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Cameron Diaz Breaks Down 14 Looks, From The Holiday to Back in Action | Life in Looks | Vogue

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“I literally fell off my bed laughing!” Cameron Diaz takes us on a nostalgic journey through her most iconic looks in this edition of Vogue’s “Life in Looks.” The actress, returning to the big screen after more than a decade in the appropriately titled “Back in Action,” reflects on some of her most memorable fashion moments. As she flips through the pages of her career, Cameron shares lessons on pickpocketing, reminisces about working with the wildly talented Jim Carrey, talks about learning how to golf on the set of “There’s Something About Mary,” and discusses how red carpets have evolved from the ‘90s to today.

Director: Nina Ljeti
Director of Photography: Ruby Paiva
Editor: Katie Wolford
Producer: Chase Lewis
Associate Producers: Joe Walsh, Lea Donenberg
Assistant Camera: Hannah Lee
Gaffer: Rodolfo Martinez
Audio: Gloria Marie
Set Designer: Gina Canavan
Production Assistants: Sarah Cooper, Jordan Brown
Production Coordinator: Ava Kashar
Production Manager: Natasha Soto-Albors
Senior Director, Production Management: Jessica Schier
Assistant Editor: Andy Morell
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Director, Post Production: Nicholas Ascanio
Global Entertainment Director: Sergio Kletnoy
Director, Content Production: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming, Mexico & LATAM: Juan Gallon
VP, Video Programming: Thespena Guatieri

00:00 – Cameron Diaz is back!
00:25 – 1994 – The Mask
01:40 – 1996 – Romeo + Juliet Premiere
02:53 – 1998 – There’s Something About Mary
03:39 – 1999 – Being John Malkovich
04:33 – 2000 – Academy Awards
05:39 – 2000 – Charlie’s Angels
07:05 – 2002 – Golden Globes
08:06 – 2002 – Gangs of New York
09:11 – 2002 – The Sweetest Thing
10:14 – 2006 – The Holiday
10:46 – 2007 – Golden Globes
11:23 – 2007 – Met Gala
11:51 – 2010 – Oscars
13:08 – 2025 – Vogue Mexico Cover

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ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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27 Comments

27 Comments

  1. @irisgomezzzz

    January 23, 2025 at 12:27 pm

    I love her so much. Always have since the early 00’s ❤❤

    • @SK_teacher

      January 23, 2025 at 12:29 pm

      ????

  2. @SK_teacher

    January 23, 2025 at 12:29 pm

    ????????????

  3. @devendrajoshi4954

    January 23, 2025 at 12:30 pm

    Does collecting airports,that have your name,on their soul,count as a break?????

  4. @michelclz9809

    January 23, 2025 at 12:32 pm

    Her oversized coat is horrible. It seems like she wants to hide her body when that’s what made her famous.

    • @surette2012

      January 23, 2025 at 12:53 pm

      itchlessbay behaviour. The grass is outside your kennel, dog. Touch it.

  5. @stephaniemt4366

    January 23, 2025 at 12:41 pm

    We love her ❤

  6. @helentsokana

    January 23, 2025 at 12:41 pm

    So beautiful and sweet x

  7. @LOHAANDA

    January 23, 2025 at 12:53 pm

    one of my forever favs!

  8. @siviweziqula4787

    January 23, 2025 at 12:55 pm

    i missed her❤

  9. @cezinfante4928

    January 23, 2025 at 12:58 pm

    Best smile in Hollywood ❤

  10. @KingKing-g8k5g

    January 23, 2025 at 1:02 pm

    ❤????❤????

  11. @kingleear

    January 23, 2025 at 1:02 pm

    People have to remember that we are VERY lucky to have Cameron come back as she was working SO much and pushing out so many iconic films/roles–it’s okay to step away for some time and take care of yourself first

  12. @LadyboyGaga

    January 23, 2025 at 1:06 pm

    I love her. Just love her

  13. @sarahdietz4

    January 23, 2025 at 1:23 pm

    She’s iconic

  14. @ashleyharris3720

    January 23, 2025 at 1:26 pm

    Her bad teacher wardrobe was everything.

  15. @anamarianastase9149

    January 23, 2025 at 1:30 pm

    The Queen is back ❤????

  16. @mariaermides

    January 23, 2025 at 1:35 pm

    I love how down-to-earth she is! Even her approach to red carpet style is very refreshing. Kind of wish we would see more personal style on the carpet these days

  17. @servieblair7862

    January 23, 2025 at 1:45 pm

    Love her always ???????? need a final Charlie’s Angels please ????????????????????

  18. @justinbrovenick3023

    January 23, 2025 at 1:56 pm

    i was going to comment on how great it was to have her back and then i looked below and saw everybody feeling the same way and decided to comment anyway with this run-on sentence.

  19. @hibiscusst523

    January 23, 2025 at 2:00 pm

    The coats in The Holiday were EVERYTHING!… it was giving American style icon for sure!

  20. @sneazz6447

    January 23, 2025 at 2:01 pm

    I love her when I saw Bad teacher and Charlie’s angels

  21. @leenaj5497

    January 23, 2025 at 2:24 pm

    ❤❤❤❤❤❤❤❤❤

  22. @seth7516

    January 23, 2025 at 2:35 pm

    She looks so chic, brava to this stylist

  23. @jasmimfigueroa2505

    January 23, 2025 at 2:40 pm

    Absolutamente belleza ❤

  24. @emmanorts

    January 23, 2025 at 2:43 pm

    she’s so charismatic, humble, vibrant, and just so wonderful to watch. loved this and so beyond thrilled the queen is back!!!!

  25. @aynurrajabzade6088

    January 23, 2025 at 2:48 pm

    Love ❤❤❤

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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