“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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Lexi Maree
February 18, 2023 at 10:32 pm
His arms Omg
K
February 18, 2023 at 10:34 pm
Daddy
Michael Scott
February 18, 2023 at 10:49 pm
Man he’s come far!
Jenny
February 18, 2023 at 11:15 pm
Oh this man is so fine ..
Dayno
February 18, 2023 at 11:35 pm
A lighter has been a beer opener since forever in New Zealand surely its the same for the rest of the world
Julia Callan
February 18, 2023 at 11:49 pm
He is so good looking but why did they dress him in this
miniruss123
February 19, 2023 at 12:05 am
So hot
C C
February 19, 2023 at 12:15 am
????
franzb69
February 19, 2023 at 12:24 am
would never wear clothes like that out in public or even in private for that matter
Laura Monroy
February 19, 2023 at 2:40 am
you probably don’t look like him ????
Steven Sanderson
February 19, 2023 at 12:38 am
My guy, out side of Fire Island, no one wants to see them nips through that shirt.
Kya Cross
February 19, 2023 at 12:58 am
y’all can’t do this??
Nicole
February 19, 2023 at 1:12 am
His arms are staring at me….
Shazzy E
February 19, 2023 at 2:21 am
Lip got ripped! ????
Ben Manuel
February 19, 2023 at 3:01 am
This is the standard way to open a beer in Dartmouth, Nova Scotia.
A. L.
February 19, 2023 at 4:23 am
ovaries. exploded.
Hotlog
February 19, 2023 at 5:55 am
Lip would use his teeth.
Landmine Hopscotch
February 19, 2023 at 8:11 am
What? Love Jeremy, but he’s doing the trick wrong. That’s why he’s struggling with the caps.
Msvalexvalex
February 19, 2023 at 3:31 pm
Show us the right way please.
Aus tralia
February 19, 2023 at 8:26 am
I need more of him!!
Jodie neb
February 19, 2023 at 8:42 am
Don’t know what the trick is. When you use a lighter to open a beer bottle you can pop it and make it fly away across the room.
Anderson Leonardo da Silva
February 19, 2023 at 2:53 pm
after this video I’m questioning myself how straight I am
Msvalexvalex
February 19, 2023 at 3:37 pm
To the many saying how they’ve been doing this for ages and that Jeremy is doing it wrong: this is YouTube. Film yourself doing this trick right and put the link here. ⬇️
Melanie Amendola
February 19, 2023 at 4:02 pm
holy jacked ????
Rad Nessa
February 19, 2023 at 5:14 pm
This man is sooo fine????????
Marlon Martin
February 19, 2023 at 5:19 pm
In the USA it is a “Party Trick” in Germany we call it opening a beer…