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Chloë Sevigny Breaks Down 15 Looks, From the Oscars to the Olivia Rodrigo Dress | Life in Looks

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Ultimate style icon Chloë Sevigny takes a look back at some of her most memorable fashion moments. Chloë also talks about the dress both she and Olivia Rodrigo have owned.

Director: Catherine Orchard
Director Of Photography: Frances Chen
Editor: Michael Suyeda
Producer: Qieara Lesesne
Associate Director, Creative Development: Alexandra Gurvitch
Associate Producer: Marisah Yazbek
Associate Producer, On Set: Kaia Clarke
Production Assistant: Erica Palmieri
Stylist: Max Ortega
AC: Kirsten Potts
Gaffer: Devan Davies
Set Designer: Elaine Winter
Set Design Assistant: Aidan Lapp
Audio: Nicole Maupin
Production Coordinator: Ava Kashar
Production Manager: Kit Fogarty
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editor: Billy Ward
Supervising Editor: Kameron Key
Post Production Coordinator: Jovan James
Post Production Supervisor: Edward Taylor
Entertainment Director: Sergio Kletnoy
Director of Content, Production: Rahel Gebreyes
Senior Director, Programming: Linda Gittleson
Executive Producer: Ruhiya Nuruddin
VP, Digital Video English: Thespena Guatieri
Filmed at Pendry Manhattan West
Images by Annie Leibovitz, Avalon.Red, firstVIEW, Guy Marineau, HBO/Lacey Terrell, Lengua

00:00 – Chloë Sevigny’s Life in Looks
00:10 – 1995 – Miu Miu
00:57 – 1996 – Trees Lounge Premiere
02:03 – 2000 – Academy Awards
03:07 – 2000 – Vogue May Issue
03:33 – 2004 – Viva Glam Casino
04:15 – 2004 – Imitation of Christ
05:11 – 2009 – Opening Ceremony
06:10 – 2010 – Golden Globe
07:27 – 2010 – NYC
08:38 – 2015 – Met Gala
09:46 – 2016 – Olivia Rodrigo
10:20 – 2019 – Simone Rocha
11:01 – 2022 – Wedding
12:02 – 2022 – Mugler
13:26 – 2024 – Feud: Capote vs. The Swans

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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26 Comments

26 Comments

  1. @newto41

    January 24, 2024 at 1:27 pm

    i could dead-a$$ watch ten hours of this, she’s so clever and wonderful and her taste is bar none

  2. @emilyidina9651

    January 24, 2024 at 1:31 pm

    Chloe YOU RULE, Timelessly Cool and forever a Style Icon. Looking forward to the new series and TY for this with her Vogue!!! HNY!

    Xo.
    Emily

  3. @TheImbored101

    January 24, 2024 at 1:34 pm

    Chloë is such a treasure ???? legend

  4. @cms3000

    January 24, 2024 at 1:35 pm

    I’m Chloe Sevigny and this is my life in BJ’s ????

    • @ThePrincessnady1

      January 24, 2024 at 2:40 pm

      ?

  5. @cms3000

    January 24, 2024 at 1:35 pm

    Brown Bunny, so iconic! ????

  6. @britneydaniels6294

    January 24, 2024 at 1:41 pm

    This is the one i needed???? such a style icon

  7. @worthigirl2946

    January 24, 2024 at 1:42 pm

    She is a sweetheart in real life!❤❤

  8. @danielmateo237

    January 24, 2024 at 1:46 pm

    she will always and forever be the it girl

  9. @sarahsargent9439

    January 24, 2024 at 1:46 pm

    I never clicked on a video so fast in my life ????????????

  10. @cassiecarpenter

    January 24, 2024 at 1:52 pm

    Yasssssss ????

  11. @jalynjohnson

    January 24, 2024 at 1:57 pm

    Love her ❤

  12. @mssurekandy

    January 24, 2024 at 2:00 pm

    Very classy. Loved it down to the commercials. Can’t wait to see Capotie vs The Swans. Very inspiring room also. Makes me feel like a class on fashion is about to or should be happening.

  13. @mssurekandy

    January 24, 2024 at 2:02 pm

    It’s giving that moment when winter is almost over and the new flowers are just starting to pop out. Maybe a snowy April day.

  14. @sarahsargent9439

    January 24, 2024 at 2:03 pm

    I love the subtle dig where she calls out Vogue for not inviting her to recent Met Balls. And VOGUE, what the heck are you doing? She should be a staple at every single Met Ball. This woman is a total fashion icon, cool girl forever!

  15. @user-zg6cw1uv4w

    January 24, 2024 at 2:05 pm

    I live for her

  16. @sxt4447

    January 24, 2024 at 2:20 pm

    Ummm Vogue………….. Why is there no mention of Chloë’s iconic Chanel outfit at the Grand Opening of the Target on Flatbush Avenue in 2004? Fashion history erasure ‼️

  17. @AnoushkaRitz

    January 24, 2024 at 2:21 pm

    FINALLY!!!

  18. @qw-0130

    January 24, 2024 at 2:22 pm

    My favorite wedding dress of all time. It encapsulates her personality and style just perfectly.

  19. @Greenz1100

    January 24, 2024 at 2:22 pm

    WOW. Thank you Queen Chloe

  20. @chaserunaway

    January 24, 2024 at 2:24 pm

    she’s just that girl

  21. @ivanmamic955

    January 24, 2024 at 2:24 pm

    just love her

  22. @daviferreiracoura784

    January 24, 2024 at 2:35 pm

    The og it girl

  23. @monasmith512

    January 24, 2024 at 2:41 pm

    I love the Raybans ????????‍♀

  24. @sumi4210

    January 24, 2024 at 2:41 pm

  25. @kaansensoy5441

    January 24, 2024 at 2:44 pm

    Finally an ACTUAL style icon!

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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