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Sabrina Carpenter Works Late….’Cause She’s a Singer

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The espresso singer is up late, making the best of the Met.

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33 Comments

33 Comments

  1. @Linnea929

    May 17, 2024 at 5:04 pm

    what does it meannnnn ????????????
    is this an album easter egg or just her looking amazing

    • @Muffary.

      May 17, 2024 at 5:21 pm

      That’s just her at the met gala

    • @Linnea929

      May 17, 2024 at 5:24 pm

      @Muffary dw ik i was talking abt the background and general dolphin & ocean theme

    • @jessa9863

      May 17, 2024 at 8:43 pm

      im thinking a cute summer playlist, because espresso gives that typa vibe.

    • @Linnea929

      May 17, 2024 at 8:47 pm

      @jessa9863 yesss fr, and with the vintage-y vibes too ❤️

    • @arieellaxx

      May 18, 2024 at 1:17 pm

      I love ur pfp 😀 i’m a pjo fan too!

  2. @TeamRogers7

    May 17, 2024 at 5:04 pm

    Elegantly Wicked!

  3. @ashleytaveras9035

    May 17, 2024 at 5:17 pm

    Sabrina looks sooooooo gorgeous ????????????????

  4. @qmontieoutlaw

    May 17, 2024 at 5:17 pm

    ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????

  5. @berisnurr

    May 17, 2024 at 5:20 pm

    She is so beautiful????

  6. @TsarHare

    May 17, 2024 at 5:27 pm

    loves it. let me see it. lay on very soft thigs. ti amo momi

  7. @Allen-ik5nc

    May 17, 2024 at 5:32 pm

    Pathetic ???????? lol ????

    • @TigerEdits_1

      May 18, 2024 at 4:20 am

      Ur not funny

  8. @angelruiz1183

    May 17, 2024 at 5:38 pm

    HHHHHHHHHH ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????

  9. @mabelreversetunes

    May 17, 2024 at 5:48 pm

    Of course!

  10. @_mugiwara7

    May 17, 2024 at 7:11 pm

    Classy and vintage summer vibe She’s literally BARBIE ????????

    • @user-sz2ut4od6s

      May 18, 2024 at 9:33 am

      If Barbie had two over grown caterpillars on her forehead.

    • @khatija8506

      May 18, 2024 at 11:58 am

      @@user-sz2ut4od6sbro why you beefing eyebrows for ???? how can the placement of hair on someone’s face annoy you this much pls do something better with your life ????

    • @user-sz2ut4od6s

      May 18, 2024 at 12:31 pm

      @@khatija8506
      ????????????????????????????????????
      ????????????????????????????????????

  11. @kttsune006

    May 17, 2024 at 7:33 pm

    She is so Stunning!!

  12. @user-zd6ot4tx5n

    May 17, 2024 at 9:25 pm

    Ateeeeee❤❤❤❤

    • @amarigamer1192

      May 18, 2024 at 12:36 am

      Ate a heart oooo that’s painfully brutal nah you need help I can’t believe you ate a heart that’s really gross

  13. @Lightsongs-

    May 17, 2024 at 11:41 pm

    She is so gorgeous

  14. @user-eq2dx2jp6v

    May 18, 2024 at 12:04 am

    ????????????

  15. @CocoaBananas23

    May 18, 2024 at 12:19 am

    Went to the store looking for the light… ????

  16. @harenohiharunohi151

    May 18, 2024 at 1:16 am

    サブリナはマーメイドだった!????‍♀️????✨????????

  17. @estellethresiarobin9609

    May 18, 2024 at 2:58 am

    My eyes are burning ????

  18. @swiftieee33

    May 18, 2024 at 3:22 am

    i’m hypnotized

  19. @MontyDixon

    May 18, 2024 at 4:48 am

    Espresso ☕

  20. @user-cr7qs5vd7k

    May 18, 2024 at 10:22 am

    How do you feel when you live in prosperity and luxury while people struggle to live?

  21. @Ree_M16

    May 18, 2024 at 10:32 am

    Gorgeous ????????????

  22. @ulrichsuhulte9741

    May 18, 2024 at 11:13 am

    Ich WÜRDE Sagen das WIR uns ein wenig kennen vielleicht JA auch MEHR
    Eigentlich auch immer im bilde
    In
    Liebe und Aus Dankbarkeit
    Hab DICH LIEB
    ❤️????????????????️

  23. @sloanetyler-nc3qw

    May 18, 2024 at 12:39 pm

    Song?

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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