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Naomi Osaka Reviews Tennis Scenes, from ‘Bridesmaids’ to ‘Battle of the Sexes’ | Vanity Fair

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Tennis champion Naomi Osaka Pro reviews tennis scenes in movies and television including ‘Bridesmaids,’ ‘ Battle of the Sexes,’ ‘7 Days in Hell,’ ‘Borg vs. Mcenroe,’ ‘Friends from College’ and ‘Break Point’ and analyzes their tennis skills and practicality.

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Naomi Osaka Reviews Tennis Scenes, from ‘Bridesmaids’ to ‘Battle of the Sexes’ | Vanity Fair

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27 Comments

27 Comments

  1. dreamtears

    June 22, 2020 at 4:34 pm

    she’s literally stunning

  2. Maribel Castillo

    June 22, 2020 at 4:34 pm

    Still waiting for the Wimbledon (the film with Kirsten Dunst) clip ..

    • Robert Wilson

      June 22, 2020 at 6:37 pm

      I’m surprised they didn’t do that since it’s literally about tennis outside of the romance part of it

  3. Simply Animated

    June 22, 2020 at 4:43 pm

    She’s so bomb. ????❤️

  4. F King Opinions

    June 22, 2020 at 4:44 pm

    This has such a sweet chill energy. Favorite review of scenes for sure.

  5. Bobbytheman98

    June 22, 2020 at 4:49 pm

    I had a dream about her last night

  6. fivo real

    June 22, 2020 at 4:53 pm

    Paul Bettany – Wimbledon is a very underrated movie

  7. Gray Girl on the Water

    June 22, 2020 at 4:54 pm

    She seems so cool and chill! Is her laptop on top of a stack of cartons of eggs? Lol

  8. Trafford Bloor

    June 22, 2020 at 5:00 pm

    she’s honestly such an international treasure, can we please protect her at all costs ????????

  9. Therefof Monkey

    June 22, 2020 at 5:14 pm

    They should have had roger Federer

  10. shruggling

    June 22, 2020 at 5:18 pm

    Love her!

  11. meth dealer

    June 22, 2020 at 5:19 pm

    shes so cute

  12. death laughs

    June 22, 2020 at 5:21 pm

    this is what happen when you deep fry sushi

  13. Jakob Peabody

    June 22, 2020 at 5:39 pm

    I love that tennis scene from Bridesmaids, it’s one of my favorite movies.

  14. Simeon Zane Chambers

    June 22, 2020 at 5:50 pm

    Love This ????????♥️

  15. HindsightPOV

    June 22, 2020 at 5:51 pm

    She has such a sweet way of speaking.

  16. HindsightPOV

    June 22, 2020 at 5:59 pm

    I wish they covered that episode of Seinfeld where Jerry fakes being a bad tennis player but then goes for it because the other guy was insulting him too much.

  17. Nuno Soares

    June 22, 2020 at 6:07 pm

    Yawn!

  18. Simcha Sher

    June 22, 2020 at 6:14 pm

    Love this girl! What a thoughtful athlete

  19. Thabang Senoamadi

    June 22, 2020 at 6:40 pm

    Marry me plz

  20. gothic lemons

    June 22, 2020 at 6:43 pm

    SHES SO CUTE

  21. ???? blood honey

    June 22, 2020 at 7:05 pm

    She’s so cute

  22. meu02136

    June 22, 2020 at 7:10 pm

    Volleying takes close to no skill? Is that why female tennis players don’t do it?

  23. Anthony Allen

    June 22, 2020 at 7:13 pm

    I hope she’s still with YBN Cordae, seems like a nice couple, humble and talented.

    • Karlito P

      June 22, 2020 at 7:34 pm

      They are. I legit saw the both of them at the Target near my house buying a TV last month.

  24. Swetha Menon

    June 22, 2020 at 7:20 pm

    We STAN a gentle unproblematic tennis queen

  25. Iris

    June 22, 2020 at 7:43 pm

    She’s one of the most chillest and gorgeous person in the world…..

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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