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Brooke Shields Tells the Story Behind Her 80’s Calvin Klein Jeans Campaign | Vogue

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“You want to know what comes between me and my Calvins? Nothing.” Brooke Shields shares the story behind her iconic 1980’s Calvin Klein jeans campaign, the complex impact it had upon her life, and the challenges of being a child elevated to adulthood by the industry.

Shields stars in Netflix’s rom-com film “A Castle for Christmas” on Nov 26 and launched her digital community and brand BEGINNING IS NOW on September 15 to inspire women of every age to live their fullest lives—on their own terms.

Director: Max Bartick
Director of Photography: Steven Tong

Producer: Dominique Guillory
Editor: Shandor Garrison
Editor: Daniel Poler
Associate Producer: Cecilia Sallusti
Audio: Lily Van Leeuwen

Set Designer: Daniel Horowitz

Set Designer asst: Adea Lennox

Production Manager: Edith Pauccar, Emily Yates
Production Coordinator: Kit Fogarty
Senior Director, Production Management: Jessica Schier
Post Production Supervisor: Marco Glinbizzi
VP, Digital Video Programming and Development,Vogue (English Language): Robert Semmer
Director of Content, Vogue: Tara Homeri
Talent Booking: Tracy Shaffer
Special Thanks: Calvin Klein, The Richard Avedon Foundation

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Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

Brooke Shields Tells the Story Behind Her 80’s Calvin Klein Jeans Campaign | Vogue

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22 Comments

22 Comments

  1. Valentina

    October 28, 2021 at 5:29 pm

    So sickening how she was sexualized at a young age, the photoshoot she did for playboy a 10 years old it so awful and her mom agreed with that ????she was a KID.Well this is Hollywood industry at its finest.

    • EvaKatz

      October 28, 2021 at 7:46 pm

      That was horrifying.

  2. emma

    October 28, 2021 at 5:30 pm

    Vogue is amazing for making these interviews.

  3. The O.D.A. Music Group ♪

    October 28, 2021 at 6:05 pm

    Fun fact: The REAL fans showed up for this one. I hope to have a fanbase this loyal supporting my music videos someday. ????????????????????????

  4. jayme peddycoart

    October 28, 2021 at 6:09 pm

    Brooke Shields thank you for sharing intimate details of your life. Adults are harsh. I admire your strength.

  5. Anaisha

    October 28, 2021 at 6:18 pm

    Shame on Calvin she dint even know what she was saying

  6. TinaH

    October 28, 2021 at 6:20 pm

    I always loved her. Her Calvin adds were absolutely fantastic. It was so much hypocrisy following it. But girls her age …we loved her …

  7. Indi Geaux

    October 28, 2021 at 6:21 pm

    I didn’t lose my virginity until I was 22, and that was because I was a fan of Brooke Shields and she valued her chastity. So, yeah, who your kids follow, they become, no matter how strong and awesome your family structure is.

  8. Wild Earth

    October 28, 2021 at 6:22 pm

    Hi Caitlyn Jenner ????

  9. Jowaness

    October 28, 2021 at 6:22 pm

    Blue lagoon….

  10. Marco O_M

    October 28, 2021 at 6:26 pm

    Love her !!!

  11. maya

    October 28, 2021 at 6:27 pm

    SHE HAS. HNAGED A LOT

  12. Joseph Keller

    October 28, 2021 at 6:36 pm

    The evanescent mother noteworthily flood because car karunagappally consist on a sweltering astronomy. lethal, cynical xylophone

  13. Paintitblackxo

    October 28, 2021 at 6:52 pm

    Iconic ❤️ Addison Rae reminds me of her a little bit, that wholesome girl next door beauty ????

  14. davisneves

    October 28, 2021 at 6:52 pm

    our society has to reject the sexualization of children! #saveourkids

  15. Yvette Romero

    October 28, 2021 at 7:01 pm

    The Calvin ads were genius

  16. Fran soares

    October 28, 2021 at 7:04 pm

    Foi a mulher mais linda que eu ja vi na minha vida ????

  17. Neanderthal

    October 28, 2021 at 7:05 pm

    What a beautiful lady

  18. Ham S

    October 28, 2021 at 7:23 pm

    so ridiculously gross how she was treated by the industry and public. honestly inspirational to see how she handled it though

  19. MeTime

    October 28, 2021 at 7:30 pm

    They should have discussed with her mom. She was only 15. Her mom must have known what was going on.

  20. Helen Rachel

    October 28, 2021 at 7:42 pm

    Glorious lady!!

  21. Manuel Bernet

    October 28, 2021 at 7:52 pm

    I am so upset. I have conversations in my mind (talking out loud) with some of the interviewers she had to deal with, kickin their asses, big time. It’s unbelievable how women were treated then (and are still now). Shame.

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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