Entertainment

Millie Bobby Brown’s Date Night Beauty Routine | Beauty Secrets | Vogue

Published

8 months ago

March 26, 2024

Millie Bobby Brown takes us through her skincare routine and reveals how she gets ready for a date night with her fiancée. The ‘Damsel’ actor talks about shopping for skin care products with her mom when she was young, learning from YouTube beauty tutorials, getting ready for red carpets, and even explains how she applies concealer to fiancée Jake Bongiovi.

Director: Gabrielle Reich
DP: Josh Herzog
Editor: Michael Suyeda
Associate Producer: Lea Donenberg
Production Manager: Natasha Soto- Albors
Production Coordinator: Ava Kashar
Associate Talent Manager: Phoebe Feinberg
Post Production Supervisor: Alexa Deutsch
Post Production Coordinator: Ian Bryant
Supervising Editor: Erica DeLeo
Assistant Editor: Andy Morell
Filmed at: Hotel Fouquet’s New York

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ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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Hugh Grant, Matthew McConaughey & Charlie Hunnam teach you the slang of their homelands.

25 Comments

@Brownsocksflirt

March 26, 2024 at 2:55 pm

It’s sooooooo distracting…just like Katie Jane Hughes , it’s so fake and disturbing…or you English or SoCal??! this and Louis Hofmann using a British accent instead of his native German are so annoying

That said, she’s so friggin adorable and pleasant ❤❤❤❤

Reply
@lilyfarr9223

March 26, 2024 at 2:57 pm

Slay, slay, slay, and even more slay, my queen!

Reply
@PrinzeRamzi

March 26, 2024 at 3:03 pm

Before I even scrolled down I knew all the comments were going to be about her accent glitching lolol

Reply
@kensielovesmillie

March 26, 2024 at 3:07 pm

LOVE HER❤❤❤

Reply
@KatE-iz5hl

March 26, 2024 at 3:10 pm

Is it me or are her eyes weirdly matte?

Reply
@lpg8518

March 26, 2024 at 3:12 pm

Interesting, I didn’t realize she was more of a girlie girl than not. Her movies in Enola Holmes made me think of her as not so girlie LOL!! I love her as an actress and totally get the accent changes, my sister is the same way. If she’s around someone with an accent, she will instantly start talking like that.

Reply
@buzzlightyearandco

March 26, 2024 at 3:17 pm

why is she speaking with an American accent

Reply
@ScubaAspen

March 26, 2024 at 3:23 pm

it’s 7! …or 11?! u r too pretty ❤

Reply
@orlogskaptenshmanya6264

March 26, 2024 at 3:24 pm

I thought we were over a yellow tone like 10-15 years ago

Reply
@bobbytutorials8670

March 26, 2024 at 3:26 pm

AAAAAAAAAAAA CUANTO TIEMPO ESPERÉ POR ESTOOOOOOOO

Reply
@onlxedits

March 26, 2024 at 3:29 pm

I’VE BEEN WAITING FOR THIS!🤩 MY QUEEN!!

Reply
@darlosmurf148

March 26, 2024 at 3:29 pm

English, American, English, American???? Make your mind up love

Reply
@marinarizova

March 26, 2024 at 3:29 pm

The foundation color! Yikes! 😮

Reply
@freddiemercury5262

March 26, 2024 at 3:31 pm

she barely used any flornece by mills im shocked

Reply
@michael_scarn_

March 26, 2024 at 3:34 pm

The foundation is too orange 😭😭😭

Reply
@peachnecctar1658

March 26, 2024 at 3:35 pm

the way i gasped when she showed off her nails..

Reply
@ciganyweaverandherperiwink6293

March 26, 2024 at 3:38 pm

What is the logic behind deliberately wearing the incorrect shade and/or undertone of foundation? So much faffing to try and blend it into the neck to match the rest of her skin. She has access to professionals so surely they’d be using and recommending the very best products? I found this unfathomable. I kept listening carefully to see if there was an explanation for it, that perhaps she was going out and would be walking into a certain lighting situation but would otherwise not wear this shade and instead go for X or Y product. This technical chat never came so I’m at a loss. Can someone offer any insight please?

Reply
@carrisagrace1

March 26, 2024 at 3:43 pm

Who makes the hoops tho?!??!!!

Reply
@dianebusza8534

March 26, 2024 at 3:44 pm

Millie that shade is to dark and for someone who has her own make up and skin care line, why arent you using your own products?🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️

Reply
@lynlynbbb21

March 26, 2024 at 3:45 pm

Why does she always look like 30+😂

Reply
@jessicaseven

March 26, 2024 at 3:45 pm

Wrong foundation. Way too yellow and dark

Reply
@ItsSabaStylinson

March 26, 2024 at 3:46 pm

Thanks Vogue finally 😍 next one should be SADIE SINK. SERIOUSLY

Reply
@latteslettersandlife

March 26, 2024 at 3:47 pm

Can someone tell her how to shade match?

Reply
@iwonaiwona1592

March 26, 2024 at 3:48 pm

who is she anyway

Reply
@jessicaseven

March 26, 2024 at 3:51 pm

She is so fake

Reply

Entertainment

Bill Skarsgård and Ncuti Gatwa are here for “the good notes” with #VFHollywood.

Published

13 hours ago

November 21, 2024

LAVISHLY DEMURE

Bill Skarsgård and Ncuti Gatwa join forces for #VFHollywood

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ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

Entertainment

How the Front Row Became the Front Row | Vogue

Published

2 days ago

November 20, 2024

LAVISHLY DEMURE

Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Fynn Lithgow, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

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ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

Entertainment

Malcolm & John David Washington Break Down a Scene From ‘The Piano Lesson’ | Vanity Fair

Published

2 days ago

November 20, 2024

LAVISHLY DEMURE

Director Malcom Washington breaks down an scene from ‘The Piano Lesson’ alongside his brother John David Washington. Malcom provides an elaborate explanation of playing with point of view to guide the audience throughout the movie, working with the “talented” Samuel L. Jackson, and so much more.

Director: Claire Buss
Director of Photography: Dave Sanders
Editor: Lika Kumoi
Talent: Malcolm Washington, John David Washington
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Audio Engineer: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Billy Ward