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Inside Sydney Sweeney’s First Met Gala | Vogue

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From her fittings with Tory Burch to her first moments on the red carpet, Sydney Sweeney’s first Met was “a dream come true.”

Director: Billie JD Porter
DP: Billy Voermann, Andrew Maso
Editor: Phil Ceconi
Producer: Nicola Pardy
Assistant Camera: Alex Frischman, Carina Teoh
Audio: Jeff Gaumer, Gabe Quiroga
Associate Producer: Courtney Walden
Production Assistant: Anna Barger
Filmed on Location: The Pierre, A Taj Hotel
Assistant Editors:
Justin Symonds, JC Scruggs, Andy Morell, Billy Ward & Cory Stevens
Post Production Coordinator: Andrea Farr
Post-Production Supervisor: Marco Glinbizzi
Production Coordinator: Jane DiBartolo
Production Manager: Victor Cifrè II
Production Manager: Kit Fogarty
Associate Talent Manager: Phoebe Feinberg
Entertainment Director, Vogue: Sergio Kletnoy
Showrunner: Felicia Kelley
Director of Content Production, Vogue: Rahel Gebreyes
Executive Producer: Ruhiya Nuruddin
Associate Director, Creative Development: Billie JD Porter
Senior Director, Programming, Vogue: Linda Gittleson
VP, Digital Video Programming and Development, Vogue: Joe Pickard

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ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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23 Comments

23 Comments

  1. Ninia Hdj

    May 7, 2022 at 6:18 pm

    LUV LUV LUV

  2. Ninia Hdj

    May 7, 2022 at 6:18 pm

    LITERALLY SWEETEST CELEB EVER

  3. alice

    May 7, 2022 at 6:22 pm

    ela é tão adorávelllll

  4. Fernanda Rodrigues

    May 7, 2022 at 6:23 pm

    Nana is the hilight of the video lol

  5. ana

    May 7, 2022 at 6:49 pm

    She’s definitely the best dressed person there

  6. EXO CANDLE

    May 7, 2022 at 6:53 pm

    Sydney ????

  7. EXO CANDLE

    May 7, 2022 at 6:53 pm

    Sydney you are a masterpiece

  8. Mareeya Erika Ramos

    May 7, 2022 at 7:04 pm

    i would honestly love to see this whole glam with a pair of gloves. i just think she could pull it off!!! ????????

    she really looks good.

  9. Hails

    May 7, 2022 at 7:04 pm

    Not the theme lol

  10. Victoria Baez

    May 7, 2022 at 7:11 pm

    Sydney and Tori Burch is a perfect collaboration. The celebrity’s energy matches the stylist’s theme so well.
    The public will be seeing perfectly stunning gowns the more the duo collaborate

  11. S L

    May 7, 2022 at 7:18 pm

    Anyone know where I can find the kind of body glitter she has on?!

  12. Ninia Hdj

    May 7, 2022 at 7:18 pm

    girk u are sweeeetesrtt

  13. Ninia Hdj

    May 7, 2022 at 7:18 pm

    Awww

  14. Annabelle Jolley

    May 7, 2022 at 7:19 pm

    absolutely STUNNING. she always comes to slllllay ????????????

  15. Supreme QUEEN

    May 7, 2022 at 7:19 pm

    She’s sooo pretty and I love her positive energy. Whenever she smiles I smile too and was smiling through the whole video. Such a beautiful positive person!

  16. Валентина Миронченко

    May 7, 2022 at 7:19 pm

    The dress is way too simple, like nothing special at all.

  17. Ninia Hdj

    May 7, 2022 at 7:20 pm

    Stunning ????

  18. Ninia Hdj

    May 7, 2022 at 7:20 pm

    ????????????????????

  19. Unnati Mishra

    May 7, 2022 at 7:31 pm

    I’m so happy and excited for her. She’s such an amazing perosn

  20. sharyljane

    May 7, 2022 at 7:32 pm

    sydney is just so beautiful!!!

  21. Lee Lee

    May 7, 2022 at 7:36 pm

    “What is that?” Is the best thing I’ve heard????

  22. fra

    May 7, 2022 at 7:37 pm

    oh how i love her

  23. kylsh

    May 7, 2022 at 7:38 pm

    Why does she looks Billie Eilish

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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