CERUTTI Spring 1997 Paris – Fashion Channel

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The slip returned in Rodriguez’s spring 1997 Cerruti show, but nothing resembling Carolyn’s iconic dress.

There would only ever be one of those, he said.

Strength and fragility met in the collection.

One of the things that distinguished it was that its roots could easily be traced back to the American tradition, which in Paris, was something rare.

The simplicity of it and the practicality and the realness and the honesty of that kind of style resonates today because there is so much that are artificial, whether it’s photographs on social media, all sorts of all sorts of body augmentation and dysmorphia.

There’s a kindness and a simplicity and a gentleness to Kate’s fragility, to Carolyn Murphy’s fragility, her beauty.

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