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Hunger Games Director Breaks Down Scenes from ‘Mockingjay,’ ‘Ballad of Songbirds & Snakes’ and More

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Director of ‘The Hunger Games’ franchise Francis Lawrence breaks down some iconic scenes from ‘Catching Fire,’ ‘Mockingjay: Part 1,’ ‘Mockingjay: Part 2’ and the newest film ‘Ballad of Songbirds & Snakes.’ Get his full breakdown of how he brought the movies to life, from location to the intricacies of the sets and styling.

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27 Comments

27 Comments

  1. Lucas Felipe

    November 16, 2023 at 12:00 pm

    Es erweckt ein Gefühl von Erstaunen und Bewunderung!????

  2. OneVoiceOneDream????

    November 16, 2023 at 12:06 pm

    Love how I get this notification as soon as I’m about to do an archery lesson in gym class! Wish me luck!

    • Jim Henning

      November 16, 2023 at 12:09 pm

      ????

    • Bee S.

      November 16, 2023 at 12:25 pm

      You got this!

    • Joanne de vries

      November 16, 2023 at 1:49 pm

      May the oooodds…

  3. Tashinga Takawira

    November 16, 2023 at 12:09 pm

    ❤❤❤❤

  4. ΕΥΘΥΜΙΟΣ ΚΑΛΙΤΣΟΣ

    November 16, 2023 at 12:26 pm

    rachel zegler ruin my hype

    • ???? G•Dèsireè ????

      November 16, 2023 at 1:18 pm

      Sucks for u lol

  5. Bee S.

    November 16, 2023 at 12:38 pm

    Them using an Olympic stadium is INSANE meta

    • Miranda Cyr

      November 16, 2023 at 12:52 pm

      IKR?? That was pretty surreal for me. Very black mirror ????

    • Laín Coubert

      November 16, 2023 at 2:08 pm

      also not just olympics, but olympics in 1930s germany! i see what they did there

  6. Crimson Customer

    November 16, 2023 at 12:38 pm

    Rachel was amazing as Lucy Gray. Easily my favorite character of the movie.

  7. Eden Elizabeth

    November 16, 2023 at 12:52 pm

    he is such an incredible director

  8. Saori

    November 16, 2023 at 12:55 pm

    Francis Lawrence did such an amazing job in all hunger games movies!

    • Casper

      November 16, 2023 at 1:58 pm

      Let’s hope for many more, and hopefully hopefully there Will be a return one with jennifer lawrence

  9. Vendulum

    November 16, 2023 at 12:57 pm

    His shirt is too big btw

  10. laur13xx

    November 16, 2023 at 12:59 pm

    POLAND MENTIONED ????????????????❗????❕❗‼????

  11. Jonathan Scores

    November 16, 2023 at 1:18 pm

    Francis Lawrence deserves a lotta recognition for what he’s brought for the Hunger Games franchise since Catching Fire. He made such tremendous effort in his care and level of directing throughout the films

  12. Sloot Froot

    November 16, 2023 at 1:32 pm

    So tired of people downplaying and dismissing these movies. THG is probably one of the most solid franchises out there – every movie in this series is so well-crafted and compelling. I will never understand why so many people sleep on the hunger games.

  13. Alberto Espinoza

    November 16, 2023 at 1:33 pm

    Zegler you really messed up lol

    • krustomer

      November 16, 2023 at 2:42 pm

      She never said anything wrong actually ❤

  14. KGarvey

    November 16, 2023 at 1:41 pm

    One of the most underrated directors working today

  15. juan diego choque

    November 16, 2023 at 2:06 pm

    he’s mother. period

  16. Amber

    November 16, 2023 at 2:24 pm

    I admire him so much

  17. krustomer

    November 16, 2023 at 2:29 pm

    Saw the new film on Monday, everyone needs to experience it in IMAX!!

  18. Amber

    November 16, 2023 at 2:40 pm

    I find this so interesting

  19. drew dolce

    November 16, 2023 at 2:46 pm

    Ugh Rachel

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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