Entertainment

How Oppenheimer’s Sets Were Built Without CGI | Vanity Fair

Published

4 months ago

January 9, 2024

Production designer Ruth De Jong shows us how she brought Christopher Nolan’s vision to life for his iconic film ‘Oppenheimer.’ How do you portray scale with sets? What goes into building a 360 set? From ample research to gather all the intricate details to physically bringing the sets to life, Ruth takes us through her genius design process of the film.

Director: Funmi Sunmonu
Director of Photography: AJ Young
Editor: Cory Stevens
Talent: Ruth De Jong
Producer: Juliet Lopez
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi and Kevin Balash
Associate Director, Talent:: Meredith Judkins
Camera Operator: Marques Smith
Sound : Kara Johnson
Production Assistant: Liza Antonova
Set Designer: Cedar Jocks
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Jovan James
Supervising Editor: Erica DeLeo
Assistant Editor: Andy Morell
Graphics Supervisor: Ross Rackin

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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17 Comments

@CenidaSecundo

January 9, 2024 at 12:01 pm

Was wäre dein idealer Tag in einer Kunstausstellung?🍒

Reply
@RLeVeriteArt

January 9, 2024 at 12:05 pm

“You have to build this.”
~Christopher Nolan

Reply
- @Oldgregg02
  
  January 9, 2024 at 12:48 pm
  
  Then just walks away 😂
  
  Reply
@trinaq

January 9, 2024 at 12:09 pm

I was really impressed by the set designs, and it’s wonderful to see how they were created.

Reply
@ellieamoe

January 9, 2024 at 12:20 pm

This was such an interesting insight as to what went on the behind the scenes of this movie!! loved it!!

Reply
@holasoyjuan

January 9, 2024 at 12:50 pm

Ruth is amazing, so inspiring and fun and talented

Reply
- @zxcytdfxy256
  
  January 9, 2024 at 2:45 pm
  
  wtf kinda bot comment is this?
  
  Reply
@sultanwadood7467

January 9, 2024 at 12:59 pm

Nolan and Tarantino, the Writer/Director geniuses who still now stay true to art and practical effects!

Reply
@akhillmufc19

January 9, 2024 at 12:59 pm

The fact that they filmed the whole movie in 57 days makes this even more incredible

Reply
@meetghelani5222

January 9, 2024 at 1:01 pm

Thank you for helping make a great film, Ruth!

Reply
@olgamatys7246

January 9, 2024 at 1:11 pm

What I love most about this movie is that I can literally ***see*** that the whole Nolan’s team was working at some heavenly level. Now seeing how it was built is just so amazing.

Reply
@abiola33

January 9, 2024 at 1:23 pm

There was such a physical and solid authenticity to the set.

Reply
@KainedbutAble123

January 9, 2024 at 1:23 pm

Crazy that there was no Oval Office set available to use, it must be one of the most reproduced locations in TV appearing in almost every political thriller.

Reply
@lewisanderton8062

January 9, 2024 at 1:47 pm

Just bare in mind that if you take the total budget of this film and add Barbie’s total budget on top of it, both films combined cost less money to make than the Flash.

Reply
@user-gb8no8in9r

January 9, 2024 at 2:05 pm

Wonderful♥️!!!!

Reply
@geoafe66

January 9, 2024 at 2:50 pm

🔥👍

Reply
@momochanjones7302

January 9, 2024 at 2:51 pm

“And we will carry on”

-Christopher Nolan

Reply

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Do Camila Mendes and Maya Hawke have some #MetGala beef?

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Entertainment

Gillian Anderson Rewatches The X-Files, Sex Education, Scoop & More | Vanity Fair

Published

3 days ago

April 25, 2024

LAVISHLY DEMURE

Gillian Anderson takes a walk down memory lane as she rewatches scenes from her classic works including ‘The X-Files,’ ‘Sex Education,’ ‘The Crown,’ ‘The Fall,’ and her newest film ‘Scoop.’ Gillian dishes on realizing how big ‘The X-Files’ was after seeing a tattoo of her face on a buttcheek, being blown away in the moment by Rufus Sewell’s acting in ‘Scoop’ and so much more.

Director: Adam Lance Garcia
Director of Photography: Jack Belisle
Editor: Cory Stevens
Talent: Gillian Anderson
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Lyla Neely
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Meredith Judkins
Camera Operator: Christopher Eustache
Gaffer: David Djaco
Audio Engineer: Mike Guggino
Production Assistant: Sonia Butt
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Scout Alter
Supervising Editor: Doug Larsen
Additional Editor: Paul Tael
Assistant Editor: Andy Morell