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Sonam Kapoor’s ’90s Bollywood Beauty Routine

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Sonam Kapoor’s familiarity with the elegant aesthetic that is Bollywood beauty is both innate, and cultivated through hours in the makeup chair.

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10 Comments

10 Comments

  1. Anna Grant Winston

    December 12, 2022 at 2:09 pm

    She is so pretty I love her

  2. Samit Tonoy

    December 12, 2022 at 2:20 pm

    Sonam is so brave to come on screen without makeup on!

    • Lynda H

      December 12, 2022 at 2:56 pm

      Brave? She has perfect skin, what does she have to be afraid of? It’s not like she has severe acne or covered in burns!

    • Kit J

      December 12, 2022 at 3:15 pm

      @Lynda H I think it was sarcasm as she is perfect looking

  3. Samit Tonoy

    December 12, 2022 at 2:20 pm

    Love her ????

  4. Toni Y

    December 12, 2022 at 2:51 pm

    You are beautiful without and with makeup.

  5. NikkiDreadlocks

    December 12, 2022 at 2:56 pm

    HER EYES ????????

  6. sophia isabelle

    December 12, 2022 at 3:16 pm

    Sonam Kapoor is multi-talented and multi-faceted. She can handle anything with ease and clarity.

  7. Random Editsss

    December 12, 2022 at 3:18 pm

    It feels illegal to be this early-

  8. Matt Liston

    December 12, 2022 at 5:33 pm

    Had to give it a thumbs down after she said she was married.

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Howto & Style

Inside Christian Dior’s Private Archive with Jonathan Anderson | Objects of Affection | Vogue

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Christian Dior creative director Jonathan Anderson visits Dior Heritage in Paris to explore some of the most cherished pieces from the house’s extraordinary archive. First up is the iconic Bar jacket, the defining silhouette of Christian Dior’s revolutionary 1947 New Look, followed by La Cigale, an architectural 1952 dress and one of Anderson’s personal favorites from the Dior archive. Its sculptural construction also serves as a direct inspiration for Anderson’s own Dior Cigale bag. He then moves on to the magical Junon dress, Christian Dior’s spectacular 1949 creation covered in layers of iridescent, petal-like embroidery. The surviving piece is now so fragile that it can only be displayed lying flat. Heading deeper into the archives, Jonathan arrives at the original charts for Christian Dior’s Spring/Summer 1949 haute couture collection, offering a fascinating glimpse into how the house meticulously documented and organized its collections. Along the way, Jonathan also dives into another side of Christian Dior’s legacy: his often-overlooked business acumen.

Director: Nikki Petersen
Director of Photography: Etienne Baussan
Editor: Katie Wolford

Producers: Chase Lewis, Amaury Delcambre
Associate Producer: Lea Donenberg
Gaffer: Adam Pelle
Audio: Colin Larchet

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Line Producer: Natasha Soto-Albors

Assistant Editor: Fynn Lithgow
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

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Senior Director, Video: Romy van den Broeke
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VP, Video Programming: Thespena Guatieri

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SIRIVANNAVARI Spring 2027 Milano

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LAURA BIAGIOTTI Spring 2027 Milan

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