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Legendary Model Twiggy Breaks Down 14 Looks, From 1967 to Now | Life in Looks | Vogue

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“I got the idea from a rag doll I had in my bedroom!” Legendary model Twiggy takes us on an unforgettable journey through her Life in Looks. The once-overlooked, “too small” and “too thin” superstar reflects on becoming the ultimate “It girl” of the ‘60s mod scene, winning Golden Globes after her transition to acting, and shooting the Pin Ups album cover with David Bowie. Twiggy also reminisces about the glory days of the chic ‘70s department store Biba, the rise of Kate Moss, being featured—twice—in the National Portrait Gallery, and the new documentary chronicling her extraordinary life.

Director: Emily McDonald
Director Of Photography: Henry Gill
Editor: Lika Kumoi
Producer: Rashida Josiah
Creative Production Coordinator: Anisa Kennar
Production Coordinator: Ericka Gourgues-Lutran
Camera Operator: Laura Aguilera
Assistant Camera: Gordon Wong
Gaffer: Maria Kalecinska
Spark: Dylan Schultz-Soo
Audio: Jermaine Monero
Runner: Luke Demetri
Production Coordinators: Ava Kashar, Tania Jones, Ericka Gourgues-Lutran
Production Manager: David Alvarez Paz
Senior Production Manager: Alexandra Dawson Herren
Line Producer: Natasha Soto-Albors
Senior Director, Production Management: Jessica Schier
Assistant Editor: Andy Morell
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Director, Post Production: Nicholas Ascanio
Associate Talent Manager: Phoebe Dishner
Director, Content Production: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming : Linda Gittleson
VP, Video Programming: Thespena Guatieri
Filmed on Location: The Langham
Florist: Blooming Haus

00:00 – Twiggy’s Life in Looks
00:12 – 1967 – Twiggy in Hollywood
02:34 – 1967 – Vogue US
03:03 – 1967 – Twiggy dresses
03:42 – 1967 – Photographed by Melvin Sokolsky
05:18 – 1967 – Vogue US Photographed by Avedon
05:49 – 1971 – “Polly Browne”
06:45 – 1973 – Pin Ups album cover with David Bowie
08:31 – 1973 – Vogue December issue
09:26 – 1983 – Tony Awards
09:57 – 1995 – Drama League Awards
10:43 – 1993 – Vogue Italia
13:04 – 2006 – i-D Magazine
14:27 – 2019 – Buckingham Palace
16:03 – 2024 – Twiggy film poster

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26 Comments

26 Comments

  1. @paopaupow

    March 28, 2025 at 1:58 pm

    truly a fashion icon! its fascinating how a hair cut catapulted her career

  2. @YOANNApieceofme

    March 28, 2025 at 2:01 pm

    NO CAP! I was thinking of Twiggy after the last Life In Looks video of Cate Blanchett was it. And now we have this video! 🤯😱😍🥰

  3. @keith930ful

    March 28, 2025 at 2:07 pm

    WERK Twiggy! ❤

  4. @Natashaz48

    March 28, 2025 at 2:10 pm

    She is the O.G., the best of them all!

  5. @Fierie333

    March 28, 2025 at 2:12 pm

    I LOVE HER! MY IDOL

  6. @Jacks_here

    March 28, 2025 at 2:19 pm

    Just over a decade ago I watched the English programme Who Do You Think You are and Twiggy was in an episode. I was intrigued as I have never heard her speak or really knew anything about her personality. There was a scene where she was in absolute hysterics over some relative of her who was clearly a shady character. Twiggy couldn’t stop laughing. It was very apparent to me then that she was of course amazing model but her bright and sparkly personality is one of the ingredients that makes her images rise above the rest!

  7. @tetrulz

    March 28, 2025 at 2:20 pm

    Please change the title to “Dame Twiggy”

  8. @AngieSmiles123

    March 28, 2025 at 2:21 pm

    Icon.

  9. @KathrynP-o3y

    March 28, 2025 at 2:23 pm

    wow she’s even more beautiful now. what an icon!

  10. @yega3k

    March 28, 2025 at 2:35 pm

    Lovely interview (and great Kate Moss impression too!)

  11. @LowescC

    March 28, 2025 at 3:01 pm

    the woman who made anorexia hip….

  12. @AndresArevaloDeAsis

    March 28, 2025 at 3:02 pm

    Now this is a real legend.

  13. @diarramonetpayne

    March 28, 2025 at 3:08 pm

    Her origin story is insanely amazing!

  14. @cassiomoraes7309

    March 28, 2025 at 3:09 pm

    this is the kind of stories that a fashion lover wants to hear, we’re are tired of Instagram models and nepobabies.

  15. @cassiomoraes7309

    March 28, 2025 at 3:10 pm

    the industry should bring back this way of working, looking for real talents in real beautiful people in real places.

  16. @zst6442

    March 28, 2025 at 3:18 pm

    What a lovely, humble icon !

  17. @amenazoon24

    March 28, 2025 at 3:21 pm

    We need jane Fonda in this series

  18. @raqsoli

    March 28, 2025 at 3:22 pm

    Now Jean Shrimpton!!!

    • @lilmissrockchick4962

      March 28, 2025 at 3:32 pm

      And Faye Dunaway, Pattie Boyd and Julie Christie!

  19. @HaraRaveendran

    March 28, 2025 at 3:24 pm

    Twiggy😍

  20. @bambilotte

    March 28, 2025 at 3:28 pm

    Such a classy lady! Love her ❤

  21. @lilmissrockchick4962

    March 28, 2025 at 3:35 pm

    Love this woman so much! Such an icon yet so down to earth ❤ also in addition to this series, we need Faye Dunaway, Julie Christie and Pattie Boyd

  22. @jamesallison4875

    March 28, 2025 at 3:38 pm

    Delightful!

  23. @B.WeirdGaming

    March 28, 2025 at 3:40 pm

    FINALLY!!!

  24. @katjaruge5764

    March 28, 2025 at 3:50 pm

    The Steven Meisel Story is the cutest. Love her ❣xx k.

  25. @jaded165

    March 28, 2025 at 3:51 pm

    finally Vogue has someone on who actually REVOLUTIONISED the fashion industry forever! 🌟

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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