Entertainment

Rian Johnson Breaks Down the “Arrival” Scene from ‘Glass Onion: A Knives Out Mystery’ | Vanity Fair

Published

3 years ago

December 23, 2022

‘Glass Onion: A Knives Out Mystery’ director Rian Johnson breaks down the arrival scene from his new film.

GLASS ONION: A KNIVES OUT MYSTERY is available on Netflix December 23, 2022. https://www.netflix.com/GlassOnion

Director: Adam Lance Garcia
Director of Photography: Charlie Jordan
Editor: Cory Stevens
Celebrity Talent: Rian Johnson
Producer: Madison Coffey
Line Producer: Jen Santos
Production Manager: Mark Bond
Talent Booker: Meredith Judkins
Camera Operator: Jack Belisle
Audio: Rehanna Chandan
Production Assistant: Rafael Vasquez
Gaffer: Gautam Kadian
Post Production Supervisor: Nicholas Ascanio

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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12 Comments

Charlotte Aitken

December 23, 2022 at 7:00 pm

Early gang ????

Reply
Dorothy Kelly

December 23, 2022 at 7:01 pm

I am watching this right now

Reply
beaf e

December 23, 2022 at 7:02 pm

i am absolutely so in love with this movie i’m pretty sure watching it changed my life projectors i need more everyone did amazing the cast the crew but especially rian johnson

Reply
Marc Tilmant

December 23, 2022 at 7:04 pm

One of the best movies i’ve seen this year

Reply
The Ostrich

December 23, 2022 at 7:09 pm

When will he break down what happened in his brain when he wrote Last Jedi?

Reply
- TheHauntedKiwi
  
  December 23, 2022 at 7:27 pm
  
  It was better than the A New Hope Awakens
  
  Reply
Buzz Fuzz

December 23, 2022 at 7:09 pm

That was an absolute blast to watch. Such a well-crafted and wonderfully goofy film, that still somehow manages to be relevant. You can tell that this was made with passion.

Reply
Hiram

December 23, 2022 at 7:14 pm

One of the best movies of the year

Reply
VinceFS

December 23, 2022 at 7:23 pm

I love all the little minutia that went into this scene; such as, the costumes, Blanc’s eyeline, the blocking to show the relationships between characters and editing. Top notch directing

Reply
Thomas Mook

December 23, 2022 at 7:32 pm

I could listen to Rian Johnson talk about movies all day. Really fun film, too.

Reply
Ronald V. Croft

December 23, 2022 at 7:51 pm

Thank you Jesus for the gift of life and Blessings upon me and my family. $32,000 weekly profit Our lord Jesus have lifted up my Life!!!

Reply
Constance Buckley

December 23, 2022 at 7:52 pm

Thank you Jesus for the gift of life and Blessings upon me and my family. $32,000 weekly profit Our lord Jesus have lifted up my Life!!!

Reply

Entertainment

Hot days, cooler outfits.

Published

2 days ago

June 13, 2026

LAVISHLY DEMURE

Entertainment

Steven Spielberg Gets Put on the Spot by Emily Blunt, Colman Domingo & Josh O’Connor | Vanity Fair

Published

3 days ago

June 12, 2026

LAVISHLY DEMURE

From the making of some of his most iconic films to the creative process behind Disclosure Day, Spielberg reflects on decades of storytelling while answering questions from the cast.

DISCLOSURE DAY is only in theaters June 12, 2026. http://disclosuredaymovie.com/

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Entertainment

Laufey’s Unfiltered Hormonal Acne Routine | Beauty Secrets | Vogue

Published

3 days ago

June 12, 2026

LAVISHLY DEMURE

Singer-songwriter Laufey walks us through her everyday skincare and makeup routine. The Icelandic singer opens up about developing hormonal acne in her 20s, the toll that constant touring and flights take on her skin, and why sleep is her number one skincare step. True to her roots, Laufey lights an Icelandic Fischersund candle to set the mood and reflects on Iceland’s deeply ingrained wellness culture.

Director: Gabrielle Reich
DP: Marquis Wooten
Editor: Sara Rao

Associate Producer: Lea Donenberg
Line Producer: Natasha Soto-Albors
Production Manager: Kristen Helmick
Production Coordinator: Tanía Jones
Talent Manager: Phoebe Dishner

Post Production Supervisor: Alexa Deutsch
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Assistant Editor: Fynn Lithgow
Filmed at: Conrad Los Angeles

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