Entertainment

How Hans Zimmer Created the Score for ‘Dune: Part Two’ | Vanity Fair

Published

8 months ago

March 15, 2024

“Home Depot is our secret instrument-building site.” Hans Zimmer, the Oscar-winning composer of ‘Dune,’ is back again to provide an in-depth analysis of how the score was created for the 2024 sequel film. From working closely with the DPs to understand the film’s visual designs to constructing extensions for flutes from Home Depot PVC pipes, Hans provides an insider’s look at how it all came to life.

Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M

Want to stay in the know? Subscribe to Vanity Fair Magazine and be exquisitely informed ►► http://vntyfr.com/2RuQGW2

ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

Up Next

‘Dune: Part Two’ Director Denis Villeneuve Breaks Down a Scene | Vanity Fair

Don't Miss

When it’s time for a shower that gets it ALL done, we’ve got you covered. #everythingshower

25 Comments

@sosukewifhat

March 15, 2024 at 2:49 pm

adorable and what a maestro

Reply
@barndoor8628

March 15, 2024 at 2:56 pm

Hans’ interns were busy with this one

Reply
@kathypham7907

March 15, 2024 at 3:01 pm

10:10 he really said He thinks he hasn’t written the most beautiful love theme song yet, all the while he literally wrote “One Day” for Pirates of Caribbean. HOW CAN HE GET BETTER THAN THAT LOL

Reply
@elijahmodnar1

March 15, 2024 at 3:03 pm

STUNNING soundtrack, his “end credit” track always continues the movie past the last scene!!

Reply
@Tmtrnr.

March 15, 2024 at 3:03 pm

14:55 His smile and his passion for Dune and film/music in general is just so heartwarming ❤

Reply
@chouettesuper

March 15, 2024 at 3:05 pm

AAAAaaaYééEEEYAAAAAAAAA 😫😩😩 AYAAaaYAAAAAAAAAAAAAaaaaa 😫😫😫

Reply
@epwhitneep

March 15, 2024 at 3:05 pm

This guy and what he does is just too cool. Iconic…

Reply
@marcussilva9623

March 15, 2024 at 3:06 pm

so masterful

Reply
@matthewrongo6198

March 15, 2024 at 3:07 pm

People commenting “This might win him his 3rd oscar!” or “I hope he wins the oscar for this.” Everyone, he’s going to win the Oscar for this lol

Reply
@ravenazima539

March 15, 2024 at 3:08 pm

Мое почтение, музыка чистый восторг! Живи долго☺️

Reply
@dawidpiejko9475

March 15, 2024 at 3:09 pm

Hans is a genius. I wish he talked about making “Harkonnen Arena” or “Arrival”

Reply
@kaushikprasad2653

March 15, 2024 at 3:10 pm

Should have asked his interns

Reply
@naylalector721

March 15, 2024 at 3:11 pm

🤍

Reply
@AlexKalve

March 15, 2024 at 3:12 pm

There is nothing more beautiful than the connection between human beings to create beautiful things together <3 This move was 10/10!

Reply
@VibeVocalStudio

March 15, 2024 at 3:14 pm

@9:43 makes me emotional, and it seems to make Hans emotional too. Music is a beautiful thing 🤍

Reply
@teodor6835

March 15, 2024 at 3:15 pm

The key lies in not being a sequel but a continuation of the story

Reply
@raeaugustus586

March 15, 2024 at 3:18 pm

The last part just brought a tear to my eye, we’ll be ready…

Reply
@samfilmkid

March 15, 2024 at 3:20 pm

It’s like he took Frank Herbert’s prose, ran it through some strange machine and translated it into musical notes. It matches the tone of the book SO well!

Reply
@FryCanon

March 15, 2024 at 3:29 pm

I am loving these videos about the music. I’ve recently learned how much I love how music is made in film. This and Ludwig have been a feast of information.

Reply
@morgant3163

March 15, 2024 at 3:31 pm

he’s so brilliant

Reply
@4TheWinQuinn

March 15, 2024 at 3:33 pm

Been waiting for this one

Reply
@Greaseball01

March 15, 2024 at 3:45 pm

I just now realised Hans did the soundtrack for Gladiator

Reply
@smokingclove5769

March 15, 2024 at 3:48 pm

“sometimes the quality of a wine maybe…”

Reply
@Goma328

March 15, 2024 at 3:50 pm

This simply shows how much of a genius he is. Mind blown.

Reply
@anshumananshu667

March 15, 2024 at 3:51 pm

Hans is modern day maestro, someone’s must be lying when they say they didn’t like Hans’s music.

Reply

Entertainment

How the Front Row Became the Front Row | Vogue

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Fynn Lithgow, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

Still haven’t subscribed to Vogue on YouTube? ►► http://bit.ly/vogueyoutubesub
Get the best of Vogue delivered right in your inbox ►► https://bit.ly/3xAZyQg
Want to hear more from our editors? Subscribe to the magazine ►► http://bit.ly/2wXh1VW
Download the Vogue App ►► https://apps.apple.com/us/app/vogue-runway-more/id289380413
Check out ‘The Run-Through with Vogue’ podcast ►► https://podcasts.apple.com/us/podcast/the-run-through-with-vogue/id1526206712

Vogue YouTube Channels:

British Vogue: https://www.youtube.com/@britishvogue
Vogue Taiwan: https://www.youtube.com/@voguetvtaiwan
Vogue France: https://www.youtube.com/@VogueFrance
Vogue India: https://www.youtube.com/@VogueIndia
Vogue Japan: https://www.youtube.com/@VogueJapan
Vogue México y Latinoamérica: https://www.youtube.com/@VogueMexicoyLatinoamerica
Vogue Germany: https://www.youtube.com/@VogueGermany
Vogue Italia: https://www.youtube.com/@VogueItalia
Vogue Spain: https://www.youtube.com/@VogueSpain

ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

Entertainment

Malcolm & John David Washington Break Down a Scene From ‘The Piano Lesson’ | Vanity Fair

Published

1 day ago

November 20, 2024

LAVISHLY DEMURE

Director Malcom Washington breaks down an scene from ‘The Piano Lesson’ alongside his brother John David Washington. Malcom provides an elaborate explanation of playing with point of view to guide the audience throughout the movie, working with the “talented” Samuel L. Jackson, and so much more.

Director: Claire Buss
Director of Photography: Dave Sanders
Editor: Lika Kumoi
Talent: Malcolm Washington, John David Washington
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Audio Engineer: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Billy Ward