Entertainment

Prosthetic Designer Breaks Down Transforming Charlize Theron Into Megyn Kelly | Vanity Fair

Published

4 years ago

July 2, 2020

Prosthetic designer Kazu Hiro breaks down his process of using special effects to transform actors physical appearances. Kazu demonstrates the techniques he used to turn ‘Bombshell’ cast Charlize Theron into Megyn Kelly, Nicole Kidman into Gretchen Carlson, and John Lithgow into Roger Ailes.

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Prosthetic Designer Breaks Down Transforming Charlize Theron Into Megyn Kelly | Vanity Fair

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28 Comments

kermit

July 2, 2020 at 4:02 pm

second

Reply
LESSONS 4 LIFE

July 2, 2020 at 4:02 pm

Men can be women

Reply
Subbing To Everyone Who Subs To Me

July 2, 2020 at 4:02 pm

“Don’t lie who’s been a fan of Vanity Fair before 2020?😇”

(Read My Name)❤️

Reply
Parallel Scopez

July 2, 2020 at 4:03 pm

“Don’t lie who else is a FAN of Ninja🐇”

“¡ᴍ ɢɪғ₮ɪɴɢ ᴇᴠᴇʀʏ𝐎ɴᴇ ᴡʜᴏ ʟɪᴋᴇs ᴀɴᴅ sᴜʙs ᴛᴏ ᴍᴇ”🥖

Reply
Velli Haven

July 2, 2020 at 4:03 pm

I prefer this type of practical effect than recent CG stuff like de-aging or clone. Good content btw, it’d be nice if you can get people who make prosthetic stuff for Doug Jones

Reply
- Samuel Donovan
  
  July 2, 2020 at 7:15 pm
  
  Though the best use of CGI is in tandem with prothetics.
  
  So there is definitely a place for CGI in manipulating the look of the actors.
  
  Reply
Knosh iii

July 2, 2020 at 4:05 pm

Hi

Reply
Knosh iii

July 2, 2020 at 4:05 pm

Helllooooo

Reply
Stari Rita

July 2, 2020 at 4:13 pm

Such a science and art 👌👌

Reply
MrsTuppence

July 2, 2020 at 4:19 pm

He is amazing, what a cool job!

Reply
Jo 🦇

July 2, 2020 at 4:22 pm

Amazing, I love this stuff!

Reply
WaitHereIveGoneToGetHelp !

July 2, 2020 at 4:23 pm

Won’t be long before they just digitally apply the face of the person the actor is portraying using deep fake, or like they did the burns on Tony Stark in endgame, then all this skill and artistry will be lost like stop motion animation.. a real shame.

Reply
- Mina F
  
  July 2, 2020 at 4:26 pm
  
  Stop motion animation isn’t lost, look at Laika and aardman, the most recent wes Anderson film etc.
  
  Reply
- Connes
  
  July 2, 2020 at 6:27 pm
  
  Stop motion is doing pretty well recently actually
  
  Reply
- Costa Zambaras
  
  July 2, 2020 at 6:37 pm
  
  They already are. And remember, by the time technology like this hits the public sector, it has already been used in ways and for things that would probably surprise us. I would put money on the fact that the type of technology you’re talking about has already been used politically in one form or another. This technology has frighteningly unethical possibilities.
  
  Reply
- WaitHereIveGoneToGetHelp !
  
  July 2, 2020 at 6:44 pm
  
  Stop motion isn’t lost, but it’s become the arty thing to do, whereas at one time it was the only way to bring anything non human to life. You won’t ever see another star wars film with go motion ATATs, or stop motion skeletons fighting a live action human.
  
  Reply
Zhang Kaikai

July 2, 2020 at 4:24 pm

Wow…pure artistry! When I first saw Bombshell’s photos I was shocked by the resemblance😳😳😳

Reply
hadiy101

July 2, 2020 at 4:57 pm

I didn’t even realize it was Charlize Theron when I was watching the movie, this dude nailed it!

Reply
Mihail Colun

July 2, 2020 at 5:06 pm

It’s a cool profession to have

Reply
Barb N.

July 2, 2020 at 5:12 pm

What an artist! Impressive!

Reply
Fay Buurman

July 2, 2020 at 5:21 pm

so talented wow

Reply
Public Account

July 2, 2020 at 5:48 pm

The gary oldman transformation is mind-boggling, this guy really is a genius.

Reply
Sc O

July 2, 2020 at 6:05 pm

Japanese people are always highly respected for their craft. They are very artistic and culturally sophisticated…This guy is a master of his craft

Reply
- Ashley Nieto
  
  July 2, 2020 at 7:27 pm
  
  What a positive, but trope-ish stereotype.
  
  Reply
Desrtfox71

July 2, 2020 at 6:05 pm

Silicone and Silicon are not the same thing.

Reply
Will Becker

July 2, 2020 at 6:15 pm

you have to adjust the skin tone of the prosthetic paint based on how much movement the actor will be doing- that’s an interesting point that I’ve never thought about before.

Reply
By Rom Boy Roman

July 2, 2020 at 6:17 pm

Phenomenal

Reply
Costa Zambaras

July 2, 2020 at 6:34 pm

Impressive. I wonder if this guy can turn my girlfriend into Charlize Theron.

Reply

Entertainment

Bill Skarsgård and Ncuti Gatwa are here for “the good notes” with #VFHollywood.

Published

5 hours ago

November 21, 2024

LAVISHLY DEMURE

Bill Skarsgård and Ncuti Gatwa join forces for #VFHollywood

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Entertainment

How the Front Row Became the Front Row | Vogue

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Fynn Lithgow, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

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Entertainment

Malcolm & John David Washington Break Down a Scene From ‘The Piano Lesson’ | Vanity Fair

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Director Malcom Washington breaks down an scene from ‘The Piano Lesson’ alongside his brother John David Washington. Malcom provides an elaborate explanation of playing with point of view to guide the audience throughout the movie, working with the “talented” Samuel L. Jackson, and so much more.

Director: Claire Buss
Director of Photography: Dave Sanders
Editor: Lika Kumoi
Talent: Malcolm Washington, John David Washington
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Audio Engineer: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Billy Ward