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At Home With Kim Kardashian – The End of An Era | Good Morning Vogue

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It’s the end of an era: Kim Kardashian talks about the ending of “Keeping Up With the Kardashians,” and the places her life has gone to since the beginning of the show.

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At Home With Kim Kardashian – The End of An Era | Good Morning Vogue

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22 Comments

22 Comments

  1. KEPERV TV

    March 15, 2021 at 7:37 pm

    The integrity of the interviewer awesome ..and Kim kind and polite as always…luv them both

  2. Meghane Lex

    March 15, 2021 at 7:38 pm

    Kim is beautiful, successful, & well-spoken ????????????

  3. HopeJstone

    March 15, 2021 at 7:38 pm

    THE ENCOURAGEMENT I NEEDED | It’s refreshing to hear Robert Kardashian’s recommendation of having kids later in life. Thank you for sharing Kim, it means a lot.

  4. DILSHAD SAJID

    March 15, 2021 at 7:38 pm

    People be expecting she’d talk bout her divorce, bruhh the title says end of an era not end of a marriage!!????

  5. Katina King

    March 15, 2021 at 7:40 pm

    Nice to see her unfiltered with her skin looking like real skin …she’s gorgeous but I have a hard time watching the videos and interviews where she looks plastic because of it all

  6. nana poole

    March 15, 2021 at 7:41 pm

    Did she get upper lip fillers or just exaggerated with makeup? Looks odd…

  7. Vicky B

    March 15, 2021 at 7:41 pm

    Love, love, love!!! Keeping up with the Kardashians!!

  8. Queen Isyss

    March 15, 2021 at 7:43 pm

    If I was a kid of the kardash/Jenner fam I would appreciate ending the show because I wouldn’t enjoy my teen years being shown

  9. Awura Ama

    March 15, 2021 at 7:44 pm

    Kim K is undoubtedly one of my inspirations…

  10. hawksandsparrows

    March 15, 2021 at 7:44 pm

    Please feature less empty headed vapid people vogue.. please do better

  11. Juliana Rey

    March 15, 2021 at 7:44 pm

    Kim>anyone else in the family

  12. Drew Huso

    March 15, 2021 at 7:45 pm

    idk if “cleanse” is the best way to talk about this pandemic

  13. Ana Davila

    March 15, 2021 at 7:45 pm

    Punk is just an attitude. It means that you live your life your way and beat your own drum. – KK

  14. O K

    March 15, 2021 at 7:45 pm

    Kourtney for my favorite, don’t come for me lol

  15. João Valadares

    March 15, 2021 at 7:46 pm

    Kim’s speech has also changed drastically. You can see that she has matured and I love to hear this Kim speaking. Such a confident, fierce woman.

  16. Bryceida Valencia

    March 15, 2021 at 7:46 pm

    There’s no West in the title 🙁

  17. Bryceida Valencia

    March 15, 2021 at 7:48 pm

    There’s no West in her name title 🙁

  18. HoneyBunny Bunny

    March 15, 2021 at 7:48 pm

    If they don’t address the divorce what’s the point you know why were here

  19. July Larra

    March 15, 2021 at 7:49 pm

    In 2021 it’s clear everybody who hated on her for having “no talent” was just mad she was able to come up based off her personality and who she was and became an Icon.

  20. exclbyjarvez

    March 15, 2021 at 7:49 pm

    her aging is so apparent here,

  21. Name

    March 15, 2021 at 7:49 pm

    I know we don’t know these people so we shouldn’t judge but her and Kanye seem so sad lately I hope they find their way back together

  22. monika monika

    March 15, 2021 at 7:51 pm

    Whats wrong with her face?? She looked different before

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Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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