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Rhett & Link Test How Well They Know Each Other | Vanity Fair Game Show

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Rhett and Link of Good Mythical Morning’s Rhett & Link test who knows one another best in Vanity Fair’s “Rhett & Link Game Show.” They are on the 21st season of their show, but how much do they actually know about each other? What time does Link go to sleep? What word or phrase does Rhett overuse? What would Link do for a living if he wasn’t creating YouTube videos?

Rhett & Link are celebrating their 10-year anniversary and the 21st season of their show, Good Mythical Morning.

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Rhett & Link Test How Well They Know Each Other | Vanity Fair Game Show

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27 Comments

27 Comments

  1. Lilim Music

    January 27, 2022 at 6:35 pm

    Rhett talking for Link: “I’m loyal but dont COUNT ON ME” ???????? LAUGHING SO HARDDD

    • Zachary King

      January 27, 2022 at 6:54 pm

      me too

  2. Somer Flowers

    January 27, 2022 at 6:39 pm

    My favorites! ❤️❤️

  3. Amanda Marie - Lost In Mythicality

    January 27, 2022 at 6:47 pm

    Love that they called an audible and actually did the dance moves. <3

  4. Erica is Lost in the Music

    January 27, 2022 at 6:53 pm

    This was so cute. I was smiling the whole way through. Friendship goals! ????????

  5. Bluesilva Halo

    January 27, 2022 at 6:55 pm

    This is my new favourite video ????

  6. gottacutfootloose

    January 27, 2022 at 6:57 pm

    If the question “What phrase does Rhett use the most?” was redirected back to Link, we know it would be “OH CRAP!”

    • Goon riding up north

      January 27, 2022 at 7:33 pm

      I would have gone with “WHAT THE CRAP!”

  7. Aly

    January 27, 2022 at 7:00 pm

    Link is such a beautiful man.

  8. Bluesilva Halo

    January 27, 2022 at 7:01 pm

    I love how Rhett is so confident about his answer about what Link does that he’s telling Link to get it right ????????

    • nirfa Tya*

      January 27, 2022 at 7:28 pm

      —————————————————————————————————————————————————————————————————————————————————————————————–beautifulgirls.site ???? please make me your slave

      Youtube: This is fine
      Someone: Says “help”
      Youtube: BE GONE
      History : deleted
      Phone : yeeted
      Body :heated
      Holy water : needed
      #Чо #эт #делает #на #2 #месте #в #тренде #однако #я #люблю #таких #рыбаков #垃圾
      #ライブ配信の再編ありがとうです!#この日のライブ配信は、#かならりやばかったですね!1#万人を超える人が見ていたもんね(笑)#やっぱり人参最高!#まさかのカメラ切り忘れでやら1かしたのもドキドキでした!#今後は気を付けないとね5). .

      !????????❤

  9. cjörk

    January 27, 2022 at 7:09 pm

    TOO. CUTE

  10. jamison allen

    January 27, 2022 at 7:10 pm

    Rhett If you’re not writing with your hand what are you writing with?

  11. Zoie Bates

    January 27, 2022 at 7:11 pm

    LOVED THIS!!!

  12. dtina2019

    January 27, 2022 at 7:14 pm

    Yess love them

  13. mainecracka

    January 27, 2022 at 7:17 pm

    Come on Link. Even I got Beans right

  14. JayP Seven

    January 27, 2022 at 7:26 pm

    At last! Rhett and Link I click!

  15. A W

    January 27, 2022 at 7:26 pm

    I love that they’re still arguing about points. Some things never change ????

  16. RC Dawson

    January 27, 2022 at 7:31 pm

    Rhett and Link are the best!

  17. Paula O

    January 27, 2022 at 7:32 pm

    I was honestly thinking beans

  18. Samira Raposo

    January 27, 2022 at 7:33 pm

    THE MYTHICAL BOISSS, I always love to seem them on here. It’s makes me proud :,)

  19. Raineydayeez

    January 27, 2022 at 7:36 pm

    I love that hairdressing was Link’s fallback and not his literal engineering degree????

  20. Lena Pham

    January 27, 2022 at 7:37 pm

    i love their friendship so much

  21. Hope Gold

    January 27, 2022 at 7:41 pm

    Best when vf stays out of the picture. These guys gave them value added

  22. mishka

    January 27, 2022 at 7:43 pm

    link looks so good

  23. Chris Lee

    January 27, 2022 at 7:45 pm

    Honestly one of the main reasons I get motivated to get out of bed in the morning is to watch new GMM ep

  24. billiesavocadoburrito

    January 27, 2022 at 7:51 pm

    Yooo my childhood

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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