“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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@Masada1911
April 30, 2025 at 12:03 pm
I will totally concede I have no idea what he is like in real life but I have to say Pierce Brosnan does seem like a lovely chap.
@ladyhawken
April 30, 2025 at 12:17 pm
Have always had a soft spot for Pierce. Elegant, handsome, charming.
@haleyanne86
April 30, 2025 at 2:08 pm
Same!
@ladyhawken
April 30, 2025 at 2:31 pm
@@haleyanne86 Have you seen Remington Steele? Highly recommendable. Also btw, my favorite bond 😀
@ericschilling9064
April 30, 2025 at 12:19 pm
That intro clip was gold 🥇
@barryallen6775
April 30, 2025 at 12:26 pm
The iconic Goldeneye N64 cartridge being there was perfect. That was my intro to 007.
@Andrew-Antioch-Kim
April 30, 2025 at 12:38 pm
I wouldn’t mind if Pierce returned as James Bond!
@burton1ify
April 30, 2025 at 12:49 pm
Dante’s Peak?
@mikekaraoke
April 30, 2025 at 1:24 pm
Exactly what I was thinking!
@haleyanne86
April 30, 2025 at 2:07 pm
I LOVED THAT MOVIE!!!
@jessasinclare3445
April 30, 2025 at 12:55 pm
“The handsome one that looks like it has my name on it” He knows his typecast 😂
@Agent-wn7le
April 30, 2025 at 1:08 pm
3:35 I miss robin Williams
@mariacarolinahernandezribe2956
April 30, 2025 at 1:12 pm
Pierce Brosnan’s vocal range sounds to me a lot like David Bowie 😊
@Czechbound
April 30, 2025 at 1:25 pm
*Leaving the Handbrake on* : Prince William, driving up the Mall after his marraige in King Charles’ Aston Martin, did the same thing.
@Royalewithcheesewithlove
April 30, 2025 at 1:31 pm
When I feel I need some new clothes I usually end up watching some of Pierce’s TMZ clips to look for outfit ideas LOL
@mwj9433
April 30, 2025 at 1:32 pm
Ahhh, I wish he talked about The World’s End
@mistersharkfilms
April 30, 2025 at 1:50 pm
What about his legendary classic film, Taffin?
@Disney65Fan
April 30, 2025 at 1:53 pm
I was waiting for this one😂❤
@Lamq555
April 30, 2025 at 2:01 pm
The bagpipe story is so cool!!! 😭🥹
@Lamq555
April 30, 2025 at 2:03 pm
So random but he was the best part of Black Adam 👌🏼
@edlawrence94
April 30, 2025 at 2:17 pm
I would totally love to see Brosnan come back for another Bond film. Bond out of retirement to save the day. He still looks and feels the part all over.
@edskt_
April 30, 2025 at 2:36 pm
I really wish he had talked about Robinson Crusoe, I know a lot of people don’t like, but, yeah…