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2 Designers Transform Each Other’s Work (ft. Stella McCartney & Shie Lyu) | Vogue

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The third installment of our creative-swap project sees Stella McCartney and fledgling Chinese designer Shie Lyu each give new shape to old looks.

Associate Director, Creative Development, Vogue: Alexandra Gurvitch
Senior Producer, Vogue: Jordin Rocchi
Senior Editor: Evan Allan
London Crew
Director: Luke Spencer
Producer: Benjamin Whitley
DP: Arthur Loveday
AC: Chris Orr
Audio: Declan Chew, Joe Harris
Hair Stylist: Louis Byrne, Eamonn Hughes
Makeup Artist: Chynara Kojoeva, Kirstin Piggott
Chengdu Crew
Director: Benjamin Mullinkosson
Producer: Casey Homovich
DP: Gennady Baranov
1st AC: Zhang Kaidong
2nd AC: Du Bo
Technician: Long Xuegui
Audio: He Junyi
DIT: Xie Ping
Hair and Makeup: Yang Xinrui
Hair and Makeup Assistant: Zhou Yutong
Creative Editorial Director, Vogue: Mark Guiducci
Global Network Lead & U.S. Fashion Features Director, Vogue: Mark Holgate
Global Head of Fashion Network: Virginia Smith
Fashion Features Editor, Vogue: Laura Hawkins
Sustainability Editor, Vogue: Tonne Goodman
Visuals Director, Vogue Global: David Lipford
Associate Visuals Editor, Vogue: Billy Kiessling
Production Coordinator: Ava Kashar
Production Manager: Kit Fogarty
Senior Director, Production Management: Jessica Schier
Assistant Editors: Ben Harowitz, Andy Morell, Justin Symonds, Billy Ward
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Supervising Editor: Kameron Key
Post Production Supervisor: Edward Taylor
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33 Comments

33 Comments

  1. Tasneem Abushanab

    June 5, 2023 at 7:03 am

    First !

  2. مطبخ لوان lawan cuisine

    June 5, 2023 at 7:04 am

    First comment ????

  3. LIZZIEMAC2010

    June 5, 2023 at 7:06 am

    Second!

  4. pear tree

    June 5, 2023 at 7:08 am

    I’m fourth ig ????

  5. alberto alonso

    June 5, 2023 at 7:16 am

    I LOVE this series

  6. Leslie

    June 5, 2023 at 7:17 am

    I love both!

  7. Svnny

    June 5, 2023 at 7:19 am

    5:22 The before photo, that is just grotesque.

    • Hannah HBIC

      June 5, 2023 at 10:02 am

      They should’ve chosen a better photo coz that suit looked impeccable.

  8. CPL Juan Maravilla

    June 5, 2023 at 7:21 am

    We need more of this Series. brilliant.

    • Matt Bray

      June 5, 2023 at 9:22 am

      Agreed

    • Hannah HBIC

      June 5, 2023 at 10:01 am

      Yes, please.

    • •N x f e l i b a t a•

      June 5, 2023 at 1:00 pm

      oh, definitely!

  9. vibes dreams

    June 5, 2023 at 7:37 am

    i love it

  10. CmGPersonal

    June 5, 2023 at 8:07 am

    LOVE this series but did Shie just say there’s a horse hair layer to a Stella McCartney jacket????

    • Sneha Shrivastav

      June 5, 2023 at 10:08 am

      I caught that too! Very curious now

    • Milo Vids

      June 5, 2023 at 2:03 pm

      Horse hair is typically a strip of thin bendy polyester “fabric” that adds structure to fabric almost like a softer boning. It is mostly used to create a more dramatic ruffle in the end of a dresses hem. not sure why its called horse hair because it has no horse hair in it at all 🙂

    • Sneha Shrivastav

      June 5, 2023 at 2:27 pm

      @Milo Vids thank you so much for clarifying!

    • HUFFLER

      June 5, 2023 at 3:52 pm

      yes, it’s a sign of great quality in tailoring and no it is not the same as horsehair ribbon that Milo was referring to. horsehair canvas is a canvas that has horsehair woven into the fabric in one direction, this creates a certain bounce in that one direction so it glides beautifully over the chest. It also creates a beautiful lapel roll.

  11. Lea Reed

    June 5, 2023 at 8:08 am

    What a refreshing concept and so engaging for me too. Please keep this series going! ????????????

  12. Gonzalo Pinilla P.

    June 5, 2023 at 8:16 am

    Always Stella ❤❤❤

  13. Heather Euler

    June 5, 2023 at 8:20 am

    I can’t find the first two installments of the Creative Swap Project.

  14. Phillip Wong

    June 5, 2023 at 8:36 am

    Is an interesting series, but both of them basically rip each other’s item apart and made it into fabric so it can be shaped to a totally new garment. Is not exactly like changing an existing item by altering it. They might as well send each other’s the fabrics TBH, it saves both of them times taking it apart

  15. Deon Delduca

    June 5, 2023 at 8:38 am

    Brilliant!!!!!

  16. marvin raphael monfort

    June 5, 2023 at 9:34 am

    both lovely recreations. shoutout to the zip-flare jeans of one of stella’s staff and shie’s yin-yang-ish moto jacket

  17. the slayification of charlotte

    June 5, 2023 at 9:51 am

    shie is underrated omg

    • Hannah HBIC

      June 5, 2023 at 10:04 am

      That dress was stunning.

