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How ‘Asteroid City’ Production Designer Creates the Worlds of Wes Anderson | Vanity Fair

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Production designer Adam Stockhausen shows us how he brings sets to life for Wes Anderson’s iconic films like ‘The Budapest Hotel,’ ‘The French Dispatch’ and ‘Asteroid City.’ How do you get the retro look and feel of the Luncheonette scene? How do you portray depth and richness in each shot? How can you make sets “float” for the insides to be seen and be as light as possible? From ample research to gather all the intricate details to physically bringing the sets to life, Adam takes us through his genius process of production design. 

Asteroid City premieres June 16th

Director: Adam Lance Garcia
Director of Photography: Zach Eisen
Editor: Michael Suyeda
Guest: Adam Stockhausen
Producer: Frank Cosgriff
Line Producer: Romeeka Powell
Associate Producer: Rafael Vasquez
Production Manager: Natasha Soto-Albors
Production Coordinator: Jamal Colvin
Talent Booker: Meredith Judkins
Camera Operator: Brad Wickham
Gaffer: Niklas Moller
Audio Engineer: Sean Paulsen
Production Assistant: Amanda Broll
Art Department: Jeremy D. Myles
Post Production Supervisor: Edward Taylor
Post Production Coordinator: Jovan James
Supervising Editor: Kameron Key
Assistant Editor: Courtney Karwal

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15 Comments

15 Comments

  1. PsychedIndian

    June 16, 2023 at 12:00 pm

    First

  2. Valk.

    June 16, 2023 at 12:00 pm

    Amazing creative minds doing amazing creative things

  3. Cole Stanley

    June 16, 2023 at 12:28 pm

    I’m v been playing guitar with a band called mason and the gin line. Every sense they they hired me I have been obsessed with anything to do with production

  4. CCan_max

    June 16, 2023 at 7:18 pm

    Interesting

  5. Nolan Hardin

    June 16, 2023 at 10:51 pm

    that was great!

  6. KD

    June 17, 2023 at 8:54 am

    It seems increasingly that Anderson’s films are just well designed/produced sets and very little else. Walked out of The French Dispatch. No story, emotional depth, stiff acting. Zero interest.

    • Eppie

      June 17, 2023 at 4:05 pm

      Cool!

    • brown pooperson

      June 17, 2023 at 7:12 pm

      This take so bad it needs to be studied

    • Yunst

      June 17, 2023 at 10:55 pm

      i’m in your walls

  7. Liam

    June 17, 2023 at 10:33 am

    This was incredible.

  8. Sahiba D

    June 17, 2023 at 3:35 pm

    I can’t believe this has 10k views ???????? WES ANDERSON FANS TURN UP!!!

  9. Debby Frederick Esq

    June 17, 2023 at 5:32 pm

    ????????????

  10. Debby Frederick Esq

    June 17, 2023 at 5:34 pm

    ????????????????????????????????????????????????

  11. Jesse Aguilar

    June 17, 2023 at 8:55 pm

    It’s funny how even the sketches are symmetrical.

  12. leokimvideo

    June 17, 2023 at 9:06 pm

    It’s all beautiful and there is a level of control & thought that very much reminds me of how Kubrick worked. My gut feeling is Asteroid City is going to clean up at the Oscars.

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Please welcome back Alessandra Ambrosio for her 20th Victoria’s Secret Fashion Show.

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KATSEYE’s Daniela’s Guide to Faux Freckles and Bleached Brows | Beauty Secrets | Vogue

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Director: Gabrielle Reich, Nina Ljeti
DP: Paola Esquivel-Oliveros
Gaffer: David Djaco
Editor: Sara Rao

Senior Producer: Bety Dereje
Coordinating Producer: Lea Donenberg
Line Producer: Jen Santos
Production Manager: Kristen Helmick
Production Coordinator: Tanía Jones
Talent Managers: Lauren Mendoza, Randi Peck

Post Production Supervisor: Alexa Deutsch
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Assistant Editor: Billy Ward
Filmed at: The Mercer Hotel

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Nara Smith’s Guide to the Perfect Dinner Party | Vanity Fair

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Nara Smith is inviting you to dinner! Nara takes us insider her approach to hosting, from setting the table to creating the perfect atmosphere for her guests. Follow along as she shares her process for bringing a dinner party to life, with all the thoughtful details that make an evening around the table special.

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