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How Hans Zimmer Created the Score for ‘Dune: Part Two’ | Vanity Fair

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“Home Depot is our secret instrument-building site.” Hans Zimmer, the Oscar-winning composer of ‘Dune,’ is back again to provide an in-depth analysis of how the score was created for the 2024 sequel film. From working closely with the DPs to understand the film’s visual designs to constructing extensions for flutes from Home Depot PVC pipes, Hans provides an insider’s look at how it all came to life.

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25 Comments

25 Comments

  1. @sosukewifhat

    March 15, 2024 at 2:49 pm

    adorable and what a maestro

  2. @barndoor8628

    March 15, 2024 at 2:56 pm

    Hans’ interns were busy with this one

  3. @kathypham7907

    March 15, 2024 at 3:01 pm

    10:10 he really said He thinks he hasn’t written the most beautiful love theme song yet, all the while he literally wrote “One Day” for Pirates of Caribbean. HOW CAN HE GET BETTER THAN THAT LOL

  4. @elijahmodnar1

    March 15, 2024 at 3:03 pm

    STUNNING soundtrack, his “end credit” track always continues the movie past the last scene!!

  5. @Tmtrnr.

    March 15, 2024 at 3:03 pm

    14:55 His smile and his passion for Dune and film/music in general is just so heartwarming ❤

  6. @chouettesuper

    March 15, 2024 at 3:05 pm

    AAAAaaaYééEEEYAAAAAAAAA 😫😩😩 AYAAaaYAAAAAAAAAAAAAaaaaa 😫😫😫

  7. @epwhitneep

    March 15, 2024 at 3:05 pm

    This guy and what he does is just too cool. Iconic…

  8. @marcussilva9623

    March 15, 2024 at 3:06 pm

    so masterful

  9. @matthewrongo6198

    March 15, 2024 at 3:07 pm

    People commenting “This might win him his 3rd oscar!” or “I hope he wins the oscar for this.” Everyone, he’s going to win the Oscar for this lol

  10. @ravenazima539

    March 15, 2024 at 3:08 pm

    Мое почтение, музыка чистый восторг! Живи долго☺️

  11. @dawidpiejko9475

    March 15, 2024 at 3:09 pm

    Hans is a genius. I wish he talked about making “Harkonnen Arena” or “Arrival”

  12. @kaushikprasad2653

    March 15, 2024 at 3:10 pm

    Should have asked his interns

  13. @naylalector721

    March 15, 2024 at 3:11 pm

    🤍

  14. @AlexKalve

    March 15, 2024 at 3:12 pm

    There is nothing more beautiful than the connection between human beings to create beautiful things together <3 This move was 10/10!

  15. @VibeVocalStudio

    March 15, 2024 at 3:14 pm

    @9:43 makes me emotional, and it seems to make Hans emotional too. Music is a beautiful thing 🤍

  16. @teodor6835

    March 15, 2024 at 3:15 pm

    The key lies in not being a sequel but a continuation of the story

  17. @raeaugustus586

    March 15, 2024 at 3:18 pm

    The last part just brought a tear to my eye, we’ll be ready…

  18. @samfilmkid

    March 15, 2024 at 3:20 pm

    It’s like he took Frank Herbert’s prose, ran it through some strange machine and translated it into musical notes. It matches the tone of the book SO well!

  19. @FryCanon

    March 15, 2024 at 3:29 pm

    I am loving these videos about the music. I’ve recently learned how much I love how music is made in film. This and Ludwig have been a feast of information.

  20. @morgant3163

    March 15, 2024 at 3:31 pm

    he’s so brilliant

  21. @4TheWinQuinn

    March 15, 2024 at 3:33 pm

    Been waiting for this one

  22. @Greaseball01

    March 15, 2024 at 3:45 pm

    I just now realised Hans did the soundtrack for Gladiator

  23. @smokingclove5769

    March 15, 2024 at 3:48 pm

    “sometimes the quality of a wine maybe…”

  24. @Goma328

    March 15, 2024 at 3:50 pm

    This simply shows how much of a genius he is. Mind blown.

  25. @anshumananshu667

    March 15, 2024 at 3:51 pm

    Hans is modern day maestro, someone’s must be lying when they say they didn’t like Hans’s music.

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Director: Adam Lance Garcia
Director of Photography: Jack Belisle
Editor: Cory Stevens
Talent: Gillian Anderson
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Lyla Neely
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Meredith Judkins
Camera Operator: Christopher Eustache
Gaffer: David Djaco
Audio Engineer: Mike Guggino
Production Assistant: Sonia Butt
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Scout Alter
Supervising Editor: Doug Larsen
Additional Editor: Paul Tael
Assistant Editor: Andy Morell

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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