  18. Barbie

    June 5, 2023 at 9:56 am

    OMG i love this !!!!!

  19. Jacob Moon

    June 5, 2023 at 10:51 am

    We need MORE! This is so smart!

  20. That messy life

    June 5, 2023 at 11:29 am

    Style is so subjective like I really don’t see fashion in most of these items they just seem awkward and a little over the top to me

  21. Patty Blom

    June 5, 2023 at 1:20 pm

    Great transformations ???? Hope to see more of these

  22. SassyBunny

    June 5, 2023 at 1:47 pm

    Brilliant! Make more !

  23. Fatidic Lunacy

    June 5, 2023 at 2:45 pm

    Malaika Holmén looks amazing here!!

  24. Brandon Morin

    June 5, 2023 at 3:07 pm

    Loveee theseee!

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Entertainment

Inside the 2026 Met Exhibition: Costume Art | Vogue

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“Fashion is very much an art form not in spite of the body, but because of it,” says Andrew Bolton, OBE, curator in charge of the Costume Institute. And this year’s exhibition, “Costume Art,” seeks not just to address this tantalizingly complex issue, but to explore it in all its many facets. The central thesis is as simple as it is thrilling: pair existing artworks with corresponding garments or accessories and let your synapses fire. The very layout of the show—broken into sections that move from Biblical nudity to the au courant idea of body diversity to the ways in which we’ve long used clothes not merely to adorn but to subvert and distort the body—indicates just how richly drawn this subject is and why it’s mesmerized artists since time immemorial.

Sinéad Burke, CEO of Tilting the Lens, emphasizes how this exhibit highlights bodies that have traditionally been overlooked, and as someone with a physical disability, she is among those featured. Her body has been memorialized in the exhibition as a custom mannequin, alongside model and musician Aariana Rose Philip, transforming their presence into a lasting part of the narrative around representation, fashion, and identity.

Additionally, this exhibition will be the first in the costume department’s new home, the Conde M. Nast Galleries. Once relegated to a modest 4,500-square-foot space in the museum’s basement, the department will now take flight in a grand, 12,000-square-foot display room on the ground floor, just off the central Great Hall. It is, says Max Hollein, the museum’s director, a symbol of how important clothing has become to The Met’s mission in exploring the many facets of art in the modern age. “We collect paintings, sculptures, textiles, arms and armor, but especially all the fashion,” he says. “And we want to make sure that it’s understood that fashion is a fantastic form of art.”

Featuring testimonials from Misty Copeland, Alex Consani, Gwendoline Christie, Aimee Mullins, Sinéad Burke, Aariana Rose Philip and more.

Director: Nina Ljeti
Directors of Photography: Michael Lopez, Henry Gill
Editor: Evan Allan

Senior Producer: Bety Dereje
Producer: Rashida Josiah
Associate Producers: Anisa Kennar, Justine Ramirez, Lea Donenberg
Camera Operator: Chanthila Phaophanit 
Assistant Camera: Kahdeem Prosper Jefferson, Gordan Wong
Gaffers: Billy Voermann, Mary Kalecinska
Swing: Alex Frischman
Audio: Mariya Chulichkova, Joanna Hunt 
Set Designers: Ilana Portney, Dana Keren
Production Assistants: Quinton Johnson, Myles Haywood
Runners: Edie Chesters, Rachel Ademidun

Groomer for Andrew Bolton: Shin Arima
Makeup Artist for Sinéad Burke and Alex Consani: Ai Yokomizo
Hairstylist for Sinéad Burke and Alex Consani: Sonny Molina
Makeup Artist for Misty Copeland: Victor Henao
Hairstylist for Misty Copeland: Nai’vasha Grace
Makeup Artist for Aariana Philip: Meadow Soleil Cloud
Makeup Artist for Gwendoline Christie: Daniel Kolaric
Hairstylist for Gwendoline Christie: Joe Kelly
Hair & Makeup Artist for Aimee Mullins: Stèfan Jemeel

Production Coordinator: Tanía Jones
Production Manager: Kristen Helmick
Senior Production Manager: Venita Singh-Warner
Line Producer: Natasha Soto-Albors

Assistant Editors: Andy Morell, Fynn Lithgow
Senior Motion Graphics Designer: Samuel Fuller
Post Production Coordinator: Holly Frew
Supervising Editor: Kameron Key
Post Production Supervisor: Alexa Deutsch

Entertainment Director: Sergio Kletnoy
Global Talent Casting Directors: Ignacio Murillo, Morgan Senesi
Executive Producer: Rahel Gebreyes
Senior Director, Digital Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri

Florist: London Blooming Haus
Photography By Paul Westlake
Images Courtesy of The Metropolitan Museum of Art

Special Thanks: The Metropolitan Museum of Art

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JENNIE and Dakota Johnson Embrace on the Red Carpet

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Blackpink’s JENNIE hugs Dakota Johnson on the Time 100 red carpet.

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‘Beef’ Season 2 stars, Oscar Isaac and Carey Mulligan, takes a lie detector test

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