“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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Clémentine CORNIC
November 27, 2023 at 1:17 pm
Luv u ????
Angel ????????
November 27, 2023 at 1:17 pm
She is actually so y2k coded like even the thin eyebrows and her outfits!!
BLIST
November 27, 2023 at 1:18 pm
i love her
Nicolás Bustamante
November 27, 2023 at 1:21 pm
SHE’S BRITISH???
opia
November 27, 2023 at 1:34 pm
pink at least wash ur forehead.. ????????
jc
November 27, 2023 at 1:41 pm
In love with her lashes and this look
Gaurbage
November 27, 2023 at 1:46 pm
aahahhahahahahhaha the forehead thing is so funny
Smith Carlin
November 27, 2023 at 1:46 pm
i absolutely fell in love with her beauty and humor and personality in this video, one of the best features fs ????
Nora Lavender
November 27, 2023 at 1:47 pm
Anyone else think her music is eh
Btool 22
November 27, 2023 at 1:52 pm
I love her voice
SJ????
November 27, 2023 at 1:59 pm
She just seems like a really cool f5like her vibe is amazing
SJ????
November 27, 2023 at 2:01 pm
I thought it was weird that i put moisturiser on my neck and ears but looks like they’re more out there
TheBrownEyedBrunette
November 27, 2023 at 2:06 pm
PinkPantheress accentuating her aegyo-sal is the cutest thing ever <3
Joanne zz
November 27, 2023 at 2:08 pm
In some way, I feel like she looks a little bit like Lisa in Blackpink
Dani
November 27, 2023 at 2:14 pm
She is so PRETTYYYYYY
Kgothatso K
November 27, 2023 at 2:25 pm
So does this mean she doesnt sweat? She doesnt wash her forehead? No sunscreen? While wearing a wig? ????
TMAN
November 27, 2023 at 2:28 pm
Every time I see her ????????????
TMAN
November 27, 2023 at 2:32 pm
Her accent changed. It’s not as strong as it was before.
irene
November 27, 2023 at 2:37 pm
This flop used kpop for clout
sammie steers
November 27, 2023 at 2:37 pm
Sis you need to clean your forehead, it’s where you sweat most and it still needs moisture and sunscreen.
leona jasz
November 27, 2023 at 2:38 pm
YAYY PINKPANTHERESS ON VOGUEE
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November 27, 2023 at 2:39 pm
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Sunday Quiz Show
November 27, 2023 at 2:42 pm
Effortlessly pretty ☺
ella
November 27, 2023 at 2:52 pm
BEEP