“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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ArtKookie
June 27, 2022 at 5:32 pm
Leanardo DiCaprio was the only reason I clicked this video
Viner Viner
June 27, 2022 at 5:39 pm
Yessss me to lol ???? ayyyy ????
Morten Kirkenes
June 27, 2022 at 5:54 pm
They definitely knew what they were doing putting leo that near the end
Michikatsu Tsugikuni
June 27, 2022 at 5:34 pm
I guess I’m a princess now
Cade Evans
June 27, 2022 at 5:36 pm
Great video interesting stuff love princess diaries grew up watching them
Haley Mitchell
June 27, 2022 at 5:46 pm
She’s so good at explaining each time period’s etiquette, would love to see her again <3
matt carnes
June 27, 2022 at 5:52 pm
0:47 dont think that is a good pose queen looks like shes waiting at the doctors office and annoyed she forgot her book.
Izolyda Raimova
June 27, 2022 at 6:16 pm
https://youtu.be/s-PnUitk6Ho
Akire Lizeth Salinas
June 27, 2022 at 6:48 pm
I normally like these “expert” videos. This one kinda sucked. Idk if it’s the “expert” or vanity fair that ruined this one
Risk5Risk MKS
June 27, 2022 at 6:53 pm
The Ralph Bellamy scene in Pretty Woman is, to me, the ultimate in good manners: he sees someone struggling with an etiquette issue and finds a way to help her out while making her feel comfortable.
Gaffyduck
June 27, 2022 at 6:54 pm
What does “old money/new money “ mean?
Hund Redfire
June 27, 2022 at 7:35 pm
Old money: inherited riches, rich families
New money: earned money, self-made rich people
Sahara
June 27, 2022 at 7:35 pm
old money = inherited wealth, their family has been rich for generations. new money = someone who has become rich, their family hasn’t always been rich.
rajneeshi follower
June 27, 2022 at 6:55 pm
Etiquette class…. man… I would absolutely love a woman who takes science/art classes than some mediaval filth.
sarahott
June 27, 2022 at 7:15 pm
MORE TITANIC! THE TITANIC SEGMENT WAS TOO SHORT!!!!!!!!! ????