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“It was really hard to do, it was really hard to sound good.”

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Billie Eilish and FINNEAS break down what went into their musical choices for “What Was I Made For”

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10 Comments

10 Comments

  1. @amazingchaosandepicnes3859

    February 16, 2024 at 12:05 pm

    Im only here

    • @aofdiamondsspare9387

      February 16, 2024 at 12:09 pm

      Hi

    • @carmensmithaguirre3049

      February 16, 2024 at 12:11 pm

      You’re not alone

  2. @gerrijackson8849

    February 16, 2024 at 12:25 pm

    So happy you made the effort. I was amazed your pitch was so perfect in that whisper voice!

  3. @sturnioloaeppp

    February 16, 2024 at 12:27 pm

    We all love you

  4. @Raven-pk6op

    February 16, 2024 at 12:32 pm

    Any choir student would agree cause I understand

  5. @lexigreen264

    February 16, 2024 at 12:42 pm

    I mean I get it, but you use a soft whisper voice for every other song too. It’s OK to just say it’s your style.

    • @lorenzoirilli646

      February 16, 2024 at 1:21 pm

      have you even listened to her songs.. youre embarrassing

  6. @stevenrodriguez3891

    February 16, 2024 at 2:43 pm

    🌭🤲🏼🧎🏽‍♂️🤫

    • @stevenrodriguez3891

      February 16, 2024 at 2:44 pm

      🌹🤵🏽‍♂️

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Entertainment

Bill Skarsgård and Ncuti Gatwa are here for “the good notes” with #VFHollywood.

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Bill Skarsgård and Ncuti Gatwa join forces for #VFHollywood

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How the Front Row Became the Front Row | Vogue

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Over the past 75 years, fashion shows have evolved from intimate presentations to global spectacles. Vogue takes a look at the rich history of fashion’s illustrious front row. Dior’s 1950s “New Look” revolutionized femininity, while the ’60s embraced individual freedom and exclusivity. The ’70s introduced cultural influencers and turned shows into entertainment, paving the way for the extravagant glamour of the ’80s. By the ’90s, mainstream appeal dominated, and the 2000s saw celebrities strategically claim the front row. The rise of influencers in the 2010s, fueled by social media, democratized access to Fashion Week. Even as the pandemic briefly halted live shows, the industry adapted and returned. Today, the front row itself has become part of the spectacle with celebrities like Kylie Jenner wearing the same outfit we also see on the runway.

Director: Catherine Orchard
Editors: Evan Allan, Ryan Jeffrey
Producers: Rahel Gebreyes, Bety Dereje
Archival Researcher: Lilli Karkowski
Writer: Laia Garcia-Furtado
Associate Producer: Marisah Yazbek
Creative Production Coordinator: Anisa Kennar
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editors: Fynn Lithgow, Justin Symonds
Post Production Coordinator: Scout Alter
Art & Graphics Lead: Léa Kichler
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Director, Content Production: Rahel Gebreyes
Senior Director, Video: Romy van den Broeke
Senior Director, Programming: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Footage Courtesy of Video Fashion
Image Courtesy of Steven Meisel

00:00 – Fashion!
00:39 – 1950s
01:22 – 1960s
01:50 – 1970s
02:20 – 1980s
02:57 – 1990s
03:31 – 2000s
04:26 – 2010s
05:10 – 2020s

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ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

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Malcolm & John David Washington Break Down a Scene From ‘The Piano Lesson’ | Vanity Fair

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Director Malcom Washington breaks down an scene from ‘The Piano Lesson’ alongside his brother John David Washington. Malcom provides an elaborate explanation of playing with point of view to guide the audience throughout the movie, working with the “talented” Samuel L. Jackson, and so much more.

Director: Claire Buss
Director of Photography: Dave Sanders
Editor: Lika Kumoi
Talent: Malcolm Washington, John David Washington
Producer: Madison Coffey
Line Producer: Romeeka Powell
Associate Producer: Emebeit Beyene
Production Manager: Andressa Pelachi
Production Coordinator: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Nigel Akam
Gaffer: Dave Plank
Audio Engineer: Kevin Teixeira
Production Assistant: Nicole Murphy
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Billy Ward

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ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.

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