

    The oversized dresses seem inspired by the mourning mother painting ~ Giuseppe molteni. Something about them drooping seems so fitting ❤

  2. @props1028

    November 10, 2024 at 1:09 pm

    Junkie Chic at it’s finest.

  3. @weeleelee5843

    November 10, 2024 at 1:11 pm

    How lovely to see Grace back!

  4. @nahuel

    November 10, 2024 at 1:25 pm

    I only see a pile of stuff…

  5. @MrYouknowwhat1

    November 10, 2024 at 1:25 pm

    Remember the September issue doc. Please make a December issue.

  6. @dearjox

    November 10, 2024 at 1:28 pm

    that last image of the back of their heads!! Incredible!

  7. @TheMichaelCheung

    November 10, 2024 at 1:31 pm

    Need to get my hands on this issue

  8. @BPCapeTown

    November 10, 2024 at 1:34 pm

    15:31 this shot is I.CON.IC. ????????????????

  9. @reading101

    November 10, 2024 at 1:35 pm

    We need expression, creativity, and JOY more than ever today. Thank you, Marc and Vogue!

  10. @josephjones2836

    November 10, 2024 at 1:38 pm

    It seems like Anna Wintour might be leaving!!!!

  11. @brianradano9085

    November 10, 2024 at 1:39 pm

    Wow she sounds so much like her mother. It’s so endearing.

  12. @Cydaal1706

    November 10, 2024 at 1:44 pm

    ❤️‍????????????????

  13. @lyndafoster9437

    November 10, 2024 at 1:45 pm

    I love the fashion the beauty and the creativity. But people, women, don’t dress anymore . Let’s start to wear these beautiful fashions

  14. @katmoore1909

    November 10, 2024 at 1:55 pm

    I will write it, although it’s a heavy statement: this is the BEST issue of American Vogue IN YEARS.❤????????✨MJ spoke so eloquently about it as well, I fell in love with him and his vision on things. Bravo. Congratulations to all of the people involved. And sth last, Mrs Wintour well done for your Avant-garde intellect and your expansive approach. Give room, space to Others means you Understand and appreciate their Value. That is a very uncommon and rare thing to find in leadership nowadays.

  15. @user-vr8sf7zs6v

    November 10, 2024 at 2:05 pm

    Petition for a video follow up on every issue! ????

  16. @Broisgray

    November 10, 2024 at 2:05 pm

    This is amazing

  17. @Roasting_Chicken

    November 10, 2024 at 2:07 pm

    I’m so waiting to see Melania in the cover

  18. @michaelmcginsie2600

    November 10, 2024 at 2:11 pm

    She is Cindy through and through. Well done all

  19. @luccsrafael

    November 10, 2024 at 2:17 pm

    Marc Jacobs forever! Vogue forever!

  20. @nr6446

    November 10, 2024 at 2:19 pm

    More of THIS (!!!) and less of asking people questions and them answering in the most insincere and cringeworthy ways possible.

  21. @ignaciomurillo8030

    November 10, 2024 at 2:21 pm

    ????????????????

  22. @Greenz1100

    November 10, 2024 at 2:28 pm

    Marc is soo talented. What a great team and great cover.

  23. @helohalo3106

    November 10, 2024 at 2:28 pm

    Anna should do this with a plethora of other designers as well, I think it will refresh Vogue and make it exciting again.

  24. @sleepwell_behappy4766

    November 10, 2024 at 2:32 pm

    Can someone tell me where can I get the Vogue Arabia issue November 2024 ?

  25. @jtali6122

    November 10, 2024 at 2:48 pm

    How did you all know I wanted to see a behind-the-scenes video featuring a nepo baby?

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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