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Mariska Hargitay Rewatches ‘Law & Order: SVU’ from Seasons 1 to 25 | Vanity Fair

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Mariska Hargitay takes a walk down memory lane as she rewatches scenes of her iconic character Olivia Benson on ‘Law & Order: Special Victims Unit.’ Mariska dishes on her first on-screen hug with Christopher Meloni, her experience directing her very own ‘SVU’ episode for Season 25 and so much more.

Law & Order: Special Victims Unit Season 25 is now available to stream on Peacock.

Director: Jameer Pond
Director of Photography: Bradley Wickham
Editor: Richard Trammell
Talent: Mariska Hargitay
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Lyla Neely
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Jenna Caldwell
Camera Operator: Mar Alfonso
Gaffer: Niklas Moller
Audio Engineer: Sean Paulsen
Production Assistant: Erica Palmieri
Set Designer: Jeremy D. Myles
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Scout Alter
Supervising Editor: Doug Larsen
Additional Editor: Jason Malizia
Assistant Editor: Lyla Neely

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22 Comments

22 Comments

  1. @andydv27

    May 23, 2024 at 12:04 pm

    My best friend Christina is the one who actually put me on to Law and Order: SVU! She’s a huge Mariska Hargitay fan!! I’m loving it!!

  2. @theKeshaWarrior

    May 23, 2024 at 12:06 pm

    It is insane to me how I can place all of these episodes with different times of my life over the years.

  3. @MrSuzuki17

    May 23, 2024 at 12:10 pm

    I watched Law & Order because of Mariska. This was basically my childhood. I always love Olivia Benson.

  4. @drumblebee

    May 23, 2024 at 12:15 pm

    i wonder how long it will take for mckenzie goodwin to watch this

  5. @jeffersondavis69

    May 23, 2024 at 12:19 pm

    Is it SVU or SUV? I can never remember.

    • @melissakyhlens1453

      May 23, 2024 at 1:46 pm

      I don’t know if you’re joking or not. But it’s SVU, it stands for Special Victims Unit and lol SUV is a car. ????????

  6. @RockandRollsince1992

    May 23, 2024 at 12:34 pm

    Love her, she’s so cool❤

  7. @KingApe69

    May 23, 2024 at 1:11 pm

    I love her and some of the clips chosen are some of my favorites

  8. @kayleighkimberley7783

    May 23, 2024 at 1:15 pm

    this needs a part 2,3,4 to infiniity as 12 mins was way to short

    • @meherghufran5795

      May 23, 2024 at 1:19 pm

      Agreed!!

  9. @GarnierAds

    May 23, 2024 at 1:30 pm

    I love that the last episode they had her watch was Authority. Watching my all time favorite actor (Robin) guest star in my all time favorite actress’s show is EVERYTHING considering how huge of an impact they’ve both had on my life ❤❤

  10. @shurvell300

    May 23, 2024 at 1:33 pm

    Greatest show ever

  11. @casseyboo89

    May 23, 2024 at 1:45 pm

    I AM IN LOVE WITH HER

  12. @sarahhejab6596

    May 23, 2024 at 2:03 pm

    I love her

  13. @highnoon907

    May 23, 2024 at 2:06 pm

    Thank you Mariska!

  14. @w1s86

    May 23, 2024 at 2:09 pm

    Love Mariska.

  15. @sharonhayoung5157

    May 23, 2024 at 2:14 pm

    Mariska could spend a few hours commenting on the episodes of svu, I love listening to her talk!!

  16. @solaking9515

    May 23, 2024 at 2:50 pm

    Mariska Hargitay! The Queen that you are!!!!!

  17. @milfinha

    May 23, 2024 at 2:55 pm

    Minha favorita! ❤❤❤❤❤

  18. @aristos7798

    May 23, 2024 at 3:13 pm

    Olivia Benson for President! Who says no?

  19. @Lily-hf1eo

    May 23, 2024 at 3:21 pm

    It’s definitely “DUN DUN “ wonder who’s saying clink clink ???? ………the episode 911 was so cute yet sad definitely cried while watching

  20. @Lily-hf1eo

    May 23, 2024 at 3:48 pm

    You just have to love her she’s like one of the best people that I haven’t met but you can just tell she such a amazing person ❤❤

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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