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Anya Taylor-Joy Breaks Down 13 Looks, From Queen’s Gambit to the Golden Globes | Life in Looks

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Vogue España cover star Anya Taylor-Joy reflects on her remarkable career in both fashion and film in this edition of Vogue’s “Life in Looks.” Watch as she reminisces about hair ribbons, heavy gowns, and even a near-tumble saved by Jimmy Fallon.

Director: Gabrielle Reich
Director of Photography: Josh Herzog
Editor: Michael Suyeda
Producer: Chase Lewis
Associate Producer: Lea Donenberg
Assistant Camera: Sam Carter
Gaffer: David Djaco
Audio: Lily van Leeuwen
Production Assistant: Erica Palmieri
Production Coordinator: Ava Kashar
Production Manager: David Alvarez Paz
Line Producer: Natasha Soto-Albors
Senior Director, Production Management: Jessica Schier
Assistant Editor: Billy Ward
Post Production Coordinator: Holly Frew
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Director, Post Production: Nicholas Ascanio
Global Entertainment Director: Caitlin Brody
Director, Content Production: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Filmed on Location: Hotel (The Mercer)
Florist: Touch of Silk by Robin

00:00 – Anya Taylor-Joy’s Life in Looks
00:15 – 2015: The VVitch
00:49 – 2018: Met Gala
01:48 – 2020: Emma
02:46 – 2020: Queen’s Gambit
05:00 – 2021: The Emmys
05:46 – 2021: Golden Globes
06:15 – 2021: Last Night in Soho
06:56 – 2022: The Menu
07:17 – 2024: Dune: Part Two
07:59 – 2024: Furiosa
08:44 – 2024: Cannes
09:41 – 2025: Golden Globe Awards
10:49 – 2025: Vogue España

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Vogue Germany: https://www.youtube.com/@VogueGermany
Vogue Italia: https://www.youtube.com/@VogueItalia
Vogue Spain: https://www.youtube.com/@VogueSpain

ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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25 Comments

25 Comments

  1. @RatGirl9000

    February 20, 2025 at 12:44 pm

    Anya my beloved 🥰

  2. @remzinasuhbeyoglu1817

    February 20, 2025 at 12:53 pm

    Seni çok seviyorum aşkım seni çok özledim seninle birlikte sevişmek için sabırsızlanıyorum aşkım seni çok özledim seni çok seviyorum aşkım seni çok özledim 🥰😍💖🌷🤩🥳 bir şekilde

  3. @freelikeyve

    February 20, 2025 at 12:54 pm

    11:13 – 11:20 I desperately need an Anya ASMR video

  4. @AvalieASMR

    February 20, 2025 at 1:18 pm

    I clicked faster than light .

  5. @midasbeauty

    February 20, 2025 at 1:24 pm

    She is so beautiful, she looks like Miss Zimbabwe 2023

  6. @brooklynbaby-r8y

    February 20, 2025 at 1:25 pm

    She looks ethereal i love her

  7. @cesardavila6666

    February 20, 2025 at 1:25 pm

    She could talk about bugs and I’ll listen to her the whole conversation.

  8. @SoHighVic

    February 20, 2025 at 1:30 pm

    Agh, she seems so tender 💕 how i love her

  9. @whe832kso10

    February 20, 2025 at 1:34 pm

    Such a classy woman, I aspire to be as grounded and eloquent as her!

  10. @vegetarianlegend

    February 20, 2025 at 1:40 pm

    queen

  11. @johnt84

    February 20, 2025 at 1:46 pm

    I just found out Anya was almost in Nosferatu 😩 please do a vampire role one day. 🙂 Thanks.

  12. @BarbieDoo666

    February 20, 2025 at 1:46 pm

    I love Anya and her style soooo much!!

  13. @Nancy-sf2pl

    February 20, 2025 at 1:48 pm

    Nothing will ever top the time that she worked with Law Roach. Wish more of those looks were included in this. They worked so well together

  14. @appartement2046

    February 20, 2025 at 1:49 pm

    I love the variety of roles that she’s played. Great range!

  15. @cassiecarpenter

    February 20, 2025 at 1:53 pm

    I love watching her confronted with her pre-plastic surgery face. P.S. She pays someone to pick her dresses. They’re called a professional stylist.

  16. @evap.5121

    February 20, 2025 at 2:01 pm

    I want her in an Argentine film or to play an Argentine

  17. @BooBahh-uh5jk

    February 20, 2025 at 2:01 pm

    She should have been the new Snow White over Rachel. I probably would think a bit about paying to go watch it

  18. @Mar-kc6cv

    February 20, 2025 at 2:09 pm

    Reina

  19. @ainhoajr341

    February 20, 2025 at 2:09 pm

    Me encanta esta actriz ❤

  20. @nymphelix

    February 20, 2025 at 2:14 pm

    denle mas trabajo a mi niña !!!

  21. @Digitalgirl.mp3

    February 20, 2025 at 2:27 pm

    Law Roach definitely played a big part in her fashion journey so, shoutout to LAW

  22. @Newuser886

    February 20, 2025 at 2:31 pm

    Anya should be getting on a Vogue cover soon. Don’t you agree?

  23. @4evergogo

    February 20, 2025 at 2:33 pm

    ohhhh i adore Anya!!! yayyy!

  24. @sallykins3800

    February 20, 2025 at 2:35 pm

    👌🏻

  25. @ciaoitaly4642

    February 20, 2025 at 2:45 pm

    ❤❤❤

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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Vogue Spain: https://www.youtube.com/@VogueSpain

ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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ABOUT VOGUE
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Is Carey Mulligan a good work wife?

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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