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CNN White House Correspondent Reviews News Scenes in Movies & TV | Vanity Fair

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CNN’s White House correspondent and anchor Kaitlan Collins reviews broadcast news scenes from films and television including ‘The Newsroom,’ ‘The Morning Show,’ ‘The West Wing,’ ‘Bombshell,’ ‘Anchorman,’ and ‘Good Night and Good Luck.’ From determining what to report on air to teleprompter fails, find out what Hollywood has gotten correct and incorrect.

Be the first in line to unlock unlimited streaming and articles, including 24/7 global news, award-winning shows and films and of course Kaitlans reporting available from anywhere, on your favorite device. For more, go to https://www.cnn.com/allaccess

Director: Adam Lance Garcia
Director of Photography: Jack Belisle
Editor: Jeremy Ray Smolik
Talent: Kaitlan Collins
Producer: Madison Coffey
Line Producer: Natasha Soto-Albors
Associate Producer: Lyle Neely
Production Manager: Andressa Pelachi
Associate Production Manager: Elizabeth Hymes
Talent Booker: Jenna Caldwell
Camera Operator: Chloe Ramos
Gaffer: Niklas Moller
Audio Engineer: Rachel Suffian
Production Assistant: Quinton Johnson; Ryan Coppola
Post Production Supervisor: Christian Olguin
Supervising Editor: Eduardo Araujo
Assistant Editor: Justin Symonds

00:00 Kaitlan Collins
00:45 The Newsroom
06:19 The Morning Show
10:45 The West Wing
14:00 Bombshell
16:25 Anchorman
17:55 Good Night and Good Luck

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ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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26 Comments

26 Comments

  1. @eddiesong7850

    October 8, 2025 at 12:00 pm

    First comment

  2. @laliteshgauravshastri2298

    October 8, 2025 at 12:01 pm

    Second comment it’s me 😂

  3. @lunar_twisted7624

    October 8, 2025 at 12:01 pm

    The comment section is going to be fun to read.

    • @maxmusic5380

      October 8, 2025 at 12:15 pm

      Didn’t laugh at your comment.

  4. @paddockshenanigans

    October 8, 2025 at 12:01 pm

    Dealing with misinformation is tough, she says, while she constantly gets called out on her misinformation everytime I see anything about this woman. Correspondant? Thats a stretch. Activist, more fitting.

    • @ms77619

      October 8, 2025 at 12:08 pm

      Go touch grass

  5. @jonathanilardi7968

    October 8, 2025 at 12:03 pm

    Yup gonna be fun

    • @jonathanilardi7968

      October 8, 2025 at 12:28 pm

      This is the one that got away, yes I’m serious true story

  6. @ComedianMoeBrown

    October 8, 2025 at 12:03 pm

    I love me some her boy

  7. @ComedianMoeBrown

    October 8, 2025 at 12:04 pm

    I love you ma

  8. @ms77619

    October 8, 2025 at 12:08 pm

    She is so smart. Love her!

    • @greekre

      October 8, 2025 at 12:41 pm

      omg what. special needs?

    • @MarcusAurelius7777

      October 8, 2025 at 1:06 pm

      @@greekre Just a liberal drone

    • @ishanpershetka2049

      October 8, 2025 at 1:42 pm

      Smart 😂😂😭😂😂

    • @MarcusAurelius7777

      October 8, 2025 at 2:20 pm

      Bwahaha look up her educational background… Democrats are generally poor and less educated – that’s why they have to ask the government for free money all the time…

  9. @MdMansoor-r1w

    October 8, 2025 at 12:08 pm

    this s how I think Caitlyn jenner think of himself

  10. @maxmusic5380

    October 8, 2025 at 12:15 pm

    The American people should be very concerned about their current government.

    • @greekre

      October 8, 2025 at 12:42 pm

      you only have 11 and half years to go so toughen up

    • @MarcusAurelius7777

      October 8, 2025 at 1:07 pm

      Oh yeah lower taxes, less crime and illegal immigration. Stock market is also at all time highs. Trust me your country is worse, and poorer. US average salary is now well over $80k/ yr also.

    • @DenKulesteSomFins

      October 8, 2025 at 1:45 pm

      ​@@MarcusAurelius7777also the dismantling of democracy. Whoopie

  11. @jonsmith9838

    October 8, 2025 at 12:20 pm

    haven’t watch this let but she better not insult the find reporting of Ron Burgundy

  12. @greekre

    October 8, 2025 at 12:42 pm

    shill

  13. @Thecharliesruiz

    October 8, 2025 at 1:34 pm

    Kaitlan Collins💙

  14. @ishanpershetka2049

    October 8, 2025 at 1:41 pm

    Lol the most insufferable

  15. @joet5901

    October 8, 2025 at 2:05 pm

    Was anyone else hoping she would react to Network and the election episode of Succession?

  16. @Salalalam.67

    October 8, 2025 at 2:58 pm

    When r u guys releasing the billie interview i‘ve been waiting all day 😔💔

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Entertainment

KARINA Gets Ready for the Met Gala | Vogue

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Aespa singer and rapper KARINA gets ready for her very first Met Gala. The k-pop star is wearing a white satin Prada dress that features an array of details from both the brand’s and KARINA’s history. The dress’s neckline is inspired by a Korean hanbok, a traditional style of dress that dates back to the ancient Three Kingdoms period.

Director: Yohan Yoon 
Director of Photography: Daniel Chang
Editors: Christina Sun Kim, Michael Park

Producer: Rashida Josiah
Producer, On Set: Kevyn Fairchild
Associate Producer: Anisa Kennar
Assistant Camera: Ginny Taglia
Audio: Amelia Palmer
Production Assistant: Noah Namgoong
CondéFuture Intern: Ian Kim

Hairstylist: Yoon Seoha
Makeup Artist: Cho Eunbee
Stylist: Choi Miseon

Production Coordinators: Tanía Jones, Skyy Forcer
Production Manager: Kristen Helmick
Line Producer: Natasha Soto-Albors

Assistant Editors: JC Scruggs, Andy Morell 
Post Production Coordinators: Holly Frew, Stella Shortino, Jessie Merten
Supervising Editors: Kameron Key, Christina Mankellow
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Executive Producer: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke 
Senior Director, Programming: Linda Gittleson
VP, Programming: Thespena Guatieri

Filmed on Location: 
The Carlyle, A Rosewood Hotel

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Entertainment

Sabrina Carpenter Arrives at the 2026 Met Gala

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Sabrina Carpenter arrives at the 2026 Met Gala

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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