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Paleontologist Reviews Dinosaur Movie Scenes | Vanity Fair

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How accurate is Hollywood when it comes to depicting dinosaurs on the big screen? Paleontologist Mark Loewen reviews dinosaur scenes from films including ‘Jurassic Park,’ ‘The Lost World: Jurassic Park,’ ’Jurassic World,’ ‘Jurassic World: Fallen Kingdom,’ ‘Land Of The Lost,’ ’King Kong,’ ‘Night at the Museum,’ and more.

Filmed in Paleontology Collections at the Natural History Museum of Utah, located on the campus of the University of Utah in Salt Lake City. Special thanks to Abby Curran, Carrie Levitt-Bussian, and Beth Mitchell from NHMU.

Site: https://nhmu.utah.edu/
Facebook: https://www.facebook.com/naturalhistorymuseumofutah
Instagram: https://www.instagram.com/nhmu/
Twitter: https://www.twitter.com/nhmu


0:00 Introduction
0:30 Jurassic Park
3:41 Jurassic World
4:54 The Lost World: Jurassic Park
7:31 Land of the Lost
9:36 Jurassic Park 3
11:26 King Kong
13:01 Night at the Museum
13:45 The Land Before Time
14:34 One Million Years B.C.
15:42 Jurassic World: Fallen Kingdom
17:38 Fantasia

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26 Comments

26 Comments

  1. Ben Kidd

    June 13, 2022 at 4:24 pm

    where can I get his shirt. Top Draw

  2. Pete F

    June 13, 2022 at 4:28 pm

    I only trust Ross Geller

  3. Destructo 6t9

    June 13, 2022 at 4:32 pm

    Holy sh*t! It’s IRL Hagrid!!!

  4. Natalie McCann

    June 13, 2022 at 4:40 pm

    He definitely looks like a paleontologist

  5. Lotte de Bruyn

    June 13, 2022 at 4:41 pm

    Such a cool dude.

  6. The Johtunn Bandit

    June 13, 2022 at 4:44 pm

    I want this guy to write a dino movie.

  7. Sevaughn Parsons

    June 13, 2022 at 4:47 pm

    Love how everyone is defending the movie… Are you a paleontologist? No.

  8. SoFarSoGood

    June 13, 2022 at 4:58 pm

    He is surely can be the professor of amazing dinosaurs study in movie fantastic dinosaurs and where to find them

  9. The Dork Knight

    June 13, 2022 at 5:11 pm

    What’s the most accurate depiction of a dinosaur you’ve seen in any medium?

  10. Luis Serrano

    June 13, 2022 at 5:11 pm

    I am the 187th like, and I must say that this video is interesting. I love dinosaurs, paleontology, natural history, and biology. I am so glad to see this video in my recommendation.

  11. daa quino

    June 13, 2022 at 5:19 pm

    Dinosaur 2000 that was amazing!

  12. Not a Bot

    June 13, 2022 at 5:21 pm

    Good paleontologist

  13. Ganiscol

    June 13, 2022 at 5:23 pm

    Thank goodness he dunked on that horrible POS that is JP3 – The aforementioned Horner really sold his soul to the studio when they asked to make something up that one-ups the T-Rex. It shall live in infamy! ????

  14. TheNatural

    June 13, 2022 at 5:31 pm

    Am i the only one who thought: “Ohhh, it’s Hagrid”

  15. Max Hastings

    June 13, 2022 at 5:38 pm

    Hi where can I get that awesome t red skull model??

  16. ME10920

    June 13, 2022 at 5:48 pm

    Awesome video thx

  17. Max Hastings

    June 13, 2022 at 5:52 pm

    Fun fact: sharp tooth had lips

  18. easton clement

    June 13, 2022 at 5:58 pm

    it’s almost like the movies aren’t supposed to be scientifically accurate

  19. Switchblade Bambi

    June 13, 2022 at 6:07 pm

    He is the most paleontologist looking paleontologist that has ever paleontologist in the history of paleontologists.

    • MrGonzal3z

      June 13, 2022 at 7:01 pm

      Lmao ???? facts!

  20. GVH

    June 13, 2022 at 6:22 pm

    The fact that the movies they gave him were out of chronological order, bugs me more than I’d like it too lol

  21. E

    June 13, 2022 at 6:24 pm

    This guy literally made every JP fan’s day by correcting that fact that TRex should have mopped the floor with the Spinosaurus in a single bite. Thank you! lol

  22. Michael Choueiri

    June 13, 2022 at 6:34 pm

    He looks like George Martin.

  23. Sheene.C

    June 13, 2022 at 6:44 pm

    This paleontologist is so informative and is obviously a movie geek as well. Awesome!

  24. Brian Schmitz

    June 13, 2022 at 7:05 pm

    Okay Hagrid…

  25. jordybordy007

    June 13, 2022 at 7:29 pm

    This guy was great! Another please, and show him the classic We’re Back!

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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