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Everything Eric Andre Does In A Day | Vanity Fair

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Eric Andre takes us through everything he does in a day. From waking up with his mental alarm clock to achieving meditative bliss, Eric explains how he makes time to shower at least four times and floss every single day.

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

Everything Eric Andre Does In A Day | Vanity Fair

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21 Comments

21 Comments

  1. Chuuzus

    March 31, 2021 at 4:01 pm

    10 seconds in and this is already the funniest every day in the life of a celebrity episode ????

  2. Because Of You Fahri

    March 31, 2021 at 4:03 pm

    Nah naisss like this one

  3. Joyce Caswell

    March 31, 2021 at 4:03 pm

    This is the content we need

  4. Dream State Films

    March 31, 2021 at 4:14 pm

    Depressingly realistic. Kinda wish I didn’t watch this.

  5. The Memeest Film Buff

    March 31, 2021 at 4:17 pm

    *Of course Eric has such a typical schedule….*

    Because he’s conserving his crazy energy for his skits.

    • 2k Demiks

      March 31, 2021 at 6:01 pm

      That’s balance

  6. Lisaka Cos

    March 31, 2021 at 4:34 pm

    “I’m in shower for like hours”

    Same man same

  7. Brage Hallgrimsen

    March 31, 2021 at 4:34 pm

    LEGEND

  8. Elliot Wilson

    March 31, 2021 at 4:41 pm

    lol, so random!

  9. T Jemilua

    March 31, 2021 at 4:48 pm

    Parts of this felt like a movie monologue where the detective solving a murder has asked the suspect to explain how their day went

    • Alexea Malaletkin

      March 31, 2021 at 6:26 pm

      And 20 seconds in they realize they are not a reliable witness

  10. meghana rachel

    March 31, 2021 at 4:54 pm

    eric andre WELLNESS KING

  11. Stephen Looker

    March 31, 2021 at 4:57 pm

    Identical to my day.

  12. Benita Müllner

    March 31, 2021 at 5:26 pm

    I didn’t know I needed this????

  13. xr80kk

    March 31, 2021 at 5:26 pm

    Opulent orifices

  14. Will Becker

    March 31, 2021 at 5:33 pm

    I can definitely relate to the crash back to reality after meditation, and the not drinking coffee in the afternoon thing.

  15. 2k Demiks

    March 31, 2021 at 6:00 pm

    Eric’s schedule is like this so he’d have a good balance of crazy and peace

  16. kae s

    March 31, 2021 at 6:22 pm

    eric andre’s day consists of stressing, coffee, long showers, sadness and so does mine. his day is the most realistic out of all the celebrities I’ve watched so far.

  17. Cristina Pirir

    March 31, 2021 at 6:36 pm

    I love him hahahaha

  18. Jose

    March 31, 2021 at 6:44 pm

    This guy’s my hero

  19. Fanny Telesco

    March 31, 2021 at 6:50 pm

    Love him????????

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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