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Monica Belluci Breaks Down Her Career, from ‘The Matrix’ to ‘Beetlejuice Beetlejuice’ | Vanity Fair

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Monica Belluci walks us through her legendary career, discussing her roles in ‘Under Suspicion,’ ‘Maléna,’ ‘Irréversible,’ ‘The Matrix Reloaded,’ ‘The Passion of the Christ,’ ‘Spectre,’ ‘Mozart in the Jungle,’ ‘Call My Agent!,’ ‘Beetlejuice Beetlejuice’ and more.

Director: Adam Lance Garcia
Director of Photography: Franics Bernal
Editor: Cory Stevens
Talent: Monica Bellucci
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Lyla Neely
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Caleb Weiss
Gaffer: David Djaco
Audio Engineer: Lily Van Leeuwen
Production Assistant: Kelsey Cuellar
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Additional Editor: JC Scruggs
Assistant Editor: Billy Ward

00:00 Monica Belluci
00:36 Under Suspicion
01:54 Maléna
04:01 Irréversible
05:05 The Matrix Reloaded
06:39 The Passion of the Christ
07:32 Spectre
09:15 Mozart in the Jungle
11:04 Call My Agent!
13:16 Beetlejuice Beetlejuice

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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27 Comments

27 Comments

  1. @12theplace

    September 5, 2024 at 1:08 pm

    a lady so ethereal

  2. @FrontRow1988

    September 5, 2024 at 1:09 pm

    The most beautiful woman ever ????

  3. @detectivegumshoe695

    September 5, 2024 at 1:16 pm

    Could listen to her read the phone book. What a voice!

  4. @helentsokana

    September 5, 2024 at 1:27 pm

    Love Monica ❤ and her Cartier jewellery!

  5. @ThePrinceofHisOwnKingdom

    September 5, 2024 at 1:33 pm

    She was a better Bond girl than Swann.

    Also, she was also considered for a Bond girl during Brosnan’s days. But the producers declined her and Brosnan was disappointed.

    • @markbartoszek8585

      September 5, 2024 at 2:26 pm

      Even Christmas Jones was better than Swann. lol

  6. @Lamq555

    September 5, 2024 at 1:33 pm

    A LIVING LEGEND! ????

  7. @bentudor5254

    September 5, 2024 at 1:40 pm

    The first movie I ever saw her was Malena. She was always a fascinating actress, but she’s a really fascinating person.

  8. @cafeAmericano

    September 5, 2024 at 1:40 pm

    She was also marvelous as the evil queen in the Terry Gilliam directed film The Brothers grimm.

  9. @Cauldron6

    September 5, 2024 at 1:46 pm

    Monica is so wonderful and thoughtful, love her <3

  10. @23minutesof

    September 5, 2024 at 1:52 pm

    Aged like fine wine

  11. @SlashRfnR

    September 5, 2024 at 2:03 pm

    You wrote her Surname wrong in the title.

  12. @ccan_max5285

    September 5, 2024 at 2:09 pm

    Amazing career in filmmaking

  13. @eyespy3001

    September 5, 2024 at 2:12 pm

    The discussion around Irreversible should have been ten times longer

  14. @an-qo6by

    September 5, 2024 at 2:31 pm

    God’s favorite. The way her face stayed this way at 60 looks amazing. I don’t think surgery can do this it looks natural. That’s crazy. AND LUCKY :’)

  15. @markbartoszek8585

    September 5, 2024 at 2:41 pm

    Irreversible still remains the most f’d up movie I’ve ever seen. Props to her for getting through that “scene.”

  16. @n0kturna1

    September 5, 2024 at 2:42 pm

    Loved her movies with Vincent Cassel

  17. @Sun.Shine-

    September 5, 2024 at 2:54 pm

    I wish they included brother’s grim movie where she played the evil version of rapunzel. That particular character used to haunt me in my dreams as a kid! ????

  18. @nikksterr0902

    September 5, 2024 at 3:03 pm

    “…and last night, I had another Monica Bellucci dream.”

  19. @christopherlewis2578

    September 5, 2024 at 3:12 pm

    Monica’s voice is so soft and serene.

  20. @hisoka9478

    September 5, 2024 at 3:15 pm

    Somehow her daughter came into my algo (I didn’t even know of her) and now Monica herself.
    Marketing is crazy.

    • @batmanmoscoso

      September 5, 2024 at 3:33 pm

      “Somehow” haha

  21. @arndtbc

    September 5, 2024 at 3:18 pm

    You missed Twin Peaks Season 4

  22. @yvescervantes4571

    September 5, 2024 at 3:22 pm

    She has an amazing career

  23. @AbhayPotluri007

    September 5, 2024 at 3:36 pm

    Where’s is Alice Rohrwacher’s “The Wonders”????

  24. @BlackDUST..

    September 5, 2024 at 3:38 pm

    THE MOST SENSUAL AND BEAUTIFUL WOMAN I’VE EVER SEEN IN MY LIFETIME. !

  25. @sadmanahmedraian1447

    September 5, 2024 at 3:43 pm

    her self awareness is off the charts

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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