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Bob the Drag Queen Teaches You Drag Slang | Vanity Fair

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Bob the Drag Queen stops by Vanity Fair’s Slang School and teaches us Drag slang. From “no tea, no shade” to “serving face,” Bob takes you “purse first” through drag lingo.

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

Bob the Drag Queen Teaches You Drag Slang | Vanity Fair

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30 Comments

30 Comments

  1. Kelli Wilson

    July 7, 2020 at 4:02 pm

    Bob’s Drag Race!!

  2. Myrtle is my Supreme

    July 7, 2020 at 4:03 pm

    I could watch Bob talk about literally anything, do you hear me Vanity Fair? LITERALLY ANYTHING!

  3. Hariharan Saravanan

    July 7, 2020 at 4:03 pm

    Peace ✌️

    • Jalael Edwards

      July 7, 2020 at 4:33 pm

      Bye ???? we don’t need you here!????

  4. Subbing To Everyone Who Subs To Me

    July 7, 2020 at 4:03 pm

    “Don’t lie who’s been a fan of Vanity Fair before 2020?????”

    (Read My Name)????

  5. Summer Eaddy

    July 7, 2020 at 4:04 pm

    ????

  6. Czeslaw K.

    July 7, 2020 at 4:13 pm

    No, thanks.

    • elysia Barnard

      July 7, 2020 at 4:17 pm

      Then leave ❤️

  7. agrayday

    July 7, 2020 at 4:22 pm

    Bob is so thorough! This was the best episode of this series I’ve seen.

  8. Joan of Arc

    July 7, 2020 at 4:28 pm

    Queen of Teaching.

  9. Rebecca Zabarte

    July 7, 2020 at 4:30 pm

    I. LOVE. BOB. PERIODT!!!

  10. Cpt_nice

    July 7, 2020 at 4:45 pm

    I love Bob!

  11. Random Chimp

    July 7, 2020 at 4:47 pm

    How bout no.

    • jk rowling's most recent problematic tweet

      July 7, 2020 at 6:35 pm

      Lmao you clicked on it

    • Dare Run

      July 7, 2020 at 7:41 pm

      exactly… and btw, my click here was to unsubscribe from this channel.

  12. boastfuls

    July 7, 2020 at 4:48 pm

    Always thought squirrel friends had to do with hiding your nuts

  13. Walt Dawg

    July 7, 2020 at 4:48 pm

    Yesssss my fav person!!! ❤️

  14. Daisha Susoi

    July 7, 2020 at 5:02 pm

    Yesssssss!! Articulated down to tha T honey…but hey it’s Vanity fair so all is well. Wow such a blessing!! you are absolutely EVERYTHING
    Sir Bob “the Drag Queen”

  15. NakedAndLaughing

    July 7, 2020 at 5:26 pm

    Hey Heather ????

  16. Shady Haterade

    July 7, 2020 at 5:31 pm

    Bob is so awesome to watch because he is SO smart and such a great speaker! Please have him do more videos for your channel! Very enjoyable to learn from him.

  17. garfreeek

    July 7, 2020 at 5:33 pm

    He’s a pretty great teacher! <3

  18. Bex Burton

    July 7, 2020 at 5:44 pm

    Bless you Bob the Drag Queen!! ❤️❤️❤️

  19. detonationlurks

    July 7, 2020 at 5:45 pm

    Queen serving an education.

  20. Femke Feenstra

    July 7, 2020 at 5:51 pm

    This gave me lifeee! Love it

  21. Mike Rodstrom

    July 7, 2020 at 5:54 pm

    I would absolutely die for Bob

    • Ellen Mason

      July 7, 2020 at 6:49 pm

      Me too

  22. Global Citizen

    July 7, 2020 at 6:30 pm

    Yes Bob break it down!!! Love you ????

  23. batgurrl

    July 7, 2020 at 6:36 pm

    Bob is as great a teacher as a drag queen. Love him and this????

  24. S1QuanA

    July 7, 2020 at 6:53 pm

    oh my god i cant believe this exists. i didnt know i needed this so bad hahaha. him being the new host for the pitstop (hopefully permanently) has already been such a pleasure. idk him so i wont say i love him but i love the content he’s making <3

  25. Frikka3

    July 7, 2020 at 6:53 pm

    Bob did a great job considering some of the words provided as “drag slang”… Whoever picked those words—that was embarrassing ????

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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