“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.
Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.
Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”
Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.
Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan
Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun
Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel
Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors
Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch
Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art
Special Thanks: The Metropolitan Museum of Art
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Lisa Cottin-Poullenard
November 15, 2021 at 5:50 pm
WHERE IS BILLIE’S VIDEOOOOO OMGGG ITS TAKING TOO LONG
Mike Chism
November 15, 2021 at 5:53 pm
I wish this video was an hour long! I can listen to this man break down his movies for hours
XLR8
November 15, 2021 at 5:55 pm
I wish we could’ve seen his Flash movie ????
Matthew K Gandor
November 15, 2021 at 5:58 pm
Hot fuzz, best comedy ever. Honestly in my top 10 films just generally.
BlackMambaFan124
November 15, 2021 at 6:07 pm
I loved this movie
Supernaturlisch
November 15, 2021 at 6:08 pm
The ‘Last Night In Soho’ shot being entirely manual the whole way through….. jaw-dropping actually
LucyK
November 15, 2021 at 6:08 pm
I adore hot fuzz! So great!
Ben W
November 15, 2021 at 6:12 pm
Edgar Wright is an absolute genius, backed up with an insanely talented posse of recurring crew members. My absolute favourite filmmaker!
THEKNIGHT108
November 15, 2021 at 6:13 pm
“Baby Driver” and “last night in Soho” are both in my top 10 favorite films. Needless to say Mr Wright here is becoming one of my favorite directors.
Justin Westbrook
November 15, 2021 at 6:16 pm
Are you going to get Cary Fukanaga soon?
Juraj Kala
November 15, 2021 at 6:29 pm
I love his movies. He’s the most original director on the world.
Chase Mykleby
November 15, 2021 at 6:34 pm
My favorite director
Onat Çakır
November 15, 2021 at 6:36 pm
0:22 Spaced (TV Show, 1999-2001)
2:14 Shaun of the Dead (2004)
6:31 Hot Fuzz (2007)
9:21 Scott Pilgrim vs. the World (2010)
10:52 The World’s End (2013)
15:47 Baby Driver (2017)
19:20 Last Night in Soho (2021)
ciara
November 15, 2021 at 6:41 pm
YES GOD
Alejandro J. Bonilla
November 15, 2021 at 6:46 pm
I’m loving the series VANITY FAIR! ????
Space Cowboy
November 15, 2021 at 6:49 pm
One of the best Directors out there today. Thanks for sharing
Anvar Yusupov
November 15, 2021 at 7:09 pm
Wow, I didn’t recognize him. He changed a lot
BIGGOODERS
November 15, 2021 at 7:11 pm
???? just seeing you have a video with Edgar wright has made my day thank you !
Brian Thompson
November 15, 2021 at 7:15 pm
Edgar is one of the greatest filmmakers working today. Last night in soho is one of my favorite films this year and he absolutely nailed it. The fact that that shot was shot manually without any motion control is absolutely astonishing.
LazyLiam
November 15, 2021 at 7:29 pm
Thomasin McKenzie goes Super Saiyan 20:04
Matías Bosques
November 15, 2021 at 7:29 pm
Fucken’ genius, this guy.
njuː ˈjuːzəneɪm
November 15, 2021 at 7:35 pm
I watched Last Night in Soho a few days ago and I cannot stop thinking about it. Amazing film.
Mojoblitz
November 15, 2021 at 7:37 pm
Daddy Edgar