Entertainment

SFX Makeup Artist Reviews SFX Makeup in Film, from ‘The Godfather’ to ‘Guardians of the Galaxy’

Published

4 years ago

September 14, 2020

SFX makeup artist Howard Berger reviews SFX makeup from films including ‘The Wizard of Oz,’ ‘The Godfather,’ ‘An American Werewolf in London,’ ‘Kill Bill Vol. 1,’ ‘Guardians of the Galaxy Vol. 2,’ ‘Bombshell,’ Michael Jackson’s ‘Thriller’ and ‘The Exorcist’ and analyzes their believability, technique, and execution.

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SFX Makeup Artist Reviews SFX Makeup in Film, from ‘The Godfather’ to ‘Guardians of the Galaxy’

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30 Comments

Sweet Priyanka Chopra

September 14, 2020 at 4:11 pm

Nice n sweet

Reply
Sailor Sam

September 14, 2020 at 4:17 pm

Wow those Marlin Brando comparison pictures are crazy. He really did an amazing job. I always forget that Marlon Brando was so much younger!

Reply
koro

September 14, 2020 at 4:18 pm

yes, i enjoy it

Reply
Arnav Gupta

September 14, 2020 at 4:26 pm

I honestly came for gamora
Lol

Reply
Water Me Loan 64

September 14, 2020 at 4:26 pm

Howard Berger is Amazing!

Reply
Gabriel Campos

September 14, 2020 at 4:29 pm

This is my favorite part in movies. I’m always stunned about it.

Reply
#1 Superhero Fan

September 14, 2020 at 4:31 pm

If you are reading this I want to let you know that your sooo special to me and god. And, I hope you guys are Okay during this pandemic and the traumatic times of the year 2020. Love you, Whoever is lucky enough to read this! 🙂

Reply
Rebecca Robinson

September 14, 2020 at 4:42 pm

he looks like les grossman

Reply
John Lenin

September 14, 2020 at 4:43 pm

Gamorra is the worst makeup I’ve seen since the 50s. It’s just green paint with no shading or contouring.

Reply
- John Lenin
  
  September 14, 2020 at 6:23 pm
  
  @13strong Like paint on skin. Real skin has translucency and a million subtle shades.
  
  Reply
- 13strong
  
  September 14, 2020 at 6:24 pm
  
  @John Lenin Yes? I’m just saying that the even, non-contoured green of her skin is similar to the even, non-contoured flesh tones of most humans. If you want her to be dolled up for a night out then that’s your weird expectation, but she’s an alien warrior. I don’t think she’s breaking out the slap before a battle. I thought her make up was excellent and so did the expert in this video.
  
  Reply
- John Lenin
  
  September 14, 2020 at 6:27 pm
  
  @13strong She looks like a mannequin.
  
  Reply
- John Lenin
  
  September 14, 2020 at 6:28 pm
  
  @E. S. Rigby Which is why they spray painted paper plates silver for the spaceships.
  
  Reply
- E. S. Rigby
  
  September 14, 2020 at 7:25 pm
  
  @John Lenin Hey, you do what works. It was a good-looking film with an entertaining story and fun character acting. I’m not here to argue that it broke the very limits of SFX and it’s the greatest film ever made, but it was good. Its practical effects were perfectly serviceable, looked good on camera, and worked with the visual aesthetic. I don’t know why this is so important to you.
  
  Reply
luckystrke

September 14, 2020 at 4:46 pm

Love this! Thanks 🙂

Reply
13strong

September 14, 2020 at 4:53 pm

Does he explain how he got that trained badger to sleep on his chin?

Reply
Angel Sarah

September 14, 2020 at 5:00 pm

*Vanity Fair* Perfect as always. Have a good day :p

Reply
PAKTRA PRODUCTIONS

September 14, 2020 at 5:03 pm

Did anybody else see the video as 5 and 1/2 hours long when they clicked on it?

Reply
Tom Morgan

September 14, 2020 at 5:05 pm

I saw bombshell in theatres and 100% noticed the makeup lol. On Charlize it was incredibly subtle, perhaps the best likeness I’ve ever seen crafted out of prosthetics before, but on literally every other character it was terrible to the point of farce. (Look up Richard Kind as Rudy Giuliani if you don’t believe me.)

Reply
silver surfer

September 14, 2020 at 5:10 pm

No Doug Jones?

Reply
Stephanie Mol

September 14, 2020 at 5:27 pm

Loved this video!

Reply
Mitch Ravenport

September 14, 2020 at 5:40 pm

Really great and insightful video. Love your beard, too.

Reply
Justen Harden

September 14, 2020 at 5:47 pm

This is incredible. Nice to see a guy who has such passion and appreciation for his craft! Respect.

Reply
Akhil T_T

September 14, 2020 at 6:01 pm

Why does he look like vsauce

Reply
Katie Elspeth

September 14, 2020 at 6:10 pm

Yes, thank you more please

Reply
Fraser McCready

September 14, 2020 at 6:30 pm

Anyone else think he has a really cool beard ?

Reply
Farah

September 14, 2020 at 6:38 pm

Anyone else skip the exorcist bit bc you got scared 😂

Reply
SQNC

September 14, 2020 at 7:00 pm

Amazing reaction videos !!

Reply
Issi Keyman

September 14, 2020 at 7:13 pm

Everyone’s talking about his beard, but he has a nice house.

Reply
Alijah Sefchick

September 14, 2020 at 7:49 pm

Amazing video. Never realized some of these movies even had those prosthetics

Reply

Entertainment

Bill Skarsgård and Ncuti Gatwa are here for “the good notes” with #VFHollywood.

Published

15 hours ago

November 21, 2024

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Bill Skarsgård and Ncuti Gatwa join forces for #VFHollywood

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Entertainment

How the Front Row Became the Front Row | Vogue

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2 days ago

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LAVISHLY DEMURE

Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
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Art & Graphics Lead: Léa Kichler
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Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

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Published

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Director: Claire Buss
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