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Ryan Reynolds & Hugh Jackman Take Lie Detector Tests | Vanity Fair

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The stars of ‘Deadpool & Wolverine’ take Vanity Fair’s infamous lie detector test. Has Ryan Reynolds and wife Blake Lively watched ‘The Green Lantern’ together as a family? Was he actually behind the 2014 test footage leak of the original ‘Deadpool’? How many copies of the ‘Sexiest Man’ issue did Hugh Jackman buy? Was the main reason why Hugh came back to ‘Deadpool & Wolverine’ to kick Ryan’s butt again?

Director: Adam Lance Garcia
Director of Photography: Jack Belisle
Editor: Christopher Jones; Louis Lalire
Featuring: Hugh Jackman, Ryan Reynolds
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Lyla Neely
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Chloe Ramos
Gaffer: David Djaco
Grip: Mar Alfonso
Audio Engineer: Sean Paulsen
Production Assistant: Kelsey Cueller, Raven Kilgore
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Fynn Lithgow
Special Thanks: Louis Conte

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25 Comments

25 Comments

  1. @dakotac180

    July 26, 2024 at 3:26 pm

    They have to start hosting things together.
    They are EEEEEVRRYWHERE for this movie, such fine dads lol. Ryan is who we all are and Hugh is who we dream to be.

  2. @matthewmedeiros3532

    July 26, 2024 at 3:27 pm

    very cheeky about gambit

  3. @Mex.lol255

    July 26, 2024 at 3:27 pm

    Ryan is the type of person who’d lie cause he was bored

  4. @jessasinclare3445

    July 26, 2024 at 3:31 pm

    “I’m terrified” hahaha

  5. @jessasinclare3445

    July 26, 2024 at 3:31 pm

    “I’m terrified”

  6. @albertofava865

    July 26, 2024 at 3:32 pm

    They’re basically on every show ????

  7. @ellieparker123

    July 26, 2024 at 3:32 pm

    agents of shield mentioned!!!!! :O

  8. @XavierTheRed

    July 26, 2024 at 3:33 pm

    When he says he’ll destroy everything in this path and it goes to being truthful ????????????

  9. @andreanieves7426

    July 26, 2024 at 3:33 pm

    4:50 I think this is the first time I’ve seen Hugh get a genuine laugh out of Ryan, it’s almost always the other way around ????

  10. @wsdmsage

    July 26, 2024 at 3:36 pm

    Hugh Jackman laughing most of the time he really enjoys it

  11. @RoboLANE

    July 26, 2024 at 3:37 pm

    These two are such dorks I could watch them FOREVER

  12. @John_Zatanna

    July 26, 2024 at 3:37 pm

    ryan is there just for the great jokes and hugh is there just for the laughs

  13. @maryy.angell

    July 26, 2024 at 3:38 pm

    How many interviews do you guys wanna do?

    YES

  14. @streetrat48

    July 26, 2024 at 3:42 pm

    Deadpool test footage leaked 10 YEARS AGO tomorrow

  15. @TheSuperwoman66

    July 26, 2024 at 3:43 pm

    More????

  16. @Tyler2k

    July 26, 2024 at 3:44 pm

    Close, Ryan ran a 3:50:22 (thanks Google)

  17. @mj4lyfe404

    July 26, 2024 at 3:44 pm

    baby knife

  18. @CynAnne1

    July 26, 2024 at 3:45 pm

    There would be *no* safe time to sip a drink with those two around… ????

  19. @jtmax669

    July 26, 2024 at 3:47 pm

    Lew is probably the first lie detector examiner with emotions

  20. @somepapi

    July 26, 2024 at 3:48 pm

    Bit of a spoiler that Gambit is in the new Deadpool & Wolverine ????????

  21. @billydelacey

    July 26, 2024 at 3:48 pm

    There’s no such thing as a “lie detector.”

  22. @jessasinclare3445

    July 26, 2024 at 3:49 pm

    The random Korean hahahha

  23. @captaindelta43

    July 26, 2024 at 3:49 pm

    ????????❤

  24. @lilathedumb22

    July 26, 2024 at 3:49 pm

    Hugh just constantly dying of laughter is fantastic

  25. @aashirimran466

    July 26, 2024 at 3:51 pm

    They are on every freaking show… Aggressive campaigning and I love it

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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