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HoYeon Breaks Down ‘Squid Game’ Fan Theories | Vanity Fair

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Squid Game’s HoYeon reads, confirms, and debunks fan theories from Reddit. Is it possible that player 001 is Seong Gi-hun’s (456) father? Did her character Kang Sae-byeok (player 67) actually survive? Were the Squid Games located on Jeju Island?

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HoYeon Breaks Down ‘Squid Game’ Fan Theories | Vanity Fair

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26 Comments

26 Comments

  1. rini

    December 3, 2021 at 7:14 pm

    호연님 영어 잘하시네요,, 와 진짜 이쁘고 능력자네..

  2. alondra arellano

    December 3, 2021 at 7:14 pm

    she’s so dorky and cute I LOVE HER

  3. Aysha YT

    December 3, 2021 at 7:18 pm

    Nobody:
    HoYeon: also guys, i’m so sorry to say this but I’m very happy to be dying *with a smile*

  4. Mauricio CC

    December 3, 2021 at 7:20 pm

    She so cute lol

  5. masterpys

    December 3, 2021 at 7:20 pm

    Her laugh is like mine. Sounding a bit awkward but gentle and low.

  6. Lucas Ribas

    December 3, 2021 at 7:21 pm

    ERIC THE BEST CAMERA MAN

  7. ديانا

    December 3, 2021 at 7:22 pm

    Sooooo cute

  8. Emma

    December 3, 2021 at 7:23 pm

    If she’s gonna come back to the show, I think it will be as flashbacks ????

  9. Baby kk

    December 3, 2021 at 7:24 pm

    I’m so in love with her❤️❤️❤️

  10. Ali Saeed

    December 3, 2021 at 7:26 pm

    “It could make sense. But that’s even more stressful to watch…do you guys need more stress?” I’m dying lmao she knows we’ve suffered enough ????????

  11. Samuel Chapman

    December 3, 2021 at 7:28 pm

    Her English is really impressive considering it’s her 2nd possibly even 3rd language. Learning a language is tough!

  12. B. J. Robison

    December 3, 2021 at 7:30 pm

    Wow, her real personality is vastly different than it is in the show

  13. Robert Lynch

    December 3, 2021 at 7:36 pm

    she just radiates positivity with her smaller added comments and jokes and is just has such a nice vibe overall ????

  14. Otaku Sabi

    December 3, 2021 at 7:38 pm

    Her english is awesome and she is so freakin beautiful

  15. Sasha

    December 3, 2021 at 7:39 pm

    I love how through the roof her energy is…based on her performance in SG, would never have thought she’d be this adorably quirky.

  16. alacarteno

    December 3, 2021 at 7:39 pm

    I know they want her to come back but the thing that makes death in a story so impactful is when they’re gone forever just like in real life. If she were to come back then death wouldn’t have the same impact later on because we can bank on the possibility the the characters may still be alive.

  17. juleslovesmalfoy

    December 3, 2021 at 7:39 pm

    AWH I LOVE HER

  18. Audrey Adzikah

    December 3, 2021 at 7:40 pm

    Her english is soo cute❤︎❤︎♡︎♡︎

  19. SEBASTIAN

    December 3, 2021 at 7:43 pm

    Her way of speaking English though ????????????

  20. quirkless boke

    December 3, 2021 at 7:43 pm

    SHES SO PRETTY

  21. PJ

    December 3, 2021 at 7:43 pm

    She’s adorable ????????

  22. Lauren Maillard

    December 3, 2021 at 7:44 pm

    She is so gorgeous!

  23. Michael M

    December 3, 2021 at 7:46 pm

    gi hun will probably play a guard, teased by the red hair and try to stop the games.

    • Michael M

      December 3, 2021 at 7:50 pm

      also to sae byeok still being alive could still be possible, teased by in one of the episodes on the way to the incinerator one of the guys was still alive but a guard nailed the box shut.

  24. SEBASTIAN

    December 3, 2021 at 7:46 pm

    “See you soon for next season” ???????????? a bit sus????????

  25. AM the multistaner

    December 3, 2021 at 7:46 pm

    She was the cutest awww

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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